Geek Things of 2010

This was possibly one of the best years that I’ve had in a long time. There were geek things abound, in all facets of life: in literature, film, current events, science, music and people. 2010 was a fantastic year for me. In roughly chronological order, here are the notable geek moments of the year:

This year seems to have been the year for newly-published authors. Nora Jemisin exploded out of the gate with her book The Hundred Thousand Kingdoms, the first of a trilogy in an excellently conceived of world, one where gods and humans interact and where there are consequences for those who were chained, and those who held the chains. I was particularly blown away by this book, and look forward to diving into book two: The Broken Kingdoms sometime in 2011.

Canadian Science Fiction author Peter Watts became a bit of a martyr in the eyes of many in the science fictional world when he was thrown into jail for resisting arrest at a border crossing earlier this spring. News of his imprisonment and the details of his predicament spread like wildfire, spurring outrage. Watts has since been convicted and released, and won't be able to travel into the U.S..

I trooped in February with the 501st in New York City to support a product launch. What a surreal day: who would have thought of the combination of Star Wars, Snoop Dogg and Adidas?

The long-running UK show Dr. Who saw its latest rejuvenation in the form of Matthew Smith this year, along with show runner Steven Moffat, who's penned some of the best Dr. Who episodes that I've seen in the latest run. I only was able to catch a couple of the new episodes, but what I saw, I really liked.

One of the films that was a sure train wreck from the trailers was Clash of the Titans. It's decent, mindless monster porn with action and special effects, but for a regular movie? It was pretty bad, and the slapped together 3D helped show audiences that it's a stunt on the part of movie studios to rake in more money per ticket. Where 2009 saw Avatar as the big bright moment for 3D, 2010 saw that it was only good when natively filmed with the extra dimension, rather than slapped on with additional CGI.

Another new author broke into the ranks of the published, author Blake Charlton, with his first novel, Spellwright. While the novel wasn't perfect, it was enjoyable, and I've had the good fortune to talk extensively with him over the course of the year (while he splits writing time with his medical education). This book in particular draws upon Charlton's own experiences with Dyslexia, which allows the book a unique feel when it comes to the mechanics of world building and magic. Bring on book two, Spellbound, due out this year. !

One of my favorite authors from high school / camp, Karin Lowachee, returned from several years of absence for a new book titled The Gaslight Dogs, one of the better Steampunk books that I've read thus far. Set in an unconventional world to the North, Lowachee weaves together some interesting characters and settings in an entertaining novel. I eagerly await the sequels for this planned trilogy.

Earlier this year marked a major uproar when amazon.com attempted to flex its muscles against Macmillan publishers, who had been pushing for higher prices for its new hardcover books. Amazon pulled the books from the publisher, which outraged a lot of people - authors who found that their books weren't being sold for a couple of days before they were all put back into place.

April 20th saw a massive explosion on the Deep Water Horizon oil rig when a plume of natural gas came up the well that they were drilling. The resulting oil spill lasted for three months and involved a major engineering and environmental effort to cap and contain the oil spill. Undoubtedly, the effects will be seen for years to come in the environmental and economic health of the region. The containment of the well itself is an achievement in and of itself, with an apt description of the process as similar to the Apollo 13 rescue.

Vermont singer/songwriter Anaïs Mitchell gained quite a lot of attention with her concept album Hadestown, a post-apocalyptic folk opera retelling of the legend of Orpheus. It's a mouthful, but an extensive cast of notable singers (such as Bon Iver and Ani DeFranco) join her in an impeccable work of music, story and art. This album was absolute perfection.

In July, at the urging of a former college professor, I drove down to ReaderCon, a regional science fiction convention that boasted an impressive list of authors and fans. Unlike most of the conventions that I've been to, this was devoted extensively to literature, and while there, I was able to meet a number of authors that I've long admired (and learned of there) such as Charles Stross, Allen M. Steele, Elizabeth Hand, Blake Charlton, Paolo Bacigalupi, David Forbes, N.K. Jemisin, and quite a few others. I had an absolute blast this year, and I'm eagerly awaiting the trip next year. Hopefully, I'll be able to visit some other similar cons this year.

I didn't catch this until later in the year, but Predators was a film that was released that had been one that I'd wanted to see in theaters. Where the first film was an 80s action film with too much brawn and no brains, this film was a smart, dynamic science fiction thriller, one that vastly improved the franchise. As io9 said, it's the perfect B movie. I'm inclined to agree.

While it was a sparse year for good genre films, one stood easily out amongst the others: Inception. It was a fantastic balance between action and story, with a thought-provoking storyline that dips its feet into the science fiction pool just as much as needed to push the story forward, exploring the mind and the possibilities of imagination. It’s on my slowly growing list of top science fiction films ever.

1B1T proved that Twitter could be more than mindless, as Wired Magazine ran a poll to see if they could get all of twitter reading the same book. The result? Neil Gaiman’s American Gods, broken down into an easy reading schedule – it made for a great excuse to re-read the book and talk to a number of people on a global scale.

Another new author, Charles Yu impressed me with his short story collection, Third Class Superhero this past spring and doubly so over the summer with his book, How To Live Safely In A Science Fictional Universe, a brilliant time travel story that stands out from most books that I read this year. Yu's book becomes part of the story itself, and can easily be compared to the works of Douglas Adams with its dry humor.

Last year, Paolo Bacigalupi blew me away with his novel The Windup Girl, and this year, his follow-up YA novel Ship Breaker could easily fit into the same post-oil world. Global warming is rampant, people are exploited, and with that in the background, there's a very basic and interesting story that pulls the reader through. Bacigalupi's a guy to watch, and this book demonstrated that he's no one hit wonder.

Apple launched their new device and product category this year, the iPad, and when a really good deal came through earlier this year, I bought one, something that I wasn't expecting to do. So far, it's easily the best thing that I've bought all year long. It's an amazingly good computer, and it works very well with what I've long used a computer for, while being more convenient than a laptop. It's a multi-purpose device that I've been able to use extensively over the course of the year, for writing, reading, web work, music and games. For my first Apple early adoption, it's come off far better than my first iPod.

This year's Hugo Awards presented a rare event: a tie for Best Novel: Paolo Bacigalupi's The Windup Girl and China Mieville's The City and The City (more on that in a moment) both received the award in addition to every other award that they scooped up along the way. (Quite a few!). Moon also picked up the movie award.

The animated Star Wars Clone Wars TV show has been popular, but for me, up and down in quality. The opening episode was impressive, but from everything that I've seen beyond that, it's become an exceedingly boring show. When the ads point to the passage of an arms bill in the Republic senate as the exciting bits, you should probably reevaluate. Hopefully, it'll get a bit better soon.

When it came to television shows that disappoint, LOST came to an end is year with a finale that ended the show, but one that didn't wow me like it should have. There was too much lost when it came to possibilities, and it felt more like an ending and an epilogue that wasn't needed.

Masked is a superhero anthology, featuring a number of authors taking on the super powered and the caped. I've yet to finish it, and while I've been enjoying most of it, there are only so many stories of a Batman clone before I have to question the need for the story to be included.

One of the better anthologies that I read all year, Stories: All New Tales, edited by Neil Gaiman and Al Sarrantonio is an impressive book that looks to the idea that stories should be things that demand that you turn the page to find out what happens next. This collection of stories, which boasts an impressive list of contributors, is one that I really enjoyed reading through - there's a bit of every genre here, from science fiction to fantasy to horror to crime fiction. Worth picking through and reading for all of the excellent stories.

Military science fiction stories are fascinating reads - I've read a number of them this year, and by far, the most thought-provoking was Adam Robert's New Model Army. The premise is one that's very modern: what happens when the wiki-culture moves into warfare? While I think that a lot of what would have happened in the book would never come to pass, it does have some interesting ideas behind it, and by far, was one of the better books that I read all year.

Iron Man 2 would have done well to capitalize on the military science fiction stories that the first was known for: a tight, interesting and well conducted special effects spectacular. The trailers looked awesome, but the film just fell flat: it was overblown, nonsensical at times, and not nearly as good as the first one. It did have its good parts, such as Sam Rockwell's zany character, and some fun action scenes.

Kirby Krackle completely rocked my world this year. Their sound is pretty basic when it comes to the actual music, but they rocked it pretty well. In a world where there a few songs that are so passionate about Green Lantern or zombies, their album E for Everyone really stood out for me, and it's an awesome bit of music to bounce around to. These guys are the new voice of fandom.

The first big cancellation from SyFy earlier this year was Caprica, which launched with a great cast of characters and a whole lot of potential, this precursor to Battlestar Galactica was a show that really needed to be trimmed down and to find its focus a bit. Numerous storylines, characters and themes all running together worked well, but the writing was on the wall early on: the show could have been just as good or better than BSG, (and was, at points), but its ratings couldn't sustain it. It's a real shame: the show could have been better than BSG.

In it's second season, Stargate Universe continued to impress me, and it's recent cancellation has me far more upset than the axing of any other television show that I've watched (even Firefly, although I saw that post-cancellation). A step up for the franchise as a whole, this season of Universe was brilliant, well acted and had a lot going for it, and I hope that the next ten episodes will see some good closure and storytelling. Still, maybe it'll be one of those shows that was awesome and never had a chance to get bad, much like Firefly.

One of the absolute best books that I read this year was China Miéville’s The City and The City, which was up for a number of awards this year, including the Hugo. I picked this up after the hype started to go, and it lived up to, and exceeded my expectations by a long margin. Wonderfully plotted in a well thought-out world, Miéville crafts a murder mystery with a fantastic background, and puts to paper one of the best books of the year.

The mathematician who was responsible for some major advances in mathematics and theory died earlier this year, Benoit Mandelbrot. Also the subject of a Jonathan Coulton song: Mandelbrot Set.

Stephen Moffat ruled the Dr. Who universe for a while now, but I liked his take on Sherlock Holmes far more. Set in the modern day, Sherlock is a retelling of the story, with Martin Freeman as Dr. Watson and Benedict Cumberbatch as Sherlock Holmes. A far better take on the character than Robert Downey Jr.'s in the film adaptation (which was also quite fun), Sherlock was fantastic from start to cliff-hanger. I already can't wait for Series 2.

In the wake of Sherlock, Martin Freeman was selected to play Bilbo Baggins in Peter Jackson’s The Hobbit, which is finally moving forward, along with what looks like a great cast. It’s still a shame that Guillermo del Toro isn’t directing though.

Zombies have been all the rage for a while now, and (no pun intended) have been done to death. The Walking Dead falls into a couple of categories with me. The pilot episode was fantastic - one of the better takes on a man waking up to find civilization gone, but it's a story that really doesn't add much to the canon, and while it had its interesting points, it's something that I'm more or less indifferent to. We'll see how Season 2 goes.

While Zombies have been very popular, 2010 saw a bit of a decline in the hysteria over Vampires, while Steampunk came in as a solid genre. The Steampunk craze has gotten some major attention: Sherlock Holmes took on a couple of Steampunkish elements, while Richard Castle (Nathan Fillion) in the show Castle became a convert as publishers such as Pyr and Tor have published a number of books in the genre. It's something that's here to stay, that's for sure.

When it comes to Pyr books, one of their offerings for the year that I read earlier this was Ian McDonald's River of Gods, which took place in a futuristic India. The Dervish House is his latest book, taking place in a futuristic Turkey. I haven't finished the book yet, but I'm loving its rich attention to culture and interconnected storyline.

Going back to geek music, a friend of mine, John Anealio, turned me towards Marian Call earlier this year at ReaderCon, and when she came through Vermont on her 49 state tour this year (an impressive feat in and of itself), I was able to catch her at Montpelier's Langdon Street Cafe for a geeky set of music and a couple of quick words with Marian. She's a lovely singer, one who's popular for all of the right reasons. Geek music was something that I focused on quite a bit this year, putting together a playlist that's almost 700 songs long, and while doing so, came across a strange trend with some of the more higher-profile stuff that trends more towards Geek Pop music. Songs like G33ks and G4m3r Girls by Team Unicorn were almost unlistenable earworms, laundry-lists of popular geek things without the real soul of "geek" stuff to begin with. It'll be interesting to see if there's more of it as geek stuff gets more and more popular.

Speaking of John Anealio, he's someone to keep an eye on, and someone that I befriended earlier this year at ReaderCon. John's an excellent geek musician, with some fantastic songs released earlier this year, such as 'Stormtrooper for Halloween' and 'I Should Be Writing'. Kirby Krackle might speak for fandom, but Anealio speaks for the fans themselves. I can't wait to see what he comes up next.

Another outfit to keep an eye out for is Symphony of Science, which continued to release a number of tracks of auto tuned scientists (namely Carl Sagan) with a wonderful collection of music that speaks to science and the wonders of the universe.

One of the films that I'm practically drooling over in anticipation for is Battle: Los Angeles, which can best be described as Independence Day meets Black Hawk Down. The early buzz from San Diego Comic Con was good, and the trailer showed that there was going to be some excellent looking action. The film is due out in March of 2011, and I really hope that it'll live up to my expectations.

While I panned iFringe when it first came out, but I've grown to love it and really rued my words: with Stargate Universe off the air, it's easily the best science fiction show on TV right now, and while its ratings have dropped and it's been moved to Friday nights, I'm hoping that the show will continue onwards. This season has seen less of the blood and gore, but has an excellent alternate universe storyline that's heating up. I can't wait for new episodes starting up later this week!

One of the coolest things to happen in the realm of space exploration happened was the Deep Impact Probe, launched on 2005 to take a look at the 9P/Tempel comet. The probe released an impactor earlier this year and took a number of high resolution pictures as it passed by and analyzed the impact to see what it was made of.

The other top book of the year was easily Joe Hill's second novel, Horns, mixing popular culture, horror iconology and religious allegory together in a story that absolutely gripped me and blew me away while I was reading it.

It was a sad day in December when Leslie Nielsen passed away. Airplane is one of my favorite comedies, while Forbidden Planet is easily one of my favorite science fiction films. He will certainly be missed. Right on the heels of Nielsen was Irvin Kershner, who directed the greatest of the Star Wars films, The Empire Strikes Back. It's a shame that his work was never quite matched with the franchise. Ironically, his film was one of 25 preserved by the Library of Congress's National Film Registry.

On December 9th, the private space firm SpaceX made history when it launched it's Falcon 9 rocket into orbit carrying a dragon capsule. It became the first private firm to orbit the earth and safely return, joining a small number of countries who have accomplished the same thing.

When it comes to dragons, a film released this year that I only just caught was How To Train Your Dragon, a great kids film with a fun story and some good graphics. At the same time, I can also recommend Toy Story 3 for many of the same reasons - excellent storytelling and a positive end for that franchise.

Wikileaks occupied most of the news coverage for the last part of the year as they released thousands of diplomatic cables in addition to their leak of classified military dispatches written over the course of the Iraq / Afghanistan war. The leaks demonstrated the power of the internet: and the necessity to keep secrets a bit more secure. Given the lack of ability of the British government to keep track of their own files, I'm surprised that they haven't been the target of more leaks.

I first saw the original Tron earlier this year in anticipation for Tron: Legacy, and I came out of the theaters with a film that met my expectations. It was a blockbuster that was fun, but it could have been so much more than it was. With Disney working on sequels and a television series, I'm not sure that the franchise is going anywhere, but box office results have been somewhat lax, given all the advanced hype and marketing for the film.

That ends out the year. It’s been an impressive one, and one that marked a couple of milestones for me: I’ve written, talked to, read and watched so much in the speculative fiction genre, and I’m loving the immersion. There’s a long list of people to thank for it: Annalee Newitz, Charlie Jane Anders, John DeNardo, John Anelio, Patrick Hester, Aiden Moher, Blake Charlton, Charles Yu, Paolo Bacigalupi, David Forbes, Jim Ehrman, N.K. Jemisin, John Scalzi, David J. Williams, Christie Yant, John Joseph Adams, Karin Lowachee, Megan Messinger, Bridget McGovern, Brit Mandelo, Scott Eldeman, Blastr, everybody at io9, SF Signal and Tor.com, people who commented and e-mailed me because of what I wrote and everyone who encouraged my writing and reasoning over the year. Most of all, Megan, for everything. It’s been the best year for me to date, and I’m looking forward to an even better 2011.

Warfare for the Crowdsourcing Age: Adam Robert’s New Model Army

New Model Army, by Adam Roberts, takes an interesting look at the function of warfare and society with the question: What if a hierarchical military, such as ones set up along the lines of the British or U.S. Armies, and pitted it against an army that was fully democratic in its organization?

The concept is an interesting one, and the book as a whole is a perfect example of something that I've wanted to see in the subgenre: a world in which the military itself is examined, not only in the tactical side of things, but also in its ideology. Roberts puts forth an interesting idea that blends together the changing states of technology and warfare: militaries have adopted a new organizational structure: rather than the strict chain of command that defines the military lifestyle, they have brought together a large group of people, connected them through secure wikis and use the power of the crowd to fight. Tactical decisions are voted upon, and each soldier updates the battlefield map with the needed information: where they are, where the enemy is, and so forth.

The concept is one that is already in the earliest stages of implementation in the real-world battlefield, on a couple of levels. With the advances in technology, military leaders have been able to reduce the 'fog of war', the so-called elements of the battlefield, where commanders can't see what's happening, and are forced to rely on planning extensively. As the abilities of the military to watch the battlefield increases, from cameras mounted on soldiers to drones flying overhead, major changes have been seen, both in the leadership and organizational structure of the military, but also in how tactics are put forth.

Indeed, the connection between the ability to wage war and the relative ease to which technology is available has already begun some major changes. In 2008, insurgents entered the city of Mumbai, armed with cell phones and the internet, and were able to coordinate their attacks, using Google Earth to help plan the attack. Other examples of similar uses have been used across the various conflicts around the world. As the world becomes more connected, it's far easier to coordinate attacks with individuals across country borders and continents.

New Model Army, while it puts forward an interesting story on the military, there's a number of things that make the story a bit more implausible, technology advances aside. Currently, the United States and her allies are into their ninth year of waging a counter-insurgency battle in the Middle East, one that will likely leave lasting impressions on the organizations of all involved, and are lessons that would not be easily forgotten. As such, the New Model Armies (NMAs) are essentially a form of insurgency warfare that seem to plague the regular British military wherever they confront them, inflicting heavy losses and forcing surrenders at several battles. For a nation that's largely been involved with counterinsurgency warfare for longer than the US (if one can consider the problems in Ireland), it seems strange that they would be unable to counter said forces, not to mention not adopting some of the methods in and of themselves. The successes of the NMAs seem to come from the ineptitude of the British military. Political motivations or opinions notwithstanding, it are a situation that annoyed me as I read the book.

The British NMA, soldiers were instilled with a sense that a pure form of democracy, and carried such an air of superiority amongst them that I can't help but thing that their role was satirical, at least at points. It's not until into around two thirds of the book that the main character is confronted with any sort of counter-point to his philosophy that democracies are inherently better than any other form of self governance.

When it comes to military powers, democracy is something that really doesn't exist, and for good reason: the style of warfare that has evolved over the course of human history ultimately relies on a large presence of soldiers, acting in concert, to achieve a goal that's determined by someone higher up in the chain of command. The ability to work together as a unit is a key element for the battlefield, and discipline is drilled into soldiers early on. The evolution of uniforms and mass-produced weapons helped to support this. The outsider viewpoint of a the military as a close-knit group of people follow orders, are yelled at and depersonalized (The term G.I. means General Infantry), is somewhat accurate, but the full meaning and reasons behind this type of training needs to be taken into consideration. The role of the soldier is to fulfill national priorities: in this case, by force, and essentially, they are willing tools of what is determined needed to be done.

Looking at a group such as a New Model Army, it's hard to imagine that a force composed of individuals, with a bottom-up organizational method would be as successful in the real world: individuals might be disciplined, but military actions require the coordinated efforts of a group to accomplish their goals: hence the depersonalizing training to get people to not run away from being shot at. Similarly, in the NMA, people hold no rank, nor do they carry any sort of specialization, which in and of itself causes issues. Militaries are groups of specialists, whether it be in a certain weapons system, as medics or as leaders, and I don't believe that the simple availability of information through the cloud can replace an individual trained and specializing in something as important as lifesaving. (I know I wouldn't want a surgeon trained from Wikipedia in heart surgery). Militaries are likewise structured (when they work properly) with individuals skilled in leadership and planning are promoted, and are able to recognize, carry out and accomplish their goals.

Furthermore, military actions recruit more than just tactical (on the battlefield) planning to accomplish their goals: there is far more long term planning when it comes to carrying out national goals, which in turn, inform the tactical requirements of a battlefield. Once again, in a crowd sourcing environment, I don't see that this would be an effective style of fighting. People in a large group might have their own goals, methods of fighting that run counter to national goals. In the book, the NMA uses a nuclear 'bullet', a sized down nuclear warhead that surprises everyone. Similar actions exist in real life: groups such as Freedom Watch or the Minuteman Project, which advocates or utilize force outside of national interests and policy. Undoubtedly, said crowd groups would utilize similar behavior in their actions, especially in a war zone. A U.S. Officer who captures the story's main character makes such a point, noting that while his British NMA is a good example of where this sort of thing works, there's other groups that are essentially mobs.

Insurgencies around the world utilize social networking and crowd sourcing elements right now, and in all likelihood, there will be moves towards this future that Roberts has predicted. However, as they do so, their opponents will do what the militaries in this book haven't done: adapt to the new styles of fighting, and find ways to counter them, but also understand how and why such measures are being put into place.

While there are real issues with the style of fighting in the book, Roberts has done what I've really yet to see another Military Science Fiction writer do with the genre: look at how people fight, and how things might work. This is a military science fiction book that goes beyond the action; it goes straight to the heart of how militaries function, speculative in and of itself. I see the fighting that occurs in the book as an afterthought, used to support the real character elements that go into the story, and as such, New Model Army is an interesting, fascinating book that annoyed me thought out, but it frequently made me stop and think about how such a thing might actually work in reality. Because of this, this book stands out from a lot of other miltiary science fiction stories.

One thing is for sure though, if there is a rise in this sort of style of fighting, it will be a very bad thing for all of us.

#1b1t

Earlier this year, Wired Magazine tried out something using twitter, #1b1t (1 Book, 1 Twitter), based off of a Chicago literary program called 1 Book, 1 Chicago. The first book chosen by vote was Neil Gaiman's American Gods, published in 2001, and which has since gone on to receive wide acclaim. It was a book that I had picked up while I was in high school, and had read, over the course of several years, picking it up and putting it away as other distractions came up. Ever since, I've been looking for a good excuse to pick the book back up and re-read the entire thing (especially now that I pay far better attention to what I'm reading), and this seemed to be as good an opportunity as any.

American Gods is an absolutely stunning novel, and one that I've grown to like over the past couple of years as I've gone back to remember what it was about. Re-reading the book this time around proved to be an enlightening experience. My opinions about the book have not changed, and indeed, having now fully understood the story, and with more of a head for storytelling, characters, writing and everything else that goes into a novel, I was impressed once again with the rich story that Gaiman had put together.

The book is the story of America, reaching deep into the roots of the country and providing one of the best examples of Americana that I can think of. Gaiman examines the spiritual core (or lack thereof) in America, spinning a story that pits new gods against old, with Shadow, an ex-con fascinated by coin tricks, at the center of it all. Interludes go back into the past and present of various gods incarnated, walking amongst the people, struggling to reclaim their former glory. Norse, Egyptian, Slavic and others populate the story, as Shadow, and his handler, Wednesday, go to gain support for the older gods, who run the risk at being pushed aside by Modern society and all that it brings. While doing so, Gaiman layers on an intense story that carries multiple facets, with smaller storylines ultimately supporting the larger ones, in a very rewarding fashion. The book is a rich literary soup, and is one to be savored. I have no doubts that I'll return in the future for more.

The crowdsourcing efforts that had been put together was an incredibly interesting one to me. While I doubt that everyone on Twitter was reading the book (maybe a fraction?), it was interesting to watch the updates fly past as people around the world read the same thing that I did, at the same time (or roughly the same time - I suspect that there are still people finishing up the book). What I liked the most about it though, was that this didn't come across as a major viral marketing scheme, publicity stunt or some other event that was designed to sell books to readers. This is the value of the internet at its heart, allowing people to gather, discuss and connect across the world over common subjects. It's a little wishy-washy, (and I'm sure that Gaiman and his publishers are quite thrilled at this), and I believe that it served as a good avenue for discussion, that's user-borne, rather than organization borne.

American Gods, I thought, was a surprising choice for such a project. The book had been out for just under a decade, and in the speculative fiction genre, but, about America, a place that is just one of many that twitter extends to. Reading over the book, however, I can see that this was probably one of the best books to have started such a project with. While taking place in America, the book is about other places, all brought together in a void in the world: America, where Gods did not exist naturally, and where they cannot stay. Despite what a lot of people think about the country, it is still a melting pot, and I suspect that even overseas readers found a bit of their home transplanted with their long distant relatives who have come across to the country.

At the same time, I finished this book right after I finished another classic author of Americana: John Steinbeck's To A God Unknown, of which this book is an almost perfect companion to, looking at the nature of faith and of higher power, and my feelings on American Gods were undoubtedly helped along by reading that book.

If you haven't read it, Gaiman's book is easily one of the best that I've ever read, and easily an early classic in the genre, one that I cannot wait to return to. If you have, you should read it again. The story of faith, living gods and folklore make this a superb, thought-provoking read.