Geek Things of 2010

This was possibly one of the best years that I’ve had in a long time. There were geek things abound, in all facets of life: in literature, film, current events, science, music and people. 2010 was a fantastic year for me. In roughly chronological order, here are the notable geek moments of the year:

This year seems to have been the year for newly-published authors. Nora Jemisin exploded out of the gate with her book The Hundred Thousand Kingdoms, the first of a trilogy in an excellently conceived of world, one where gods and humans interact and where there are consequences for those who were chained, and those who held the chains. I was particularly blown away by this book, and look forward to diving into book two: The Broken Kingdoms sometime in 2011.

Canadian Science Fiction author Peter Watts became a bit of a martyr in the eyes of many in the science fictional world when he was thrown into jail for resisting arrest at a border crossing earlier this spring. News of his imprisonment and the details of his predicament spread like wildfire, spurring outrage. Watts has since been convicted and released, and won't be able to travel into the U.S..

I trooped in February with the 501st in New York City to support a product launch. What a surreal day: who would have thought of the combination of Star Wars, Snoop Dogg and Adidas?

The long-running UK show Dr. Who saw its latest rejuvenation in the form of Matthew Smith this year, along with show runner Steven Moffat, who's penned some of the best Dr. Who episodes that I've seen in the latest run. I only was able to catch a couple of the new episodes, but what I saw, I really liked.

One of the films that was a sure train wreck from the trailers was Clash of the Titans. It's decent, mindless monster porn with action and special effects, but for a regular movie? It was pretty bad, and the slapped together 3D helped show audiences that it's a stunt on the part of movie studios to rake in more money per ticket. Where 2009 saw Avatar as the big bright moment for 3D, 2010 saw that it was only good when natively filmed with the extra dimension, rather than slapped on with additional CGI.

Another new author broke into the ranks of the published, author Blake Charlton, with his first novel, Spellwright. While the novel wasn't perfect, it was enjoyable, and I've had the good fortune to talk extensively with him over the course of the year (while he splits writing time with his medical education). This book in particular draws upon Charlton's own experiences with Dyslexia, which allows the book a unique feel when it comes to the mechanics of world building and magic. Bring on book two, Spellbound, due out this year. !

One of my favorite authors from high school / camp, Karin Lowachee, returned from several years of absence for a new book titled The Gaslight Dogs, one of the better Steampunk books that I've read thus far. Set in an unconventional world to the North, Lowachee weaves together some interesting characters and settings in an entertaining novel. I eagerly await the sequels for this planned trilogy.

Earlier this year marked a major uproar when amazon.com attempted to flex its muscles against Macmillan publishers, who had been pushing for higher prices for its new hardcover books. Amazon pulled the books from the publisher, which outraged a lot of people - authors who found that their books weren't being sold for a couple of days before they were all put back into place.

April 20th saw a massive explosion on the Deep Water Horizon oil rig when a plume of natural gas came up the well that they were drilling. The resulting oil spill lasted for three months and involved a major engineering and environmental effort to cap and contain the oil spill. Undoubtedly, the effects will be seen for years to come in the environmental and economic health of the region. The containment of the well itself is an achievement in and of itself, with an apt description of the process as similar to the Apollo 13 rescue.

Vermont singer/songwriter Anaïs Mitchell gained quite a lot of attention with her concept album Hadestown, a post-apocalyptic folk opera retelling of the legend of Orpheus. It's a mouthful, but an extensive cast of notable singers (such as Bon Iver and Ani DeFranco) join her in an impeccable work of music, story and art. This album was absolute perfection.

In July, at the urging of a former college professor, I drove down to ReaderCon, a regional science fiction convention that boasted an impressive list of authors and fans. Unlike most of the conventions that I've been to, this was devoted extensively to literature, and while there, I was able to meet a number of authors that I've long admired (and learned of there) such as Charles Stross, Allen M. Steele, Elizabeth Hand, Blake Charlton, Paolo Bacigalupi, David Forbes, N.K. Jemisin, and quite a few others. I had an absolute blast this year, and I'm eagerly awaiting the trip next year. Hopefully, I'll be able to visit some other similar cons this year.

I didn't catch this until later in the year, but Predators was a film that was released that had been one that I'd wanted to see in theaters. Where the first film was an 80s action film with too much brawn and no brains, this film was a smart, dynamic science fiction thriller, one that vastly improved the franchise. As io9 said, it's the perfect B movie. I'm inclined to agree.

While it was a sparse year for good genre films, one stood easily out amongst the others: Inception. It was a fantastic balance between action and story, with a thought-provoking storyline that dips its feet into the science fiction pool just as much as needed to push the story forward, exploring the mind and the possibilities of imagination. It’s on my slowly growing list of top science fiction films ever.

1B1T proved that Twitter could be more than mindless, as Wired Magazine ran a poll to see if they could get all of twitter reading the same book. The result? Neil Gaiman’s American Gods, broken down into an easy reading schedule – it made for a great excuse to re-read the book and talk to a number of people on a global scale.

Another new author, Charles Yu impressed me with his short story collection, Third Class Superhero this past spring and doubly so over the summer with his book, How To Live Safely In A Science Fictional Universe, a brilliant time travel story that stands out from most books that I read this year. Yu's book becomes part of the story itself, and can easily be compared to the works of Douglas Adams with its dry humor.

Last year, Paolo Bacigalupi blew me away with his novel The Windup Girl, and this year, his follow-up YA novel Ship Breaker could easily fit into the same post-oil world. Global warming is rampant, people are exploited, and with that in the background, there's a very basic and interesting story that pulls the reader through. Bacigalupi's a guy to watch, and this book demonstrated that he's no one hit wonder.

Apple launched their new device and product category this year, the iPad, and when a really good deal came through earlier this year, I bought one, something that I wasn't expecting to do. So far, it's easily the best thing that I've bought all year long. It's an amazingly good computer, and it works very well with what I've long used a computer for, while being more convenient than a laptop. It's a multi-purpose device that I've been able to use extensively over the course of the year, for writing, reading, web work, music and games. For my first Apple early adoption, it's come off far better than my first iPod.

This year's Hugo Awards presented a rare event: a tie for Best Novel: Paolo Bacigalupi's The Windup Girl and China Mieville's The City and The City (more on that in a moment) both received the award in addition to every other award that they scooped up along the way. (Quite a few!). Moon also picked up the movie award.

The animated Star Wars Clone Wars TV show has been popular, but for me, up and down in quality. The opening episode was impressive, but from everything that I've seen beyond that, it's become an exceedingly boring show. When the ads point to the passage of an arms bill in the Republic senate as the exciting bits, you should probably reevaluate. Hopefully, it'll get a bit better soon.

When it came to television shows that disappoint, LOST came to an end is year with a finale that ended the show, but one that didn't wow me like it should have. There was too much lost when it came to possibilities, and it felt more like an ending and an epilogue that wasn't needed.

Masked is a superhero anthology, featuring a number of authors taking on the super powered and the caped. I've yet to finish it, and while I've been enjoying most of it, there are only so many stories of a Batman clone before I have to question the need for the story to be included.

One of the better anthologies that I read all year, Stories: All New Tales, edited by Neil Gaiman and Al Sarrantonio is an impressive book that looks to the idea that stories should be things that demand that you turn the page to find out what happens next. This collection of stories, which boasts an impressive list of contributors, is one that I really enjoyed reading through - there's a bit of every genre here, from science fiction to fantasy to horror to crime fiction. Worth picking through and reading for all of the excellent stories.

Military science fiction stories are fascinating reads - I've read a number of them this year, and by far, the most thought-provoking was Adam Robert's New Model Army. The premise is one that's very modern: what happens when the wiki-culture moves into warfare? While I think that a lot of what would have happened in the book would never come to pass, it does have some interesting ideas behind it, and by far, was one of the better books that I read all year.

Iron Man 2 would have done well to capitalize on the military science fiction stories that the first was known for: a tight, interesting and well conducted special effects spectacular. The trailers looked awesome, but the film just fell flat: it was overblown, nonsensical at times, and not nearly as good as the first one. It did have its good parts, such as Sam Rockwell's zany character, and some fun action scenes.

Kirby Krackle completely rocked my world this year. Their sound is pretty basic when it comes to the actual music, but they rocked it pretty well. In a world where there a few songs that are so passionate about Green Lantern or zombies, their album E for Everyone really stood out for me, and it's an awesome bit of music to bounce around to. These guys are the new voice of fandom.

The first big cancellation from SyFy earlier this year was Caprica, which launched with a great cast of characters and a whole lot of potential, this precursor to Battlestar Galactica was a show that really needed to be trimmed down and to find its focus a bit. Numerous storylines, characters and themes all running together worked well, but the writing was on the wall early on: the show could have been just as good or better than BSG, (and was, at points), but its ratings couldn't sustain it. It's a real shame: the show could have been better than BSG.

In it's second season, Stargate Universe continued to impress me, and it's recent cancellation has me far more upset than the axing of any other television show that I've watched (even Firefly, although I saw that post-cancellation). A step up for the franchise as a whole, this season of Universe was brilliant, well acted and had a lot going for it, and I hope that the next ten episodes will see some good closure and storytelling. Still, maybe it'll be one of those shows that was awesome and never had a chance to get bad, much like Firefly.

One of the absolute best books that I read this year was China Miéville’s The City and The City, which was up for a number of awards this year, including the Hugo. I picked this up after the hype started to go, and it lived up to, and exceeded my expectations by a long margin. Wonderfully plotted in a well thought-out world, Miéville crafts a murder mystery with a fantastic background, and puts to paper one of the best books of the year.

The mathematician who was responsible for some major advances in mathematics and theory died earlier this year, Benoit Mandelbrot. Also the subject of a Jonathan Coulton song: Mandelbrot Set.

Stephen Moffat ruled the Dr. Who universe for a while now, but I liked his take on Sherlock Holmes far more. Set in the modern day, Sherlock is a retelling of the story, with Martin Freeman as Dr. Watson and Benedict Cumberbatch as Sherlock Holmes. A far better take on the character than Robert Downey Jr.'s in the film adaptation (which was also quite fun), Sherlock was fantastic from start to cliff-hanger. I already can't wait for Series 2.

In the wake of Sherlock, Martin Freeman was selected to play Bilbo Baggins in Peter Jackson’s The Hobbit, which is finally moving forward, along with what looks like a great cast. It’s still a shame that Guillermo del Toro isn’t directing though.

Zombies have been all the rage for a while now, and (no pun intended) have been done to death. The Walking Dead falls into a couple of categories with me. The pilot episode was fantastic - one of the better takes on a man waking up to find civilization gone, but it's a story that really doesn't add much to the canon, and while it had its interesting points, it's something that I'm more or less indifferent to. We'll see how Season 2 goes.

While Zombies have been very popular, 2010 saw a bit of a decline in the hysteria over Vampires, while Steampunk came in as a solid genre. The Steampunk craze has gotten some major attention: Sherlock Holmes took on a couple of Steampunkish elements, while Richard Castle (Nathan Fillion) in the show Castle became a convert as publishers such as Pyr and Tor have published a number of books in the genre. It's something that's here to stay, that's for sure.

When it comes to Pyr books, one of their offerings for the year that I read earlier this was Ian McDonald's River of Gods, which took place in a futuristic India. The Dervish House is his latest book, taking place in a futuristic Turkey. I haven't finished the book yet, but I'm loving its rich attention to culture and interconnected storyline.

Going back to geek music, a friend of mine, John Anealio, turned me towards Marian Call earlier this year at ReaderCon, and when she came through Vermont on her 49 state tour this year (an impressive feat in and of itself), I was able to catch her at Montpelier's Langdon Street Cafe for a geeky set of music and a couple of quick words with Marian. She's a lovely singer, one who's popular for all of the right reasons. Geek music was something that I focused on quite a bit this year, putting together a playlist that's almost 700 songs long, and while doing so, came across a strange trend with some of the more higher-profile stuff that trends more towards Geek Pop music. Songs like G33ks and G4m3r Girls by Team Unicorn were almost unlistenable earworms, laundry-lists of popular geek things without the real soul of "geek" stuff to begin with. It'll be interesting to see if there's more of it as geek stuff gets more and more popular.

Speaking of John Anealio, he's someone to keep an eye on, and someone that I befriended earlier this year at ReaderCon. John's an excellent geek musician, with some fantastic songs released earlier this year, such as 'Stormtrooper for Halloween' and 'I Should Be Writing'. Kirby Krackle might speak for fandom, but Anealio speaks for the fans themselves. I can't wait to see what he comes up next.

Another outfit to keep an eye out for is Symphony of Science, which continued to release a number of tracks of auto tuned scientists (namely Carl Sagan) with a wonderful collection of music that speaks to science and the wonders of the universe.

One of the films that I'm practically drooling over in anticipation for is Battle: Los Angeles, which can best be described as Independence Day meets Black Hawk Down. The early buzz from San Diego Comic Con was good, and the trailer showed that there was going to be some excellent looking action. The film is due out in March of 2011, and I really hope that it'll live up to my expectations.

While I panned iFringe when it first came out, but I've grown to love it and really rued my words: with Stargate Universe off the air, it's easily the best science fiction show on TV right now, and while its ratings have dropped and it's been moved to Friday nights, I'm hoping that the show will continue onwards. This season has seen less of the blood and gore, but has an excellent alternate universe storyline that's heating up. I can't wait for new episodes starting up later this week!

One of the coolest things to happen in the realm of space exploration happened was the Deep Impact Probe, launched on 2005 to take a look at the 9P/Tempel comet. The probe released an impactor earlier this year and took a number of high resolution pictures as it passed by and analyzed the impact to see what it was made of.

The other top book of the year was easily Joe Hill's second novel, Horns, mixing popular culture, horror iconology and religious allegory together in a story that absolutely gripped me and blew me away while I was reading it.

It was a sad day in December when Leslie Nielsen passed away. Airplane is one of my favorite comedies, while Forbidden Planet is easily one of my favorite science fiction films. He will certainly be missed. Right on the heels of Nielsen was Irvin Kershner, who directed the greatest of the Star Wars films, The Empire Strikes Back. It's a shame that his work was never quite matched with the franchise. Ironically, his film was one of 25 preserved by the Library of Congress's National Film Registry.

On December 9th, the private space firm SpaceX made history when it launched it's Falcon 9 rocket into orbit carrying a dragon capsule. It became the first private firm to orbit the earth and safely return, joining a small number of countries who have accomplished the same thing.

When it comes to dragons, a film released this year that I only just caught was How To Train Your Dragon, a great kids film with a fun story and some good graphics. At the same time, I can also recommend Toy Story 3 for many of the same reasons - excellent storytelling and a positive end for that franchise.

Wikileaks occupied most of the news coverage for the last part of the year as they released thousands of diplomatic cables in addition to their leak of classified military dispatches written over the course of the Iraq / Afghanistan war. The leaks demonstrated the power of the internet: and the necessity to keep secrets a bit more secure. Given the lack of ability of the British government to keep track of their own files, I'm surprised that they haven't been the target of more leaks.

I first saw the original Tron earlier this year in anticipation for Tron: Legacy, and I came out of the theaters with a film that met my expectations. It was a blockbuster that was fun, but it could have been so much more than it was. With Disney working on sequels and a television series, I'm not sure that the franchise is going anywhere, but box office results have been somewhat lax, given all the advanced hype and marketing for the film.

That ends out the year. It’s been an impressive one, and one that marked a couple of milestones for me: I’ve written, talked to, read and watched so much in the speculative fiction genre, and I’m loving the immersion. There’s a long list of people to thank for it: Annalee Newitz, Charlie Jane Anders, John DeNardo, John Anelio, Patrick Hester, Aiden Moher, Blake Charlton, Charles Yu, Paolo Bacigalupi, David Forbes, Jim Ehrman, N.K. Jemisin, John Scalzi, David J. Williams, Christie Yant, John Joseph Adams, Karin Lowachee, Megan Messinger, Bridget McGovern, Brit Mandelo, Scott Eldeman, Blastr, everybody at io9, SF Signal and Tor.com, people who commented and e-mailed me because of what I wrote and everyone who encouraged my writing and reasoning over the year. Most of all, Megan, for everything. It’s been the best year for me to date, and I’m looking forward to an even better 2011.

The best Music of 2010

I've largely fallen out of the music blogging stuff that I once was heavily engaged in. Too much writing, not nearly enough reward, and it got to a point where it interfered with other projects that I've wanted to do, and the things that I write about when it comes to music are fewer and further between. I've not stopped listening to music, however, and there's been a number of really good albums released this year. Here's what I liked the most.

Kirby Krackle, E for Everyone

Kirby Krackle was a discovery that I made earlier this year via a musician friend of mine, John Anealio, and it's easy to bill these guys as some of the best all around Geek rockers out there. With their prior self-titled album, they've got an excellent backlog of songs that run the line from comic books (There's a lot here - Iron Man, Green Lantern, Wolverine, Great Lakes Avengers and more) to zombies (what self-respecting geek musician doesn't have a song about zombies?) to things like conventions and geek romance.

E for Everyone is an album that hits all the basic, rich chords, combined with lyrics that I find impossible not to sing along with loudly in the car. The set is a fun one, and I hope to hear more from them at some point in the near future.

Ray LaMontagne, God Willin' & The Creek Don't Rise

Ray LaMontagne is a long favorite of mine from college, and his latest album hasn't disappointed as he's changed up his style over the past couple of years. This latest outing is one that carries with it a particular country style with some of the songs, and looks to the virtues of a simpler, uncomplicated existence. The best song on the album is easily Beg Steal Or Borrow with its steady beat, perfect sound and breezy feel that makes me perk up a bit whenever I hear it on the radio.

LaMontagne has kept up with a good habit of not repeating his successes, nor does he change so drastically that his new music is something totally unexpected. God Willin' is an album that retains the best of his past, and changes as needed, and almost always for the better. While the album hasn't quite topped Gossip in the Grain, it's an excellent work by an excellent musician.

Goodtimes Goodtimes, Goodtimes Goodtimes

Franc, of Goodtimes Goodtimes, has been on a roll lately. He's just released a second music video from this album for 'Magic Hour' (Fortune Seller Song is the other, both excellent). Glue, the first album from Goodtimes Goodtimes, was a favorite of mine, but it absolutely pales in comparison to this self-titled album that's just been released. It's almost as if a filter has been removed and Franc's been unleashed. The music is polished, rich and textured, and the songs are superb. Each song on this album is excellent, strong and together, allow for a great album.

Grace Potter & The Nocturnals, Grace Potter And The Nocturnals

Grace Potter & The Nocturnals starts off with a bang with their reworked version of Paris (Ooh La La). It's a blast of energy that Grace has been known for on stage, and it's a good thing to see retained in their latest (and largest to date), self-titled album. The album's not their best: there's a certain flavor that seems to have been lost from their original work, but the band has retained their fantastic songwriting skills, new sounds and still a great energy and vibe that work with Grace's voice wonderfully.

Anais Mitchell feat. Justin Vernon, Ani DiFranco, Greg Brown, The Haden Triplets and Ben Knox Miller, Hadestown

I've described this album as a indie-folk retelling of the myth of Orpheus set in a post-apocalyptic fiefdom. Yep. It's also completely fantastic, an upgraded version of a production that Anais Mitchell worked on a couple of years ago. Hadestown is a rocking good time: it's akin to a stage soundtrack, with various (well known) singers taking on different characters. Justin Vernon (aka, Bon Iver) takes part, and we follow a great story of romance, betrayal, greed and revenge. Musically, this album is diverse, rich and fascinating, and every time I listen to the tracks, I'm intensely reminded of Cherie Priest's novel Boneshaker, with it's dark atmosphere, twisted characters and foreboding surroundings.

Jed Whedon and the Willing, History of Forgotten Things

Whedon is a name that all geeks should know. Not only the name of Joss (who did Firefly, Dollhouse and Buffy) or Zack (Screenwriter for Fringe, Deadwood, and Dr. Horrible), but Jed, for his work on not only Dr. Horrible, but for his fantastic History of Forgotten Things, which is easily one of my top favorites of the year. This well composed alternative-pop album is one that is both smooth and ethereal. There's a real SF/F feel to the album as well: Drones was used in the show Dollhouse (as well as Remains, a single that he's released), as well as Last Man and Ancestors. Is this music that we'll see more of in the future? I hope so.

Holy Fiction, Hours from It

Hours From It is a product of the west, and it feels like it. This was an unexpected album from Holy Fiction, and one that I completely fell in love with after a single listen. It's been on a regular rotation while I take long car rides, and it's perfect for blasting down the roads of Vermont. Each song has a fantastic beat and sound that's been based off of that, one that's not too overpowering. Songs like Exit demonstrate the real shifts capable from the musicians, and where Iron Eyes gives me a nostalgic feel for cross-country trips that I've taken in the past. The album's single downside is its length: it's far too short, and I'm chomping at the bit for more.

Carbon Leaf, How The West Was Vol. 1

One of my all-time favorite bands is Carbon Leaf, and as they've left the major record label Vanguard, they've begun to rework how they release music and tour around the country. I'm sad to have missed them this year, but I'm hopeful that I'll see them again in the state at some point in the future. How the West Was... Vol. 1 is the first of their new strategy to record and release music as an independent group. This short effort is a fun one with songs that I've wanted to hear on a record for a while, such as Native America. The album feels very much like a classic Carbon Leaf record, and it feels far more like an honest look at their songwriting, without the polish and production that's typically required of a major record. Their older stuff is great, and this is a great addition to it.

Hans Zimmer, Inception (Music from the Motion Picture)

This list isn't limited to bands. As such, Hans Zimmer's Inception soundtrack deserves some high praise. I loved the movie, and it's easily one of the best Science Fiction films that I've seen in a very long time, and that comes in no small part as a result of the soundtrack. The music compliments the film nicely, with a number of tracks, such as Half Remembered Dream, We Built Our Own World and Old Souls resonating with the emotional parts of the film, while Dream Is Collapsing, and Mombasa ratcheting up the tension where needed. The album's something I've listened to dozens of times, and it's a constant companion when I'm writing.

Ferraby Lionheart, The Jack Of Hearts

This album by Ferraby Lionheart is one that I'm somewhat split on. Some of the songs are ones that I'm not all that fond of. But the other half of the album is one that is just absolutely stunning: tracks such as Harry & Bess are ones that retain a nostalgic beat that feels like it wouldn't be out of place in the 1950s, and when the chorus kicks in, it's absolutely one of the best songs that I've ever listened to. There's other good ones here too: Arkansas and Sweet Tanzini retain a great Lionheart sound, and on the whole, it's a good, solid follow up to his first album.

Laura Veirs, July Flame

This album was one that I first heard about while driving home from Pennsylvania. Laura Veirs was an artist that I'd heard of, but hadn't listened to extensively - I'd actually seen her in person, opening for The Decemberists. I remember being unimpressed. July Flame, however, is a very good reintroduction to her, and I've found that this is a fantastic indie-rock album. Viers has a great voice and some great songwriting skills here, and July Flame is a quirky, fun listen.

Fictionist, Lasting Echo

Lasting Echo feels like something out of the 1970s, from the front cover of the album to the science fiction nature that some of the songs take on. This was a fun album to listen to, and moreover, it feels ... cool. Fictionist's songs are laid back, interesting and free: the song Human Wings exemplifies this, while Blue Eyed Universe is a neat little song that has taken to space with its music video. The sounds here are well balanced between the vocals and guitar work, which lends itself very well to my ears.

Mumford and Sons, Sigh No More

Recommendations from friends are the best sorts: my friend Laura pointed out Mumford and Sons to me, and it's clear that this album is going to land them on the map. With a short tour of sold out dates, the proof is in the pudding that they'll be growing a bit. Songs like The Cave, Roll Away Your Stone and White Blank Page bring in the energy that works well with their vocals. These guys sound like they're off to a great start. Can't wait to see how they turn out a couple albums from now. In the meantime, Sigh No More will have to do.

Josh Ritter, So Runs The World Away

Josh Ritter's latest album is a stunning piece of work, with some of my absolute favorite songs by him to date. The tone is set with Curtains, an instrumental, before launching into a set of songs that are rife with stories of mummies, killers, explorers and train rides. Ritter's songs are absolutely fantastic, with a rich blend of instrumental wonder and lyrical delights through out. My favorite songs off of this album are easily The Curse, about a mummy who returns to life, and a Southern Pacifica, for its smooth, train travelling song, Rattling Locks, with its harsh edges and Folk Bloodbath, the story of a, well, folk bloodbath. I'm desperately hoping that the band will be back in the area at some point soon - their live act is even better.

The Apples In Stereo, Travellers In Space And Time

For a bit of fun, listen to Travellers in Time and Space, an album that I came across while looking up songs for my geek music playlist. The Apples in Stereo have a slick synth-pop sound and feel that is bubbling with energy and enthusiasm. Songs like Dream About The Future, Strange Solar System and C.P.U. all feel very geeky with their titles and subject matter, and feel full of movement and bright sound that is both over the top and a bit like Electric Light Orchestra.

Cary Brothers, Under Control

Cary Brothers wrote one of my all time favorite albums: Who You Are, which I discovered in college. While Under Control doesn't quite live up to the same heights for me, it's still a very good album. Brothers has refined his sound during the break, and we're left with a lot of the great parts of his older work, along with an even better sound. Ghost Town, Break Off The Bough and Someday rank as my favorites off of this track, and there's a nice blend of fast/fun and softer/serious songs across the eleven tracks. I can't wait to see what he comes up with next.

This year felt like a good year for music, and at points, I feel like I've not listened to as much new music as I have in the past. Half of the albums that I listened to this year were from bands that I've liked enough to listen to again, while another half were new discoveries, recommendations and stumbled upon records that I'd never heard of before. I'm happy with that, and if you're looking for something to listen to that's reasonably new, these albums are all ones that I highly recommend.