Cable & TV

I'm ditching my cable TV. For a while now, I've noticed that I end up spending far too much time in front of it, and it's not something that I want to do. There's a couple of reasons for dropping this: 1 - I can't stand Comcast. Their customer service has been piss-poor, from their phone banks, internet chat help and the actual door to door service. I've been booted from phone banks, given wrong and conflicting information from service reps and have wasted entire days waiting for the cable guy to come. It's incredibly frustrating.

2 - Pushy service. A couple months ago, I upgraded to a bigger cable package, and the digital service package was almost forced upon me by the person that I was talking to. I don't have a digital TV, and essentially only wanted SciFi, Discovery, History, USA, Comedy and Cartoon Network. I honestly don't want or need 300 + channels. I don't care that it's only three dollars more.

3 - Channels moving to digital. Okay, I realize that they're trying to move everything over to their digital lineup, but half of the channels that I did have are now no longer availiable for what I purchased, which seems incredibly unfair to the consumer.

4 - They don't offer a basic cable option any more - which cost around $19.00 or so a month. Now, I'm paying something like $60.00, which is the only option for standard cable. I was looking to downgrade to something cheaper.

5 - Internet. I think that as much as I dislike Comcast, I'm going to go with their internet, which is something like $20 a month. With the way things are going, if I want to see something on TV, chances are, it'll be up online on the network's website early or the day of, so I will be able to see the various shows that I'd watch. Plus, it'll make doing my homework easier and things like that. My home computer, unfortunately, is getting pretty old, and I've been thinking that I'll be needing to get an external hard drive to back things up on, and then reformat everything and start again.

6 - With the prices of electronics, I can just go pick up a DVD player and plug that into my TV and just buy the TV shows that I like, which is essentially what I do anyway. Maybe subscribe to Netflix.

Apollo 11

I didn't post this up yesterday because I was on the road, but July 20th was the anniversary of Apollo 11's landing on the moon, marking the first time when a human has set foot on a non-terrestrial body.

At 10:56 (EST), Neil Armstrong first set foot on the moon and left us with the famous line: That's one small step for man, one giant leap for mankind. Those words always send a dense chill up and down my spine - it's so simplistic yet elegant, so full of meaning. Astronaut Buzz Aldrin followed shortly thereafter and the two spent just a couple of hours gathering samples, taking pictures and hopping around. Michael Collins spent the time up in the capsule, waiting for the crew to return.

The impact that the landing has had on humanity is staggering - it was the culmination of years of research and major advancements in sciences. While this is clearly the most visible event in space history, aside from Yuri Gagarin's milestone as the first person to leave the planet, it was preceeded by numerous other events that seem to escape the public consciousness, as well as the followup missions.

These men were the last true pioneers and heroes.

The Dark Knight

I saw a screening last night with a couple of 501st friends, and all I can say is that I was completely blown away by the movie. It held such an intensity, darkness and brilliance that I'm not at all reluctant to say that it's possibly my favorite comic book movie to date. As a friend of mine mentioned, nobody is going to care about a drunk in a tin-can after this one.

Plot details are everywhere, so I don't think that I will have to say what the film is about. What really makes the story here is it's intense plot that is very twisted and packed with subplots and characters. It's a little overwhelming, and I think that it's the one drawback to the film, because point A at the beginning is nearly forgotten from point q way at the end. That being said, it's an amazing ride between those points, and it's nice to see a film that doesn't pander down to an audience, but takes them along for a wild ride.

Everyone is singing the late Heath Ledger's performance as nothing short of brilliant, and I'm inclined to agree. Ledger's Joker is a far cry from Nicholson's performance, fitting the style of the new franchise - dark, gritty and completely without social inhibitions of right and wrong. He is, essentially, the perfect counterpoint to Bale's Batman. One is a source of justice, the other is one of chaos and anarchy. As Alfred, played by the great Sir. Michael Cane says, some men just want to see the world burn, and that is what Ledger's joker is all about.

The usual suspects, Bale, Caine, Freeman and Oldman are in top form as they were in Batman Begins, and are joined by Maggie Gyllenhaal, who makes a far better Rachel Dawes, and Aaron Eckhart, who plays Harvey Dent, who pulls out a brilliant performance as Gotham's new DA and later as the villian Two Face. There's even a short appearance from Cillian Murphy as the Scarecrow, which was a nice touch, and Heroes' Eric Roberts as a crime lord was also a cool appearance. I also spotted William Fichtner from Prison Break in the beginning, which was cool.

What the Dark Knight shows the world is that comic book films are not necessarily something solely for a younger audience. This film is dark and bloody, intelligent and borders on something like a horror film at times. It's a far cry from other batman movies such as Batman and Robin or the Fantastic Four. Like Iron Man, which came out earlier this summer, it wraps real world relevance with the fantastic.

Additionally, the movie delves much more into superhero mythos than most films or comics that I've read, really exploring the nature to which good and evil interact, as well as the intentions and consequenses of those actions. The Joker is a force for anarchy, but to what extent has be been brought into being by the mere existance of Gotham's Dark Knight? Caine's character tells Bruce Wayne that this is somewhat the result of his existance:

Bruce Wayne: I knew the mob wouldn't go down without a fight. But this is different. They crossed the line. Alfred Pennyworth: You crossed the line first, sir. You hammered them. And in their desperation they turned to a man they didn't fully understand.

This is mirrored (no pun intended) by the introduction of Harvey 'Two Face' Dent in the form of Aaron Eckhart. The DA of Gotham is a force for good, but essentially becomes enamored of the idea that there is two sides to everything, and this is shown a lot in the movie, especially after half of his face is burned off. It goes to show that the best of the best can have two sides, and that the good can become the worst type of evil. The Joker is essentially a catalyst, and knows it - he tells Batman that he's out there to give Gotham a better class of criminal. Two Face represents a more organized, type of evil, and I wonder if this, as well as the villification of Batman at the end, foreshadows some of what might come up in the next Batman film, which would be interesting.

The film is downright brilliant, and hopefully, I'll be able to catch it in theaters again at some point.

Dr. Horrible's Sing-Along Blog

Joss Whedon's done it again - created something geeky, cool and downright addicting, and which has completely sucked me into. Dr. Horrible's Sing-Along Blog.

The premise is fun - a up and coming super villain in LA has a blog, where he answers reader mail, talks about his plots of world domination and the girl that he's too shy to talk to, Penny, whom he sees at the laundry. Intermixed with the dialogue is some catchy songs, turning this short miniseries into a sort of geek musical.

It's stripped down, simple, but very fun and interesting to watch. I predict that in the very near future, we'll see people put together the costumes and perform this as a fan musical at a convention somewhere. It's short and easy enough to do that it wouldn't be difficult. Whedon's not a stranger to musicals either, nor are some of the cast - Neil Patrick Harris is a Broadway alum, and Whedon's done at least one musical episode. The songs are light and catchy. I've had a bunch of them floating around in my head for the past couple of days now. Whedon's assembled a nice cast of albums from his shows, which is all the more entertaining to see fan favorites.

"With my freeze ray I will stop... the world."

Like many of Whedon's creations, there's a good mixture of well crafted characters. We've got the archetype good and bad guys, but the good guy has his darker sides and the bad guy has his good sides. Along the way we meet Moist, who can make things slightly damp, and Bad Horse, "Who rules the league with an Iron hoove." It's another fun foray into the superhero genre, which seems to be getting more and more popular outside of comics. I've been getting more and more interested in this sort of thing, and this really reminds me of Soon, I Will Be Invincible and to some extent, Heroes.

This comes at an interesting time, because NBC just released the first of a series of minisodes for the show Heroes, called Postal, following a mail man with a very loud voice. The first episode features him escaping from a doberman and a couple of company agents. Minisodes are an interesting thing that really doesn't seem to have caught on to a wider audience. Battlestar Galactica, Eureka and a couple of other shows have released these, and Heroes marks the latest in the intigration of mainstream media to user-generated content and viral marketing.

Thus far, Dr. Horrible is a success. The site crashed on the first day of the miniseries release, and has been brought back up again, and the second episode hasn't given me any issues. The first episode hit the #1 spot on iTunes as well, and I'm reasonably sure that the 2nd episode, whenever that it released via iTunes, will do the same thing. Then, on the 20th, the free content will be pulled, and a DVD release will follow. Will this experiment work? It seems to be. Hopefully it'll be successful enough for Whedon to continue to do this sort of thing, and according to at least one source, they've considered a sequel series.

This comes at an interesting time - the release of the Heroes minisode, and of course, this week is the one that marks the release of The Dark Knight, easily my most anticiapted film of 2008. I declare this week to be Superhero week. Next episode will be released on the 19th, this Saturday. I absolutely can't wait to see how they wrap this up. Will Dr. Horrible take over the world and get the girl? Or at least join the League? Will Captain Hammer have his way with Penny? Will there be more catchy songs and witty dialogue? Undoubtably.

Watch the episodes here.

Memorable quotes:

Part 1

- Captain Hammer, corporate tool. He dislocated my shoulder...again... last week. (Billy/Horrible)

- I received a letter of condemnation from the deputy mayor. That's gotta have some weight. (Billy/Horrible)

- I love your hair (Billy/Horrible) What? (Penny) No, I love the...air...(Billy/Horrible)

- Just a few weeks away from real, audible connection. (Billy/Horrible)

- Armored car? (Moist) Courier van. Candy from a baby. (Billy/Horrible)

- Need anything dampened, made soggy?

- Why not cut off the head? (Billy/Horrible) Of the human race? (Penny) It's not a perfect metaphor. (Billy/Horrible)

It's curtains for you. Lacy, wafting curtains. (Captain Hammer)

Part 2

- You're kidding, what a crazy, random happenstance. (Billy/Horrible)

- Billy? You're driving the spork into your leg. (Penny)

- I say successful that I archived my objective. It was less successful as I inadvertently introduced my arch nemesis to the girl of my dreams. (Billy/Horrible)

- Which it will, because I hold a PhD in horribleness. Peace. But not literally...(Billy/Horrible)

- I also need to be careful about what I say on this blog, because the LAPD and Captain America are among it's viewers. (Billy/Horrible)

- Captain Hammer threw a car at my head. (Billy/Horrible)

- At my most badass, I make people want to take a shower. (Moist)

- The only signature he needed was my fist. But with a pen in... that I was signing with... (Captain Hammer)

America's Declining Lead in Space

This article came across the Washington Post earlier today that I found facinating:

U.S. Finds It's Getting Crowded Out There Dominance in Space Slips as Other Nations Step Up Efforts

By Marc Kaufman Washington Post Staff Writer Wednesday, July 9, 2008; A01

China plans to conduct its first spacewalk in October. The European Space Agency is building a roving robot to land on Mars. India recently launched a record 10 satellites into space on a single rocket.

Space, like Earth below, is globalizing. And as it does, America's long-held superiority in exploring, exploiting and commercializing "the final frontier" is slipping away, many experts believe.

Although the United States remains dominant in most space-related fields -- and owns half the military satellites currently orbiting Earth -- experts say the nation's superiority is diminishing, and many other nations are expanding their civilian and commercial space capabilities at a far faster pace.

"We spent many tens of billions of dollars during the Apollo era to purchase a commanding lead in space over all nations on Earth," said NASA Administrator Michael D. Griffin, who said his agency's budget is down by 20 percent in inflation-adjusted terms since 1992.

"We've been living off the fruit of that purchase for 40 years and have not . . . chosen to invest at a level that would preserve that commanding lead."

In a recent in-depth study of international space competitiveness, the technology consulting firm Futron of Bethesda found that the globalizing of space is unfolding more broadly and quickly than most Americans realize. "Systemic and competitive forces threaten U.S. space leadership," company president Joseph Fuller Jr. concluded.

Six separate nations and the European Space Agency are now capable of sending sophisticated satellites and spacecraft into orbit -- and more are on the way. New rockets, satellites and spacecraft are being planned to carry Chinese, Russian, European and Indian astronauts to the moon, to turn Israel into a center for launching minuscule "nanosatellites," and to allow Japan and the Europeans to explore the solar system and beyond with unmanned probes as sophisticated as NASA's.

To some extent, I'm not surprised by this at all. I really think that NASA has essentially lost its purpose as a sort of exploration and science type of organization while focusing extensively on science that, for all intents and purposes, is interesting, but out of touch with the vast part of the American public. Putting an Astronaut on the moon is something that is tangible, but also exciting, it captured the imagination, much as the first space walks and excursions did. Once people became used to the idea that humanity can touch the stars, life returned to normal.

While the United States has been making incremental progress in space, its global rivals have been taking the giant steps that once defined NASA:

· Following China's lead, India has announced ambitious plans for a manned space program, and in November the European Union will probably approve a proposal to collaborate on a manned space effort with Russia. Russia will soon launch rockets from a base in South America under an agreement with the European company Arianespace, whose main launch facility is in Kourou, French Guiana.

· Japan and China both have satellites circling the moon, and India and Russia are also working on lunar orbiters. NASA will launch a lunar reconnaissance mission this year, but many analysts believe the Chinese will be the first to return astronauts to the moon.

· The United States is largely out of the business of launching satellites for other nations, something the Russians, Indians, Chinese and Arianespace do regularly. Their clients include Nigeria, Singapore, Brazil, Israel and others. The 17-nation European Space Agency (ESA) and China are also cooperating on commercial ventures, including a rival to the U.S. space-based Global Positioning System.

· South Korea, Taiwan and Brazil have plans to quickly develop their space programs and possibly become low-cost satellite launchers. South Korea and Brazil are both developing homegrown rocket and satellite-making capacities.

This explosion in international space capabilities is recent, largely taking place since the turn of the century. While the origins of Indian, Chinese, Japanese, Israeli and European space efforts go back several decades, their capability to pull off highly technical feats -- sending humans into orbit, circling Mars and the moon with unmanned spacecraft, landing on an asteroid and visiting a comet -- are all new developments.

I really hope that these recent developments will help push the United States back into a mindset where we need to return to the moon. With the incredible advances in technology, I imagine that it would be somewhat easier and cheaper to return, especially with a lot of the initial groundwork that was laid with the Apollo program already under our belts. I can see the Chinese as huge contenders for the next men to walk on the moon, with the rate at which their nation is developing. I think that it's just a matter of time. I firmly believe that space travel will be, and should be taken out of the hands of the US government and NASA. Advances in space travel from this point on will likely not be taken by said groups - it'll be firmly in the hands of non-governmental organizations. Incentives such as the X-Prize and the Google X-prize are just the first things to come, in my opinion. The problem with NASA is not that they don't do a good job - they do, and they have the world's leading space program at the moment - but they are currently being held back by constraints such as Congress and budgets - by people who are too scared to try, and where setbacks such as a shuttle disaster such as Columbia or Challenger seem to indicate to policy makers that the road to space is far too difficult and too dangerous. Interestingly, the 6 MILLION car accidents in 2005 hasn't prompted policy makers to shut down the vast US interstate system.

In contrast to the Cold War space race between the United States and the former Soviet Union, the global competition today is being driven by national pride, newly earned wealth, a growing cadre of highly educated men and women, and the confidence that achievements in space will bring substantial soft power as well as military benefits. The planet-wide eagerness to join the space-faring club is palpable.

China has sent men into space twice in the past five years and plans another manned mission in October. More than any other country besides the United States, experts say, China has decided that space exploration, and its commercial and military purposes, are as important as the seas once were to the British empire and air power was to the United States.

The Chinese space program began in the 1970s, but it was not until 2003 that astronaut Yang Liwei was blasted into space in a Shenzhou 5 spacecraft, making China one of only three nations to send men into space.

"The Chinese have a carefully thought-out human spaceflight program that will take them up to parity with the United States and Russia," Griffin said. "They're investing to make China a strategic world power second to none -- not so much to become a grand military power, but because deals and advantage flow to world leaders."

Meanwhile, other nations are pushing to increase their space budgets. Ministers from the European Space Agency nations will vote in November on a costly plan to begin a human space program. David Southwood, ESA's director for science, said human space travel has broad support across the continent, and European astronauts who have flown to the space station on U.S. and Russian spacecraft are "extremely popular people" in their home nations. "It seems highly unlikely that Europe as a whole will opt out of putting humans into space," he said.

NASA and the U.S. space effort, meanwhile, have been in something of a slump.

The space shuttle is still the most sophisticated space vehicle ever built, and orbiting observatories such as the Hubble space telescope and its in-development successor, the James Webb space telescope, remain unmatched. But the combination of the 2003 Columbia disaster, the upcoming five-year "gap" when NASA will have no American spacecraft that can reach the space station, and the widely held belief that NASA lacks the funding to accomplish its goals, have together made the U.S. effort appear less than robust.

The tone of a recent workshop of space experts brought together by the respected National Research Council was described in a subsequent report as "surprisingly sober, with frequent expressions of discouragement, disappointment, and apprehension about the future of the U.S. civil space program."

Uncertainty over the fate of President Bush's ambitious "vision" of a manned moon-Mars mission, announced with great fanfare in 2004, is emblematic. The program was approved by Congress, but the administration's refusal to significantly increase spending to build a new generation of spacecraft has slowed development while leading to angry complaints that NASA is cannibalizing promising unmanned science missions to pay for the moon-Mars effort.

NASA's Griffin has told worried members of Congress that additional funds could move up the delivery date of the new-generation spacecraft from 2015 to 2013. The White House has rejected Senate efforts to provide the money.

Although NASA's annual funding of $17 billion is large by civilian space agency standards, it constitutes less than 0.6 percent of the federal budget and is believed to be less than half of the amount spent on national security space programs. According to the Futron report, a considerably higher percentage of U.S. space funding goes into military hardware and systems than in any other nation.

At the same time, the enthusiasm for space ventures voiced by Europeans and Asians contrasts with America's lukewarm public response to the moon-Mars mission. In its assessment, Futron listed the most significant U.S. space weakness as "limited public interest in space activity."

The cost of manned space exploration, which requires expensive measures to sustain and protect astronauts in the cold emptiness of space, is a particular target.

"The manned space program served a purpose during the Apollo times, but it just doesn't anymore," says Robert Parks, a University of Maryland physics professor who writes about NASA and space. The reason: "Human beings haven't changed much in 160,000 years," he said, "but robots get better by the day." Satellite Launches Fall

The study by Futron, which consults for public clients such as NASA and the Defense Department, as well as the private space industry, also reported that the United States is losing its dominance in orbital launches and satellites built. In 2007, 53 American-built satellites were launched -- about 50 percent of the total. In 1998, 121 new U.S. satellites went into orbit.

I foresee US and even global space interests resting in the hands of commercial ventures, with bodies such as the European Space Agency or NASA largely becoming regulatory bodies. The X-Prize has proven that private interests without governmental aid can reach the skies, and I'm sure that the Google X-Prize will prove that we can reach the moon as well. Governmental aid will certainly help this process, but a private industry of satellites and space stations, as well as the means to reach them could be very profitable, not only for the scientific community.

In two areas, the space prowess of the United States still dominates. Its private space industry earned 75 percent of the worldwide corporate space revenue, and the U.S. military has as many satellites as all other nations combined.

But that, too, is changing. Russia has increased its military space spending considerably since the collapse of the Soviet Union. In May, Japan's parliament authorized the use of outer space for defense purposes, signaling increased spending on rockets and spy satellites. And China's military is building a wide range of capabilities in space, a commander of U.S. space forces said last month. Last year, China tested its ground-based anti-satellite technology by destroying an orbiting weather satellite -- a feat that left behind a cloud of dangerous space debris and considerable ill will.

Ironically, efforts to deny space technology to potential enemies have hampered American cooperation with other nations and have limited sales of U.S.-made hardware.

Concerned about Chinese use of space technology for military purposes, Congress ramped up restrictions on rocket and satellite sales, and placed them under the cumbersome International Traffic in Arms Regulations (ITAR). In addition, sales of potentially "dual use" technology have to be approved the State Department rather than the Commerce Department.

The result has been a surge of rocket and satellite production abroad and the creation of foreign-made satellites that use only homegrown components to avoid complex U.S. restrictions under ITAR and the Iran Nonproliferation Act. That law, passed in 2000, tightened a ban on direct or indirect sales of advanced technology to Iran (especially by Russia). As a result, a number of foreign governments are buying European satellites and paying the Chinese, Indian and other space programs to launch them.

"Some of these companies moved ahead in some areas where, I'm sorry to say, we are no longer the world leaders," Griffin said.

Joan Johnson-Freese, a space and national security expert at the Naval War College in Rhode Island, said the United States has been so determined to maintain military space dominance that it is losing ground in commercial space uses and space exploration. "We're giving up our civilian space leadership, which many of us think will have huge strategic implications," she said.

"Other nations are falling over each other to work together in space; they want to share the costs and the risks," she added. "Because of the dual-use issue, we really don't want to globalize."

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The new Superhero era: The Sanctioned and Enforced Era

I saw Hancock in New York City over the weekend. For all the negative reviews out there, it was actually quite a fun film to watch, somewhere between a rated R-Comedy and a somewhat serious drama about a superhero. The film follows Hancock, a drunk, lazy and pissed off super being. Appropriately, the film opens with him passed out on a park bench. Then, bottle in hand, he takes down an SUV full of gun toting gangsters, leaving a trail of wreckage in his way. When he saves a publicist, they start to work on changing his image, first with him going to jail. First half done. There's a lot of laughs here, from Walter the Grey Whale to dropping a bully from a low orbit and catching him. The second half of the film is more drama-y, as we learn that Hancock doesn't know his past. Various revelations later, we find out his backstory, and he's a changed man. I think this makes the film a little off-balance, but overall, it works. It's enjoyable to watch, and it bring up some very interesting points when it comes to the entire Superhero genre. An additional point about the movie - Jason Bateman, whom I'm a huge fan of from Arrested Development, is a real shining star in this film - he's perfect for the role that he played here, and worked extremely well with the comedy/drama nature of this film.

The main thing that interested me here was how this film seems to represent the role in which comic book characters or superheroes now seem to play in society - this is something that I have noticed in a number of other genre sources, and it seems to be a very widespread change to the way in which superheroes are looked at - Superheroes being legitimized, generally through direct governmental intervention in said comic book universe.

The first time that I really noticed this was with the recent arc that Marvel released, entitled Civil War. This storyline, and numerous threads leading up to it, brought in the Superhuman Registration Act. This isn't necessarily a new concept in the Marvel Universe, or in comics in general. X-Men has dealt with the issue numerous times since the 1980s. What makes the Civil War arc special, at least from my point of view, is that it draws in the entire marvel community to some degree, opening up fault lines between characters. The act requires superhumans to register with the federal government, to put them under more direct control - this is sparked by a disaster when several superheroes fought several villains, killing hundreds of people in the sidelines, including children. This seems to really pull from the post 9-11 mentality of a tragedy and a huge response afterward.

This comes through in Hancock, somewhat. Hancock, a drunk and reckless superhero, seems to have caused multiple millions of dollars with his acts. In the opening scene, we see him destroy a park bench and storefront taking off, a highway directional sign, numerous police cars, a huge groove in the interstate deck, damage to several buildings before finally dropping a car on top of a building's spire. It's mentioned in in the film that this cost the city almost 9 million in damages. From there, Bateman's character convinces him to go to prison for his acts, in an attempt to appease the public, and to make them realize how much he is needed in LA. Furthermore, Bateman works with Hancock to try and get him to change how he approaches his rescues, his image in general, trying to fit more in with the public. Hancock isn't completely regulatory, but it does seem to impose some limits and realism to a traditional comic book role. It also outlines some of the basic problems with holding a superhero in prison - at one point, Hancock hops a fence to get a ball, but returns.

Two sources show worlds in which superheroes are banned by the government - The movie The Incredibles and the comic Watchmen. The Incredibles shows a sort of public outrage similar to what we see in Hancock - bystanders are injured and structures are damaged during rescues. As a result, the Superhero Relocation Program was set up, forcing superheroes to go undercover and to resume a normal life - something that most aren't really willing to do. The same thing happens in Watchmen - superheroes are likewise banned, this time via the Keene Act. Some of the costumed heroes, like Rorschach, have a difficult time returning to normal life, and continue to act in the interest of the public. There is much discussion of their return following the murder of one of their kind.

Finally, in the book Soon, I Will Be Invicible, by Austin Grossman, there is a very detailed back story to most of the heroes in the book, and a group called the Champions seems to have been a sanctioned governmental group to fight crime. The group that takes most of the action in the book, the New Champions, likewise seems to be at least tolerated, on the same level that the Avengers or the Justice League was tolerated.

Why are we seeing this switch in themes and styles since the 1980s? In part, it seems to be a material issue, especially with the Civil War arc, but overall, there seems to be far more realism pushed into comic books nowadays - and this is something that I've noticed across the board when it comes to the entertainment industry, and especially with films like Hancock and books like Soon, I Will Be Invincible, which almost blend seamlessly into 'our' world. Yet, there has always been a relative connection to the real world - World War II, Fascim, Communism, Vietnam, all events that share a connection to the real world.

Now, there's a push for oversight of the superheroes - it's almost an interesting parallel in an age of 'big government' and when the current governmental debt is $9,473,062,472,197.15. There's a lot of broad regulation in society nowadays, and logically, it makes sense that if there were costumed vigilantes, the government would work to try and legitimize them as well, in the interest of public safety. This is a pretty far cry from their origins, when heroes were largely left to their own devices, or harassed occasionally by police. (I'm speaking in broad terms here). In most cases, this government interference runs against what most superheroes stand for - some, such as Batman and Spiderman believe that the government really hasn't done their part to keep the streets clear of crime. Others seem to think that this sort of thing will hamper their efforts, and are essentially social outcasts anyway. One of the main issues in Civil War was that superheroes would have to publicly identify their alter-egos, in much the same way that judges and police officers are public figures, and face some of the same threats.

Some of this shift should probably also be credited towards how society seems to operate nowadays, turning this entire thing into a weird social commentary. The main theme with people seems to be to shift blame to someone else - "It's not my fault, it's ...." or "ADHD is responsible for my child's hyperactivity, not my poor parenting skills". Taking control of superheroes seems to be a way in which they can be used to either take the blame for when society goes wrong, where they are apparently not doing their job, much as can be argued for police and civil authorities, but also a way for governments to cover their collective butts when something, such as the Stamford, CT disaster (Civil War), the 1977 Riots in New York City (Watchmen) or the other various events. It seems that if the government tolerates the acts of costumed heroes, they themselves are responsible for their actions, sanctioned or not, and when major disasters happen, there is an attempt to rein them in somewhat. This is seen brilliantly in Soon I Will Be Invincible, where the main villian, Dr. Impossible, isn't so much evil, as he suffers from "Malign Hypercognition Disorder".

Is this sort of thing enough to consider the past couple of decades an era or sequence in and of itself, given the amount of detail and thematic distinction between this and other comic book eras?

TV Stuff

Some random TV news that I've come across lately. Don Davis passed away over the weekend, which came as a very big surprise to me. Davis was the actor behind one of my favorite SG-1 characters, Gen. Hammond, who was in charge of Stargate command for most of seven seasons before he retired. He was also in a couple of other shows, Supernatural, The Dead Zone, the West Wing, Andromeda, Star Gate Atlantis, and numerous other features. Davis brought a grace and intensity to Hammond, who started off as a very strong character, who really became more than a series extra. He shall be missed.

Chris Noth is leaving Law and Order: Chriminal Intent. Personally, I'm pretty happy about this, because I've always felt that his character, Logan, didn't hold a candle to Detective Goren, although he did bring an interesting take to his episodes, which I did like. Now, his replacement should be interesting: Jeff Goldblum, who's already played a crazy detective in the show Raines, which I loved. Unfortunately, the crazy cop sees dead people thing isn't the most original, and it was canceled. Goldblum is the perfect choice for this show, and hopefully, we'll see some crossover episodes with him and Det. Goren. THAT should be interesting to watch.

And, this BBC person says that TV Drama has replaced literature:

Television drama had supplanted the novel, she said, as the "narrative of our times that gives our lives meaning and shape".

I think that to some extent, that's true, but I don't think that I would ever classify TV Drama as something that's replaced books. It's a very scary thought. I'm split when it comes to this - I do enjoy a number of things on TV, it's a guilty pleasure of mine - the BBC especially, with Dr. Who and Life on Mars, but also some shows in the US like Law and Order, House MD, Pushing Daisies, among others. They're interesting, makes you think, but there's also a lot on TV that is complete drivel and shallow. Even these dramas aren't up to the quality of a good book.

Rant: Nothing is Sacred

This article has me really annoyed. It's not the subject of the article, another documentary on World War 2, one that is somewhat revisionist, looking at the war in the greater context of the 20th Century. It's the comment at the bottom of the article:

"And once again, it is demonstrated that nothing is sacred - not even World War II. "

What?

This instance highlights the problems that I have with the popular aspects of military history, and probably to some extent, why the subject has a very difficult time in the broader academic field - big, blockbuster books, films and television projects go a very long way reinforcing the idea of the 'Greatest Generation' or the 'Last Good War', essentially sterilizing the image of the Second World War.

Ken Burns, in his recent documentary, The War, looked at the war not as the last great war, but as one of the most horrible conflicts that the world has seen to date. He looks at a number of aspects of the war, from the bombing of civilians, the atomic bombs, the concentration camps, everything. Even before this, its been largely my impression that War is bad. There are good outcomes to warfare, especially in the case of the Second World War, don't get me wrong. The Allies were able to take out the military states, some of the worst that we've ever seen, and end their regimes. I highly doubt that this documentary says otherwise.

In the context of the 20th Century, we have been embroiled by conflict. The First World War leads directly to the Second, and I would suspect that given a hundred or two hundred year's time, it will be viewed as one extended conflict. The Second World War led to the Cold War's confrontation between the United States and the Soviet Union throughout much of the century, as well as sparked major conflicts such as the Korean and Vietnam Wars. In that context, it's hard to see an overall success of the second World War, other than the dispatching of Imperial Japan and Nazi Germany.

We did ally ourselves with Joseph Stalin, who is arguably worse than Hitler. When it comes to numbers, Stalin wiped out more people than Hitler ever did, and because of his help, we were able to in the Second World War. We couldn't have done it without them - Stalin's forces kept numerous German divisions tied up in a two front war that sapped manpower from places where it was needed. And Americans did their share, as hard as it is to admit for some. Bombing campaigns were directly targeted against civilians, ship yards, factories, all in the effort to end the war. Necessary? Yes. Horrible? Yes.

What really bothers me is that this reviewer, and likely, veterans and random viewers alike, don't take this into consideration, and because of the labeling of the Second World War as the 'Last Good War', people are reluctant to see it as anything different.

In my studies in history, I've found that there is nothing sacred in history. Nothing. Everything can, and should be looked at, turned on its head, interrogated intensively and smacked around a little. There are so many reasons for the Second World War that it's impossible to find any pure, clear end goal without a number of other smaller motives. Did Truman drop the bomb to end the war with Imperial Japan? Undoubtedly. Did he do the same to hit Russia on the nose and think about what was next? Most likely. Things of this magnitude have numerous facets, not an easy to digest reasoning that will explain itself within the span of a short American attention span.

This is why I don't like popular history - it starts up way too many misconceptions and turning the public around to the actual story is like turning a huge ship around - it takes a lot of time and energy, with a lot of resistance. World War II shouldn't be, can't be and isn't a sacred topic. Because when that happens, and history and the truth is covered up, it's not history at all, it's a story.

Random Stuff

  • I'm liking this blogroll application that Blogger has allowed to be added to blogs. There's been a bunch that I've tracked over the years, but this lays them out in a neat manner, and arranges them according to when they've been updated, via RSS Feed. I've grouped the history ones, people I talk to, Authors I follow and my other two blogs (501st and Music) together to make things easier for me.

  • Residency is here at Norwich University. I've been back and forth between campus, working extra hours while all of our students have been here. It's been interesting thus far. I've sat in on one presentation, Explorations in Military Effectiveness, which was facinating, and I'll write up something about it at some point.

  • Did a troop at the Montpelier Kellogg-Hubbard Library with our newest Vermont storm trooper, Mike, which went pretty well. Details here.

  • I get to see José González tomorrow night at the Higher Ground! So excited to see him in person, finally.

  • Anna's coming up on Friday for the weekend and a couple days. Can't wait for that.

  • George Carlin died yesterday, at the age of 71, from heart failure. Undoubtedly, he would have something funny to say about it.

When We Left Earth: Parts 5 and 6

The Discovery Channel miniseries When We Left Earth finished up last night, covering the last two decades of the NASA, chiefly looking at the years of the Space Shuttle. I missed one episode somewhere, I think covering the SkyLab. Picking up where the Enterprise made its first test flight landed and going up through to the present day, the episodes take a good look at the glider and its history.

The episode is bracketed by the Enterprise, the Challenger, the Hubble and the Columbia, looking at the triumphs of the space program, but also some of its greatest disasters. Unlike in the first couple episodes, where we see the launches just occasionally, here, we see shuttle after shuttle fly to space and return, along with many mentions at how the space program seemed to have fallen from the public's eye, possibly one of the greater disasters that NASA has faced. following Challenger came the Hubble Telescope and it's hopes for the program, but then the massive problem with improperly machined parts. I was interested to find that the mirror was only about 1/10th of an inch off, which is why it was essentially nearsighted. Following Hubble, came the International Space Station, and then of course, Columbia, and continued work on the station. The idea that the continued exploration of space is only touched upon here. Gene Kranz, one of the mission controllers, said that to stop going to space would be to lose, but beyond that, the message is implied, but not outwardly stated. Nor is much of the controversy surrounding the idea that the moon landings were faked really addressed, just mentioned a couple of times.

As in the prior episodes, the footage here is absolutely stunning, from astronauts on spacewalks, footage of the shuttle launches and the views from Earth. One shot that particularly moved me was most likely from a camera mounted on an astronaut's helmet, as he moved hand over hand across something. The footage is so clear and crisp that I thought for a moment that I was right there with him (or her)

I need to catch a re-run of the episode before, but overall? This was a pretty good miniseries. Stunning footage and a lot of information (although they did gloss over quite a bit)

Top Ten Lists

The SciFi Channel did a poll to gauge the best things to read and watch, and compiled three top ten lists. Top 10 Films to Watch 1. Blade Runner 2. The Matrix 3. The Terminator 4. 2001: A Space Odyssey 5. Jurassic Park 6. Close Encounters of the Third Kind 7. The Day After Tomorrow 8. The Day the Earth Stood Still 9. Children of Men 10. Armageddon

Anyone find it interesting that the top four movies involves technology running amok, taking over the world and killing off humanity? Blade Runner has synthetic humans, The Matrix concerns the enslavement of the human race for battery power, the Terminator involves time travel and robots killing everyone and 2001 has the famous Hal, who is out to protect the mission, even though it means the people will be killed. Even frther, Jurassic Park has the same technology going haywire, while Children of Men involves the collapse of society because of an infertility epidemic. I'm not sure why Armageddon and Day After Tomorrow is on the list. Given that this list was designed to look at saving the world, I guess it's understandable, but for a top ten list? Really? It's interesting to see that tales of robotic revolution top the list in this day in age when people can't seem to part with their mobile phones, iPods, laptops, internet or television. I suspect that if all of those items were to go out all of a sudden, just stop working, society would have quite a bit of turmoil, much as we see in #9, Children of Men. I know I would have a difficult time with some things, because I talk to a lot of people all over the place and the internet and my phone are such good facilitators of that. It's also interesting to see that there really aren't a whole lot of environmental films, such as The Day After Tomorrow, given how much media buzz the words Global Warming brings nowadays. And of course, Aliens hardly makes this list at all, with only The Day After Tomorrow making the cut, which really is the only one that deals with flesh and blood aliens. 2001 touches on the concept, but not to the same degree.

Moving on to the television list...

Top 10 Television Series to Watch 1. Firefly 2. Battlestar Galactica (2004) 3. The X-Files 4. Heroes 5. Stargate: SG-1 6. Doctor Who 7. Star Trek: The Next Generation 8. Babylon 5 9. Star Trek 10. Buffy The Vampire Slayer

There's more variety here, and I'm once again interested to see that there's a good number of shows that don't involve aliens - Firefly, Battlestar Galactica and Heroes - All human based dramas. There's a lot more variety here, which is pretty nice. I'm a little surprised that Eureka didn't make the list, given the environmental aspects of the show. Dr. Who has been getting into some of the environmental aspects of Global Warming and climate change, as has Stargate a couple times.

Top 10 Books to Read 1. 1984 by George Orwell 2. The War of the Worlds by H. G. Wells 3. Dune by Frank Herbert 4. The Time Machine by H. G. Wells 5. I, Robot by Isaac Asimov 6. The Stand by Stephen King 7. Fahrenheit 451 by Ray Bradbury 8. 2001: A Space Odyssey by Arthur C. Clarke 9. Brave New World by Aldous Huxley 10. The Andromeda Strain by Michael Crichton

Finally, with the books, it looks as if government control and things like that really are still one of the foremost popular ideas and genres in Science Fiction - 1984, Dune, Fahrenheit 451, A Brave New World, and even the Andromeda Strain fall under those catagories. These are some pretty good picks - I'd say that they're missing Foundation and Ringworld. I don't know anything about The Stand, but it's a solid list.

Back In A Nick of Time: Life on Mars: US

When I was in England, I heard about a show called Life on Mars, about a cop in Manchester who is hit by a car and wakes up in the year 1973. I loved every minute of the show, from it's brilliant acting, storytelling and action, as well as the very real life implications and lessons that it contained. Unfortunately, the show's creators decided that they would only run the show for 2 seasons of 8 episodes, and it's since been over for a couple years now. Now, Life on Mars is coming to the US. I've been hearing about this for a little while now, and I've been a little hesitant as to the idea of a US remake. Remakes have a very chaotic quality to them. I'm not really a fan of either Office, so I don't know how they compare, but in my mind, the first show was utterly perfect, and I'm a little worried at how this'll play out. Over the weekend, the first trailer and footage hit the web:

..

From the looks of it, this is a direct remake. There are scenes that match the original show really nicely. It looks like they got the look and feel of the show down pretty good, and from what little we see of the cast, it appears that we have a good lineup (although this new guy, Jason O'Mara, who plays the new Sam Tyler doesn't seem to have the same persona as John Simm)

There's currently a little trouble with the production of this show - the original producer has since dropped out, and there's some other minor things as well as some re-tooling that's going on.

Personally, I hope this hits the big screen, because there are numerous possibilities for this show, especially being in the US, with a very, very different 70s than the UK. I hope that we'll see some compelling stories about Women's Rights, the Civil Rights movement, and Vietnam, as those don't really apply to the UK version, at least not in the same way. This looks to have a lot of potential, and hopefully, it won't let down.

And, We're Back!




This has me really, really excited. The Unofficial Clone Wars site is now back and running!

From 2003 to 2006, I worked on this webpage in the leadup to the movie Revenge of the Sith, helping put together one of the biggest and most comprehensive Clone Wars databases out there, with information on the characters, locations, battles, reviews and interviews. After Revenge of the Sith, we all took a break, and the site went by the wayside.

Until now - with the movie coming out this August, we decided to dust it off and start again, and the side can now be seen at its new home: http://theclonewarz.net. Go check it out and let us know what you think!

When We Left Earth - Episodes 1 & 2

The Discovery Channel began their six hour miniseries When We Left Earth on Sunday. The series is a dramatic look at the history of NASA, through interviews with the astronauts involved in the space program and through never before seen footage that was shot. Overall, the series didn't really explain anything new - there are no earth shattering revelations on how the space program was conducted or how we made it into space, nor is there anything that really hasn't been covered before in dramatic presentations. What really sets When We Left Earth apart from other documentaries and books is the use of new and breathtaking footage that was shot throughout the time when we were going into space. One of my favorite shots is a downward pointed camera attached to a rocket as it lifts off from the pad. This series really pulls in the look and feel of the space program during the 1960s, and it does so brilliantly, with clear, crisp footage that brings the space program. Historywise, this is a very broad and somewhat superficial look at how the space program progressed. This is primarily a look at NASA and the space race. Because of this, the program has limited itself somewhat to how the space program is examined - there is very little talk about the Russian achievements when it came to breaking out of the Earth's atmosphere, just brief mentions, especially when it came to how it affected the American astronauts. This series does take a good look at the astronauts in the Mercury and Gemini programs. Seeing video of the astronauts while they interacted with one another was something that I haven't seen a whole lot of. Particularly helpful is the interviews that are conducted with the astronauts - Some familiar faces from the documentary In the Shadow of the Moon, and some new ones, particularly Neil Armstrong, who very rarely grants interviews - it was very interesting to see him talk to the camera. These first two episodes looked at the Mercury and Gemini programs. These were the first steps that the US took to getting to space, and we see the trials and errors in the early steps, although again, there is much glossed over. I don't remember hearing the name Van Braun at all, nor the early developments of the rockets, although there was much attention to their failure rates. The big missions are gone over in more detail (along with stellar footage), of the Alan Shepherd's first flight, John Glenn's flight, the first American Spacewalk and docking maneuvers. There's a pretty good look at each one, although there are a lot of elements that are only looked at briefly. The best source that I've seen when it comes to this era of space history is Into That Silent Sea by Francis French and Colin Burgess. But, this documentary is a good start and look when it comes to examining this broad frontier. The strengths in this documentary are vast - the footage here is absolutely stunning, beautiful even. What we see here is an unprecedented look at the inner workings of the space program. While the documentary doesn't go into an academic level of information and research as one finds in the Outward Odyssey series.

Operation Overlord

Today is June 6th, the anniversary of the beginning of Operation Overlord, which began the end of the German hold on mainland Europe. It's also been a little over a year since I traveled to Normandy and got to see it for myself with a couple highly qualified tour guides, and it's been over a year since I finished my final paper on the Norwich Students who fought at Normandy.

The past year has marked some changes since I went abroad. Last December, the last Norwich veteran of the day, Arthur Harrington, passed away. I've since begun my master's degree in Military History, largely guided by my experiences in the country. Since then, I've done a lot of reading on the campaign.

Studying Normandy is an incredibly complex and difficult thing to comprehend. It was one of the largest military operations in history, even through to today. Millions of Allied and Axis soldiers were involved in the operation, which successfully liberated Paris on August 25, 1944. The sheer logistics of this is mind boggling.

World War II, in my mind, is one of the wars that shouldn't be labeled as the Last Good War, or something along those lines. I'd label it as the Last Popular War. The sheer amount of media attention on the conflict in recent years is immense, and while such information is good, it's overwhelming at times, and popular history tends to perpetuate things, like the labeling that WWII has received. In my mind, it's a shame that some of the other conflicts, such as Korea, World War I, and others haven't received the same attention, as this not only draws more people to the field of history, but it also helps uncover a lot of baseline data from people who were there.

Overlord and D-Day still hold a great deal of interest to me, as it's a fairly easy thing for me to research, study but most of all conceptualize. I'm hoping that I'll be able to revisit my Normandy project again and continue to research what the Norwich people did there, in more detail. For that, I'll be visiting the National Archives, which should still have the original mission reports from various units, which will give me all the information that I need.

D-Day was a success. I've read accounts of where people have said that it was a horrible disaster, based on how many people had perished and how long it took to push further into France. I would argue that, when you look at the War in context, and think about just how complicated the situation was, and how everything came together. There were issues, and problems during the invasion. Many people died, some needlessly, but by doing so, they helped bring an end to Hitler's hold on Europe.

In the meantime, it's a good time to reflect on the invasion. It's one of the few points in history where there is a really clear tipping point in a conflict, and the successes of this operation really changed the way the world operated in and helped shape today.

Random Things

A couple of things that I've been pondering/observing today while at work and from clicking through channels on TV a little while ago...

- I can't stand Victor Davis Hanson. This is partially because I've been party to a number of rants from some of my co-workers, but now sitting down and reading Carnage & Culture has really just clinched it for me. Item 1 - he claims that he's not trying to be Euro centric: "I am not interested here in whether European military culture is morally superior to, or far more wretched than, that of the non-West." (Victor Davis Hanson, Carnage and Culture, New York, NY: Anchor Books, 2001: 6). But then he turns around and does just that:

- "No other culture but the west could have brought such discipline, morale, and sheer technological expertise to the art of killing than did the Europeans at the insanity of Verdun." (9) - "By the same token, there was little chance that the American government in the darkest days of December 1941 - Britain on the ropes, the Nazis outside of Moscow, the Japanese in the air over Hawaii- would have ordered thousands of its own naval pilots to crash themselves into Admiral Yamamoto's vast carrier fleet or commanded B-17s to plunge into German oil refineries" (9) "Militarily, the uniforms of the world's armies on both sides of the modern battle line are now almost identical - Western Khakis, camouflage, and boots are worn when Iraqis fight Iranians or Somalians battle Ethiopians. Companies, brigades, and divisions - the successors to Roman military practice- are the global standards of military organization." (13) - "Natural determinist are to be congratulated in their efforts for the most part to dismiss genes. Europeans were not by any means naturally smarter than Asians, Africans, or the natives of the New World. They were not genetically dumber either- as Jared Diamond, the purportedly natural determinist, has unfortunately hinted at. In an especially disturbing reference to racial intelligence, Diamond argues for the genetic inferiority of Western brains." (15)

And all that's within the first twenty or so pages of this book. It this just me, or is he really going back on things? The reference to December places western forces on a huge moral pillar, as does his annoyance at the suggestion that there might be genetic differences that don't favor the west. Diamond is an observer, and a damn good one at that - his arguments make a lot more sense. Ugh.

- The Democratic race seems to be down to an end. Sen. Obama, when the TV was on last, needed ten more delegates to win, and I have the nagging suspicion that Clinton will throw in the towel soon thereafter. It'll be nice to have one party that's not fighting with one another, bickering. My main problem, and some talking head on ABC put it into better words than I, has been that Sen. Clinton has been looking back on the past, at her experience and her husband's efforts in the White House, rather than focusing on the future, as Sen. Obama really has been doing. However, I think that the two of them would make a killer ticket.

- GM is planning on selling off the Hummer line. First of all, who is going to buy that now? Gas prices have led SUV sales to fall nearly 30%, while compact and more fuel efficient car sales are up 30%. Hm...

- The Discovery Channel is launching (small pun intended) a miniseries next Sunday called When We Left Earth. Damn, that looks absolutely fantastic. I know what I'll be doing while that's on. My interest in Space History has only increased recently, with a couple of recent reviews of Nebraska University Press's Outward Odyssey series and with a couple other books. It's a facinating subject, and from the looks of things (and from the producers), this looks to be an absolutely fantastic series. I'll probably review it when I see it.

- The world needs superheroes.

- From the finale of LOST:

- Jesus Christ is not a weapon. - Locke: Is he talking about what I think he's talking about? Ben: You measn time traveling bunnies? Then yes.

That ending? Liek whoa. When does season 5 start again?

End of Seminar 1

I just finished my first seminar of my master's degree. My final paper was a little short, and as a result, I had to do revisions, but my grade just came through, an A - for the seminar. I'm pretty happy with that. Normally, I'd have two weeks off between seminars, but in this case, I spent the two weeks doing additional research and writing for this paper.

The first seminar was interesting, and I think I learned a little as well. This seminar was entitled Introduction to Military History, and, as the title suggests, serves as an introductory course to Master's level work, and the fundamental concepts of military history.

Military History on the Academic level, as some students are shocked to learn, isn't battlefield analysis, specific figures or things along those lines. Rather, it's more an examination of concepts and the way in which warfare has changed over history. I found that I'm particularly interested in the way that society and war interact - we haven't really examined it in a whole lot of depth, but it should be interesting.

My final paper (which just got graded) was on the failure of the Uprising in India in 1857-58. Basically, I looked at why the Uprising failed to push the British out of India, and found that it boiled down to a couple points - they weren't well organized, there wasn't a clear leader or goal, they had inferior tech, whereas the British had an entire Empire and up to date tech to fight, and the general Indian population didn't rise up against the British. It was an interesting study.

I've had it in my mind that I'll be focusing on British military history, and I've gotten a couple of ideas for my next Long Paper (which I'll start work on earlier.). I'm thinking looking at the Falklands War as the last major naval battle or as an example of where too much specialization causes problems. (In the case of the British navy, they had been super specialized to counter Soviet grade military equipment, while they were essentially fighting their own technology in some cases). I also just picked up a book called Redcoats, about the British in the US, so that might be an option as well. Anyone have any suggestions?

Things are going really well now.

Why Indy 4 Doesn't Live Up

So I saw Indiana Jones and the Kingdom of the Crystal Skull last night, and I have to say that it really doesn't live up to expectations, which is disappointing, to say the least. Of all the movies that I've been looking forwards to this year, I think that it had the most to live up to, and so far, it's a shame that it didn't really hit the high mark that it should have.

Caution, spoilers follow. The movie opens showing us that the world of Indiana Jones has moved forwards 20 or so years. It's now 1957, and the Cold War is in full force. Unfortunately, the reminders don't stop, from the constant tidbits and hints that are dropped throughout the film. Apparently Indiana worked for the US government, fought in the war, won some metals, and continued to teach. (There was a fun cameo by the guy who plays the Janitor from Scrubs). The Nazis are gone, replaced by the Soviets.

The movie's fast paced, exciting and holds no surprises. Indy films have a certain number criteria - you need a couple car chases, agents with foreign accents, some fist fights some sort of mythical elements and of course, a mass of small, creepy animals. This time, it's giant ants who cart off anyone who strets on their turf. This film pretty much has all of the above.

Unfortunately, while this movie has all of the elements of an Indy film, they seemed to leave out the emotional essence that has really defines the prior films in the franchise. In Raiders of the Lost Ark, we see Indiana Jones motivated somewhat by greed, the need to save an artifact from misuse (thus saving the world), and the desire to save the girl, and this is somewhat replicated in the Temple of Doom and The Last Crusade. Here, Indy himself is just along for the ride, brought into things by Mutt (a horribly craptacular name) who turns out to be his son. Indiana has been busy already, being kidnapped and taken to Area 51 to identify a crate containing the remains of an alien from Roswell, where we first see our Russian foes.

Indiana is showing his years. He's gray, and doesn't sound like he used to. There's a certain wariness to the character. Once he gets his leather jacket and fedora on, the action picks up a bit, but the core of the movie is just not there. Indy's not motivated, not by love, not by the desire to protect the past from misuse. He's essentially along for the ride.

There are some moments that work out here. The grave yard scene is fun, as is the jeep chase through the jungle (despite the fact that no jungle would ever be that open), Indiana surviving a nuclear detonation, and seeing some tidbits from the last couple movies, such as the glimpse of the Ark of the Covenant, the picture of Sean Connery and Marcus (another reminder that 20 years has passed). It was also neat to see South America again. I'm not sure yet what I think about the UFOs and Roswell connection to the franchise. While I'm all for mythical elements, I think this was a little overboard, and it reminded me far too much of the movie Stargate. Indiana Jones and Aliens just don't sit right, not when there have been stories with a lot more depth. There was a neat little biblicdal reference with the red ants parting when they came across the skull, a sort of parting of the red sea. The story here doesn't come close to the one that comes together here.

One big reason why I think that I'm a little annoyed was the constant reminders to who Indiana Jones is, and what he's done. The original Trilogy is sufficiently old and well known enough that most elements of Indiana are pretty well known. We know he doesn't like snakes. We know about the Ark, we know about his father and Marcus. Plus, after the beginning, we know that this is all in the Cold War, yet there are reminders everywhere in the movie. To me, that is pretty sloppy screen writing.

Yet, even here, there are some classic indy moments. "Damn, I thought that was closer" and "I Like Ike" will probably go down as such. Actually, the whole first act might qualify someday.

Finally, the worst aspect of the movie was Shia LaBeouf. Alternating between irritating kid and helper, he didn't add too much to the movie, and I was really annoyed when the hat rolled to him, a sort of passing the franchise onto a newer and younger audience. I hope that doesn't happen. While I'd like to so see Indy continue, I'd like to see good movies.

Indiana Jones has come to the atomic age - he's made the transition from the adventure pulps to the science fiction ones, and I'm not sure the transition made the jump all that well. This is a new Indiana Jones, and while there are traces of the old one, there's many differences. This isn't a bad movie, but it's not entirely what I, or most fans of the old movies hoped for.