I Care If Han Shot First

I saw this earlier today: "I'm a diehard 'Han shot first fan'."

I couldn't care less. Go away.

Last night, the news broke that LucasFilm Ltd. intended to re-release (rererelease?) the entire Star Wars series to theaters in 3D in 2012. There's no further details beyond that, except that the first film to be released again will be The Phantom Menace. The announcement has the usual complaints and accusations coming, from: "George Lucas is raping my childhood!" to "How can they make it better?! Leave it alone!" which evolves into: "Han shot first!" I just don't care.

Re-Releases aren't intended to be better. The usual argument of any remake, reboot, or extra special edition looks to the quality of the film, which isn't really the right thing to look at. In the case of a complete remake of a film, it's a different interpretation of the same story, generally within a new context or with the new technology that's available. In the instance of George Lucas's updates to the film (or the other notable re-releases of Blade Runner, Abyss, Lord of the Rings and so forth) goes towards updating scenes based on new technology, or adding in deleted or altered scenes, generally to better fit with the filmmaker's vision of what he wants the film to be.

This brings me to my point about Han Solo shooting first. I first saw the films with the special edition, but that one shot didn't really leave any lasting impact on exactly which one shot first. The point is, Han kills Greedo. Lucas's rationalization for the switch was that he wanted Han to be a more likable character by making him less of a 'bad guy', which has always struck me as odd: Han still fries the Rodian, kills several Sand Troopers in the spaceport (and later Death Star), to save himself and his friends. Making the switch, then, really doesn't make any significant difference in what people thought of Han. He's the lovable rogue, shooting first or whatever, and the only way to really make a major impact would be to turn Han into a vegetarian and someone concerned with the Falcon's fuel mileage. The same goes for some of the other changes that were made: the run into Mos Eisley, the introduction of the digital Dewbacks, Jabba the Hutt and so forth: there's nothing that really changes the film beyond its aesthetics. Similarly, I don't believe that adding the third dimension into the mix is going to significantly change anything in the film, beyond the visual appeal.

The real question will be: will it look good? Star Wars was filmed in a certain style, and there are points where the new CGI sections look somewhat out of place, and the conversion over to 3D is a complicated, expensive process, and I'm not holding my breath that it will be as good as Avatar's 3D, which was filmed natively. Still, it seems that the studio isn't rushing into this conversion, but will be working on it over the next couple of years (if they haven't started already).

Star Wars is a commercial empire: look at the recent diagram of where most of the money has come from for the franchise, and that's from merchandising, which strikes me as a smart move: it creates an incredible brand that people continually go to for all sorts of different things, from playing with the toys as a kid, to wearing a shirt or reading one of the books. It acts as a self-replicating advertising machine, and looking back, there's been a continual release of Star Wars works since the first movies were released. The prequels in 1997 set the stage for the prequel films, which in turn have been continued with The Clone Wars, bringing in a whole new generation to the franchise, who will be right at the proper age to enjoy the films in the theaters again in a couple of years. In all likelihood, we'll see a whole new marketing campaign to go along with this. I wouldn't be surprised if the live-action television series would follow in the mid 2010s, potentially with a new series of films following that. The long and short of it is, Star Wars isn't going anywhere, and with the attention span of the average consumer nowadays, it's no surprise that the franchise has kicked into overdrive. The franchise is now going into its 3rd decade, competing with films such as Avatar, which James Cameron has said is hoped to become a franchise on par with the likes of Star Wars and Star Trek. Economically, Star Wars has a major upper hand, but if given a choice, would the current rising generation go for Star Wars, or Avatar? I know which, and it isn't Star Wars.

3D is the next logical step in this move, given that studios can make a couple of extra dollars per ticket, but also because I've thought that Star Wars would be a fun thing to watch in 3D, going back to the visuals over storyline. (And if you don't believe me, go watch the prequels again) 3D films capitalizes on new technology, and will make the franchise grow even more: people will still going to go out and see them in droves, no matter the sputtering of the fanboys who can't see that the films aren't designed for broad introspection: they're blockbusters on a military scale, and the studio executives who have kept Star Wars a house-hold name for over thirty years, and multiple generations are doing their job well.

This isn't to say that everything that has been released with the Star Wars logo has been high quality: far from it. The prequel trilogy was lack-luster at best, with The Clone Wars series matching that for the most part. The books and comics have likewise been of mixed quality, but quality has never been a huge concern: it doesn't have to be. (It should be, but that's another argument altogether) The franchise has raked in billions (yes, with a B) based on the material that's been released, under the current formula, because of the efforts that have been made when it comes to branding and its awareness, not to mention its large fanbase. It really has no equal when it comes to popular culture influence: the book that I'm currently reading, The City and The City by China Mieville, just had a main character drop the 'Force is not with me' line a couple of pages ago, and any time that I've been out in armor, I've found that even if a person hasn't seen the films, they know exactly what I'm from.

To the people who say: "George Lucas is raping my childhood!", I say: George Lucas is not raping your childhood. Your childhood was back in the 1970s, 1980s and 1990s, and shouldn't be defined by a single film series. Childhood is a series of rose-colored memories that include things such as Star Wars, and the impressions that you had of any film will change with time as you learn and actually grow up. The original films was something that I watched countless times after school, and over the years since, as I've graduated from high school, college and graduate school, has drastically changed as my outlook on life and the world has changed along with everything else. Attempting to hold onto the past through reliving it seems like a sad proposition. I certainly wouldn't return to my childhood, as much as I treasure most memories. When all fails, there's certainly nothing that compels someone to go and alter their impressions of the films, and you *don't* have to turn over that $10-$15 for a movie ticket, buy the next book, action figure or whatever.

With that in mind, a lot of the arguments that people have made against the prequels, rereleases and upcoming rerereleases are essentially meaningless, simply because this franchise doesn’t really need, or really care about what the fans really are looking for in the series: they’ve put together a good product, and it’s something that people are willing to dump a lot of money into. While they’ve done so, they’ve found ways that the films and books have given them meaning, direction and inspiration in life, which is fantastic. But that meaning and understanding that people find isn’t what drives the bottom line: it’s their wallets.  Does it matter if Han shot first? Not really, in the greater context, and even then, it doesn’t impact the story in any significant way. So long as people are continually arguing and talking about it, LFL is happy.

Am I going to see the re-release in a couple of years? Probably. I distinctly remember coming out of Avatar thinking: Star Wars would look pretty damn cool in this format, and I think that the visuals will be worth it, especially on the big screen. Star Wars has always been about flash over substance, and watching the films again in theaters is easily worth my time and money for that thrill. Plus, it'll more than likely mean some prime trooping opportunities for the 501st.

So, don't tell me that Han shot first. I really don’t care; it's irrelevant, annoying and honestly doesn't have that much of an impact on the film's story. There's going to be more Star Wars throughout the rest of our lives.

* Required listening for this rant should be MC Chris's 'Han Solo'.

The Legacy of Star Wars

Starting today, Orlando Florida becomes Lando Florida for the multitudes of Star Wars fans flocking to Celebration V. When it comes to Geek History, the Star Wars franchise represents a formative element of popular science fiction in theaters, and helped to define the modern blockbuster movie. 2010 marks the 30th anniversary of The Empire Strikes Back, and even three decades on, the series gains a considerable amount of face recognition from the general public. Often, when I have suited up in Storm Trooper or Clone Trooper armor, I've found that people might not know what character I am, what film I'm from, but undeniably, they know that I'm from the Star Wars films. With its release, Star Wars has changed both popular culture and the film industry that created it.

When the first Star Wars film was released in 1977 by director George Lucas, most expectations from the production companies was that the film would not do very well, but within the first three months of its release, Star Wars reined in over $100 million, becoming one of the highest grossing films ever. Subsequent releases in 1980 (The Empire Strikes Back) and 1983 (The Return of the Jedi) continued the series, bringing in new fans to the series by expanding the story and pushing the boundaries when it came to special effects. When Lucasfilm Ltd. returned to the franchise in 1997 with a re-release of the original trilogy with updated special effects, and in 1999 with The Phantom Menace, Attack of the Clones (2002) and Revenge of the Sith (2005), it became clear that the franchise had endured in public memory and financially, were highly successful, even it was widely felt that the Original Trilogy were superior films.

In 1977, the first Star Wars film was filmed in a period of time when special effects were still in their infancy. The largest special effects film previously had been Stanley Kubrick's 2001: A Space Odyssey in 1968, almost ten years earlier, a period of time which saw many special effects experts who had pioneered effects for that film retired. Thus, Lucas and his crew were forced to pioneer their own effects in motion capture on their own while they filmed the film, utilizing models and cameras together in very new ways. The Empire Strikes Back utilized its own advances in motion capture for several of the battles, and puppetry, as did Return of the Jedi when it came out. These advances helped to lay the groundwork for future films, and in the 1980s, a number of special-effects driven science fiction films were released, capitalizing on the successes of Lucas' trilogy, providing fans with more visual spectacles in the years since.

The Star Wars franchise is a notable one for retaining such a strong core group of fans throughout the years. Much of this success can be attributed to the branching out from the films as the single source of canon story. Marvel comics created their own Star Wars line, while the original Han Solo and Lando Calrissian book series have attained a sort of cult status. The introduction of Hugo award winner Timothy Zahn to pen a trilogy in the early 1990s launched an enormous series of books, many of which have been best sellers, continuing the story with new characters and transformations of the universe. This is after the huge numbers of toys, action figures and other collectables. In addition to pioneering special effects, Star Wars and Lucas pioneered the marketing of a film to a diverse and receptive audience, which keeps them in touch with the films long after they have left the theaters, whether its children reenacting their favorite scenes or readers wanting more stories after the credits have rolled.

The recent release of the prequel trilogy and the ongoing Clone Wars television series is another element to this continued marketing for the larger franchise as a whole. While the prequels don't match up with the originals for fans that grew up with them, it's irrefutable that they have been extremely popular, especially with younger generations. Their creation not only continues (or in this case, adds to) the story, but it works to revitalize the original films by introducing new fans who have yet to watch a series of films that most younger viewers will find outdated compared to what they will be used to with other, current films.

The notable element that this all leads to for Star Wars is the incredible fanbase that has been created as a result. Each Star Wars Celebration pulls in tens of thousands of people from across the world, while millions of others watch the films, read the books and listen to the soundtracks. Entire fan groups have come to life, from Theforce.net's FanForce, to the New York Jedi to the 501st Legion, which has just had its 5,000th member join. While numerous films and franchises look to create a comparable group of fanatics, the Star Wars franchise is the only one that comes to mind that regularly sees groups acting on their own in public, in costume to various charitable causes or fan gatherings. Personally, I'm a member of the 501st Legion, from behind my own helmet, it's very clear to see that the franchise remains because of the efforts that have been made to keep the fans happy with new content and stories.

The original Star Wars film that started all of this represented a number of changes in the way that films were marketed to fans, how the movies were filmed. George Lucas' creation alone is likely responsible for much of the current film industry that most science fiction fans (those who like the movies, anyway), which in turns helps to inform much of the public consciousness when it comes to science fiction in all genres.

The Empire Strikes Back

30 years ago tomorrow, The Empire Strikes Back, the follow-up film for George Lucas's Star Wars, was released to theaters. Hailed as one of the best sequels , Empire is easily one of the strongest entries in the Star Wars Franchise. Ultimately, Empire has long remained one of my favorite Star Wars films, for its strong story and memorable characters, but also because it demonstrated that Star Wars was more than a simple one hit wonder out of Hollywood. Indeed, the successes of The Empire Strikes Back allowed Lucas to continue his story with Return of the Jedi, and ultimately, with the Prequel Trilogy.

The Empire Strikes Back was certainly faced with a daunting problem: how did one follow up the incredible success that was Star Wars with something bigger and better? The first film had been a major, unexpected blockbuster hit, with theaters selling out and sending lines around the parking lot in ways that revolutionized how the film industry marketed summer films. Taking place five of so years after the events of A New Hope, Empire opens with the Rebellion once again facing hard times: the victory over the Empire with the destruction of the Death Star was short lived, and are forced to take refuge on the planet Hoth, a desolate ice world. Tracked to the planet, the rebels wage a costly battle on the surface of the planet against Imperial Walkers before once again escaping, separating the main characters. Luke flies off to the planet Dagobah to train with Jedi Master Yoda, while Han Solo and Chewbacca take off through an asteroid belt in the Hoth system to evade imperial pursuit, with C-3P0 and Leia Organa in tow. Their ship damaged, they make their way to Bespin for repairs, where they are captured by Darth Vader and his soldiers, while Luke is in turn drawn to the planet in a trap prepared by the dark lord, using his friends as bait. In the end, Luke learns of his parentage, loses a hand, and Han Solo is put on ice, and we're left with an ambiguous ending, with an uncertain future.

The Empire Strikes Back worked simply because it built upon the successes of Star Wars. The first film demonstrated that a film with excellent special effects, a story that drew upon numerous sources and putting in quite a lot of space warfare worked well. Empire looked inwards towards the stories and characters, rather than building upon the previous successes, something that modern day filmmakers should take note of when looking to top their sequel. Written by Leigh Brackett and Lawrence Kasdan, Empire is a far more complicated film. Han, Luke and Leia seem to have developed their own little, complicated relationship between the three of them, while the Empire clearly has additional plans for Luke Skywalker. Rather than an evil yes-man for the Emperor, Vader looks to Luke as a way to expand his own personal power beyond being the 2nd in command to Emperor Palpatine.

Furthermore, there is far more added onto what Luke needs to do in order to become a Jedi Knight - he clearly has some of the basics down, but as Yoda demonstrates, much of what a Jedi has to do is mental - with that amount of power, there is much restraint and maturity required to fully master the force: Skywalker is not nearly at that level, and his showdown with Vader in the cave on Dagohah demonstrates that there's a clouded future for him.

This all pales in comparison to the revelation at the end: Darth Vader is Luke's father, which further reinforces Empire as a stronger, character driven drama, rather than one mainly fueled by the effects and action that so many other sequels are characterized by. There's some true issues that face the characters: Luke's father is one of the rebellion's sworn enemies, and he's being asked and tempted, to work with him to overthrow the Emperor. Lando Calrissian is forced to betray his friends at gunpoint, and has to reconcile with Leia and Chewbacca in order to save Han. Luke must forgo part of his training to save his friends. Empire works well, not because the heroes come out on top, but because they're beaten back. Luke's lost time training (and his hand), they have lost a close friend and ally and are still on the run. In light of that, the last shot, with Luke and Leia staring down at a galaxy, is one that really seems hopeful, and that despite their setbacks, will continue onwards with their ultimate goals. This to me speaks to far more than the victorious closing scene at the end of Star Wars.

In the end, what saves the Star Wars franchise, is the darker, more serious nature that Empire takes on after A New Hope. In a lot of ways, the story represented a huge risk, one that didn't pander to the audience, but helped to bring up their expectations for what quality cinema should be: challenging, entertaining, exciting, so forth. Instead of more intense action, the major fights are in the beginning of the film, with a fairly epic lightsaber battle at the end, and the action in this film is smarter, not there just for the sake of putting people into theater seats. The Empire Strikes Back is a superior sequel, one of the few out there.

As such, Empire remains my favorite Star Wars film, standing far and above the prequel trilogy and A New Hope and Return of the Jedi for me. The complexity in the story and characters, as well as the excitement that I had when I first saw it when it was re-released in 1997 still floods through me when I watch this one. It's one of the reasons that I've tailored my own Storm Trooper costume over to the Empire Strikes Back style, and why I'll inevitably pick it up first when wanting to watch a Star Wars film.

The Convention Part 2

Day Three of the convention was the one that a lot of people were looking forwards to. George Lucas was in for the morning to make his first convention appearence in nearly twenty years. People knew it too, and began lining up early. From the reports that I heard, people started lining up at midnight for the 8 am show. On top of that, it was about forty degrees, lightly raining and windy. Not really the most receptive place for a line. I awoke at about 4 am to get ready to help with the lines. It was already several blocks long, wraping around my hotel. Crazy, and people were getting annoyed, because we had to move them around a little bit. I didn't have armor on, and by 7 am, we started moving them into the building. I had to lead a couple of bitchy people around then went back outside and to my room, got my armor on. I then was asked to man the ground floors to help get people out of the building. I was given a pass to get into the second Lucas showing of the morning, and I went up to go see him. It was quite a while before I got in, as we took a while to move nearly three thousand people into the room. We didn't fill it with the people supposed to be in the next showing, so we started filling people from thethird showing. Then we went in, and for the first time in my life, I saw the person who's really changed my life by introducing Star Wars to me and countless others. For a half hour, probably twenty or so people got up and asked questions of the flanneled one. There were the general questions, like what's coming up next (Two Star Wars TV series, a possible Willow TV series, a couple movies that might be in the works.) What did he think of the fans, and some things like that. It was a quick, but very good talk, and he was very appreciative of the fans, and the 501st. He pointed right at me, or my section when someone asked about the Five-Oh-First. "Well, seeing how they're all pointing guns at me..." The entire trooper line cheered. It was great to hear him say that. After that, we cleared the room and got out, and went on to our other assignments. My armor was really starting to fall apart and I got out of it, and worked at Del Rey for a little while, then wandered around for a little while inbetween signings. I talked with Randy Stradley and Jeremy Barlow from Darkhorse comics, whom I'd met the day before. I won a t-shirt from Lucas Arts, talked to Ken, one of the guys who was on the production team for some of the Star Wars games that I made friends with. I saw Battlefront II being played for a bit, which was a really cool looking game that I'm certainly going to upgrade my computer for. It was amazing. Can't wait to see it in it's entirety. I went back and helped with another couple signings, and talked with Matthew Stover, then met Timothy Zahn for the first time. I also went to the Star Wars Spectacular, which was 8 mindblowing minutes of finished Episode III footage. It was absolutely amazing. All of the major fights, and even then some other footage, it was just amazing. Simply amazing. I talked to several people about it and got dinner, tried to get into the panel on the new 9 book series, but the guys wouldn't let me in. Gr... But I found out anyway, which is good. I got Aaron Allston to sign my books, got images from Karen Traviss, Troy Denning and talked with them for a little bit. I got dinner, talked to the artists again and went and walked around at the convention center then went back to the hotel room for a while. I told Sara and Lihn to stop by, but they never did, and I called Eric, who was just on his way into class. I went to bed early. It was almost over.