
Historian Dr. Michael Robinson, of the University of Hartford, opened his talk with a William Falkner quote that helped frame the 1961-1981 Key Moments in Human Spaceflight conference in Washington DC, held on April 26th through April 27th: “The past is never dead. It’s not even past.” The first talks of the day dealt extensively with the narrative and drive behind space travel and exploration, painting it as much of a major cultural element within the United States as it was one of scientific discovery and military necessity. In a way, we went to space because it was something that we’ve always done as Americans.
The Past
Dr. Robinson started with a short story of a great endeavor that captured the imagination of the public, one that brought in a lot of rivalry between nations on a global scale, advanced our scientific knowledge, and where high tech equipment helped bring valiant explorers to the extremes. Several disasters followed, and the government pulled back its support, yielding part of the field to private companies. If asked, most people would describe the space race of the twentieth century, and while they would be right, what Robinson talked about was the race for the North Pole. In 1909, American explorer Robert Peary claimed to have reached the North Pole, becoming the first known man to do so. While there are reasons to doubt or support Peary’s travels, Robinson makes some interesting points in comparing the North Pole to that of the space expeditions.
Robinson described a culture of exploration that’s existed in the United States since its inception, but took pains to make a distinction between the frontier motif that has permeated science fiction, and the realities that we’ve come to expect from going into orbit. Television shows have undoubtedly aided in the excitement for space research and exploration, but they’ve incorporated elements that have great significance for American audiences: Star Trek, for example, had been described as a ‘Wagon train to the stars’, while Firefly has likewise been described as a ‘Western in space’, to say nothing of films like Outland, Star Wars, and numerous other examples. In his 2004 address that helped outline America’s space ambitions, President George W. Bush noted that “the desire to explore and understand is part of our character”. Other presidents have said similar things, and it’s clear that there’s a certain vibe that it catches with the American voter.
It makes sense, considering the United State’s history over the past centuries: Americans are all newcomers, and as Robinson said, the west was a place to settle. The arctic, and space, really aren’t, and distinctions should be made between everything. Historically, both space and the arctic have much smaller footprints of human interactions. It’s a difficult area to reach, and once people are there, it’s an incredibly hostile environment that discourages casual visits.
The American West, on the other hand, is very different for the purposes of imagery for space travel. During the great migration during the 1800s, it was relatively cheap for a family to travel out to vast untapped territory: around $500. Additionally, once people reached the west, they found a place that readily supported human life, providing land, food, and raw materials. The American west was transformed by mass migration, helping to vastly expand the U.S. economy during that time, while leading to a massive expansion of the federal government and to the Civil War. Space, on the other hand, isn’t so forgiving, and like the arctic, doesn’t yield the benefits that the west provided.
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The explorations into the arctic gives us a sense of where space can go and how expectations from the public and the scientific community can come into line with one another. The polar explorations absolutely captured the imagination of the public: art exhibits toured the country, while one of the first science fiction novels, Frankenstein, was partially set in the North. However, what we can learn from the arctic is fairly simple: we abandon the idea of development in the short to mid future. Like the arctic, space is an extreme for human life, and the best lessons that we can glean for space will come from the past experiences that we’ve had from other such extremes: exploration in areas where people don’t usually go. This isn’t to say that people shouldn’t, or can’t go to the ends of the Earth and beyond, but to prepare accordingly, in all elements.
The arctic provides a useful model in what our expectations should be for space, and provide some historical context for why we go into space. We shouldn’t discount the idea that the west and the country’s history of exploration and settlement as a factor in going into space.
The Space Age
James Spiller, of SUNY Brockport, followed up with talk about the frontier analogy in space travel, noting that the imagery conformed to people’s expectations, and that notable figures in the field, such as Werner von Braun, liked the comparison because it helped to promote people’s interest in space. The west connected and resonated with the public, which has a history and mythos of exploration. This goes deep in our metaphorical, cultural veins, linking the ideas of US exceptionalism and individualism that came from the colonization of the American continent. The explorations to the west, the arctic and eventually to space, came about because it appealed to out character: it was part of our identity.
The launch of Sputnik in 1957 undermined much of what Americans believed, not just on a technical scale, but seemed to confirm that a country with vastly different values could do what we weren’t, with everything that was going for us, able to do. In the aftermath of the launch, President Eisenhower moved slowly on an American response, to great dismay of the public. It was a shock to the entire country, one that helped to prompt fast action and pushing up the urgency for a red-blooded American to go into space. How could the individual, exceptional Americans fall behind the socialists, whose values run completely counter to our own? There had already been numerous examples of individuals who had conquered machines and territories, such as Charles Lindberg and Robert Peary and the Mercury astronauts followed. Indeed, for all of the reasons for why the West feels important to Americans, the space program exemplifies certain traits in the people we selected to represent us in space.
Spiller noted that the frontier of the west seems to have vanished: the culture towards the end of the 1960s and early 1970s fractured society and the idea of American exceptionalism: the Civil Rights movement discredited parts of it, all the while the United States seems to have lost its lead in the global economy as other countries have overtaken it. As a result, the message of space changed, looking not out, but in. President Ronald Reagan worked to revisit the message, as did President H.W. Bush. There have been further changes since the first space missions: a new global threat that actively seeks to curtail modernism, terrorism, has preoccupied out attention, and pushed our priorities elsewhere.
Going Forward
The last speaker was former NASA Historian Steven Dick, who looked at the relationship between Exploration, Discovery and Science within human spaceflight, pointing out distinctions between the three: Exploration implies searching, while Discovery implies finding something, while science leads to explanation. The distinctions are important because they are fundamental to the rhetoric, he explained, and that the last program to really accomplish all three was the Apollo program.

Going into the future, NASA appears to be at a crossroads, and its actions now will help to define where it goes from here on out. The original budget that put men on the moon was unsustainable, but only just, and that as a result, NASA at the age of fifty is still constrained by actions taken when it was only twelve. The space shuttle is part of a program that was not a robust agent of exploration, discovery or science. He pointed out that where programs like Apollo and the Hubble Space telescope have their dramatic top ten moments, the Space shuttle really doesn’t, because it’s a truck: it’s designed with indeterminate, multiple functions, ranging from a science platform to a delivery vehicle for satellites. This isn’t to discredit the advances made because of the shuttle, but when compared to other programs, it doesn’t quite compare. The space station, on the other hand, was well worth the money, but people don’t respond as well to pure science as they do exploration. Apollo demonstrated that science alone isn’t enough to sustain public interest.
As he said it, “exploration without science is lame, discovery without science is blind, and exploration without discovery or science is unfulfilled.” Going forward, any endeavors beyond our planet should encapsulate all three elements to capture the public’s imagination, and make the efforts to go beyond orbit worthwhile for all. However, manned spaceflight can accomplish so much more than robotic probes and satellites, especially for fulfilling the frontier motif that helps to define our interest in going into space: it seems hard to embody the traits that have helped inspire people to go further when it’s someone, or something, else doing the exploring.
Space, the final frontier, is an apt way to look at how manned spaceflight programs are looked at, and it certainly captures the imagination of people from around the world. While some of the direct imagry is misplaced, it’s not a bad thing for people to capture, but it does help to remember the bigger, and more realistic picture when it comes to what the goals and expectations are for space. NASA, going forward will have to take some of these lessons to heart, reexamining its core mission and the goals that its working to put forward. Nobody in the room doubted that the money and the advances that have come forward as a result of space travel were worth the cost and risks involved, but they want it to continue forward far into the future. To do otherwise would mean giving up a significant part of who we are, because the traits that that have come to define our exploration beyond the horizon, to the North and high above us are elements that are worth celebrating: the drive to discover, to explore and to explain are all essential for the future.

















Sci-Fictional
Published September 19, 2008 Post 1 CommentTags: Commentary, Current Events, Science, Science Fiction
A while ago, I wrote about a show that was coming out that I was pretty excited for – Fringe. The show’s been out, and it’s pretty much what I’ve expected, and it’s certainly a fun program to watch. The main thing is though, you really can’t take it too seriously.
Popular mechanics went and did a feature on the bad science in the show. From both episodes that I’ve seen, they’re really taking liberties with what’s going on here, and theyve acknowledged that – J.J. Abrams has said that they would pretty much jump the shark each episode, which makes me think that the creators just want to have as much fun as possible before the ratings plummet.
One of the readers on the PM website left this comment:
This made me think a little bit – to what extent is Science Fiction about made-up science? To some extent, there’s quite a bit, when you look at some of the things that SciFi has covered over all the years. We see aliens from mars, aliens from other star systems, worm holes, cloning, robotics, robots that look like people, robots that look like people and want to be people, hyperspace, and so forth, nothing that really has any real-life counterparts, unless you subscribe to the aliens landed at Roswell thing. So there’s a lot of science fiction that utilizes made up items in order to tell its story.
But how much of this is merely a plot device and how much is just technobabble? This, in my mind, is what seperates the good science fiction from the bad. The best science fiction stories that I’ve read and watched have some of the more absurd things happen to some of the characters. Takeshi Kovacs is a super soldier who’s trained to switch bodies by means of a Stack, a small carbon device implanted in his brain (and much of the rest of the population) to prolong life. Shan Frankland was infected with a parasite that allowed her to survive a trip into the vacuum of space for months before being revived. Martin Springfield is an agent for a super intelligence known as the Eschaton, and works to prevent causality breaks designed to eliminate the Eschaton. Dr. Susan Calvin is a robopsychologist for US Robotics and Mechanical Men, and … you get the idea.
In each instance, the science here is a secondary element, although generally, very well thought out, given the level and sophistication of knowledge at the time of the book’s publication. The characters and story are the primary movers here. The same goes for two of my favorite TV shows, Firefly and Battlestar Galactica, where a lot of the science that could, and has been traditionally dropped in as technobabble, has been eliminated in favour of a character driven story.
To me, this is what really makes or breaks a story, when an author or creator can place people in improbable or impossible situations, and make them react in a way that entertains, or enlightens us, rather than a useless explaination for something that doesn’t exist.
This isn’t to say that all science fiction utilizes fake science, and with time, science catches up to the literature. Charles Stross‘s Halting State (reviewed here) utilizes MMORPG and Social Networking as part of its storyline, showing off a near future that’s quite frightening. Karen Traviss‘s Wess’Har series utilizes some likely technology throughout the story, and presents some very real problems, such as Global Warming and Climate Change several hundred years from the present day, and provides a fairly realistic-seeming future for society after that happens. The film Minority Report actually utilized a think tank to try and figure out where technology would go, and in the years since its been released, much of what we saw seems likely. The list goes on and on.
The big question is, when does some of the more fantastic things, like Cloning, Artificial intelligence, flying cars and jet packs become non-fictional? We’ve already had a couple of those things happen.
In short, there’s a lot of Science that will be perceived as fake, but necessary. In Fringe’s case, it’s the fantastic explanation that’s undermined by bad science. This really doesn’t set the show apart from things such as the X-Files or Star Trek, but it is fun to watch.