Geek Things of 2010

This was possibly one of the best years that I’ve had in a long time. There were geek things abound, in all facets of life: in literature, film, current events, science, music and people. 2010 was a fantastic year for me. In roughly chronological order, here are the notable geek moments of the year:

This year seems to have been the year for newly-published authors. Nora Jemisin exploded out of the gate with her book The Hundred Thousand Kingdoms, the first of a trilogy in an excellently conceived of world, one where gods and humans interact and where there are consequences for those who were chained, and those who held the chains. I was particularly blown away by this book, and look forward to diving into book two: The Broken Kingdoms sometime in 2011.

Canadian Science Fiction author Peter Watts became a bit of a martyr in the eyes of many in the science fictional world when he was thrown into jail for resisting arrest at a border crossing earlier this spring. News of his imprisonment and the details of his predicament spread like wildfire, spurring outrage. Watts has since been convicted and released, and won't be able to travel into the U.S..

I trooped in February with the 501st in New York City to support a product launch. What a surreal day: who would have thought of the combination of Star Wars, Snoop Dogg and Adidas?

The long-running UK show Dr. Who saw its latest rejuvenation in the form of Matthew Smith this year, along with show runner Steven Moffat, who's penned some of the best Dr. Who episodes that I've seen in the latest run. I only was able to catch a couple of the new episodes, but what I saw, I really liked.

One of the films that was a sure train wreck from the trailers was Clash of the Titans. It's decent, mindless monster porn with action and special effects, but for a regular movie? It was pretty bad, and the slapped together 3D helped show audiences that it's a stunt on the part of movie studios to rake in more money per ticket. Where 2009 saw Avatar as the big bright moment for 3D, 2010 saw that it was only good when natively filmed with the extra dimension, rather than slapped on with additional CGI.

Another new author broke into the ranks of the published, author Blake Charlton, with his first novel, Spellwright. While the novel wasn't perfect, it was enjoyable, and I've had the good fortune to talk extensively with him over the course of the year (while he splits writing time with his medical education). This book in particular draws upon Charlton's own experiences with Dyslexia, which allows the book a unique feel when it comes to the mechanics of world building and magic. Bring on book two, Spellbound, due out this year. !

One of my favorite authors from high school / camp, Karin Lowachee, returned from several years of absence for a new book titled The Gaslight Dogs, one of the better Steampunk books that I've read thus far. Set in an unconventional world to the North, Lowachee weaves together some interesting characters and settings in an entertaining novel. I eagerly await the sequels for this planned trilogy.

Earlier this year marked a major uproar when amazon.com attempted to flex its muscles against Macmillan publishers, who had been pushing for higher prices for its new hardcover books. Amazon pulled the books from the publisher, which outraged a lot of people - authors who found that their books weren't being sold for a couple of days before they were all put back into place.

April 20th saw a massive explosion on the Deep Water Horizon oil rig when a plume of natural gas came up the well that they were drilling. The resulting oil spill lasted for three months and involved a major engineering and environmental effort to cap and contain the oil spill. Undoubtedly, the effects will be seen for years to come in the environmental and economic health of the region. The containment of the well itself is an achievement in and of itself, with an apt description of the process as similar to the Apollo 13 rescue.

Vermont singer/songwriter Anaïs Mitchell gained quite a lot of attention with her concept album Hadestown, a post-apocalyptic folk opera retelling of the legend of Orpheus. It's a mouthful, but an extensive cast of notable singers (such as Bon Iver and Ani DeFranco) join her in an impeccable work of music, story and art. This album was absolute perfection.

In July, at the urging of a former college professor, I drove down to ReaderCon, a regional science fiction convention that boasted an impressive list of authors and fans. Unlike most of the conventions that I've been to, this was devoted extensively to literature, and while there, I was able to meet a number of authors that I've long admired (and learned of there) such as Charles Stross, Allen M. Steele, Elizabeth Hand, Blake Charlton, Paolo Bacigalupi, David Forbes, N.K. Jemisin, and quite a few others. I had an absolute blast this year, and I'm eagerly awaiting the trip next year. Hopefully, I'll be able to visit some other similar cons this year.

I didn't catch this until later in the year, but Predators was a film that was released that had been one that I'd wanted to see in theaters. Where the first film was an 80s action film with too much brawn and no brains, this film was a smart, dynamic science fiction thriller, one that vastly improved the franchise. As io9 said, it's the perfect B movie. I'm inclined to agree.

While it was a sparse year for good genre films, one stood easily out amongst the others: Inception. It was a fantastic balance between action and story, with a thought-provoking storyline that dips its feet into the science fiction pool just as much as needed to push the story forward, exploring the mind and the possibilities of imagination. It’s on my slowly growing list of top science fiction films ever.

1B1T proved that Twitter could be more than mindless, as Wired Magazine ran a poll to see if they could get all of twitter reading the same book. The result? Neil Gaiman’s American Gods, broken down into an easy reading schedule – it made for a great excuse to re-read the book and talk to a number of people on a global scale.

Another new author, Charles Yu impressed me with his short story collection, Third Class Superhero this past spring and doubly so over the summer with his book, How To Live Safely In A Science Fictional Universe, a brilliant time travel story that stands out from most books that I read this year. Yu's book becomes part of the story itself, and can easily be compared to the works of Douglas Adams with its dry humor.

Last year, Paolo Bacigalupi blew me away with his novel The Windup Girl, and this year, his follow-up YA novel Ship Breaker could easily fit into the same post-oil world. Global warming is rampant, people are exploited, and with that in the background, there's a very basic and interesting story that pulls the reader through. Bacigalupi's a guy to watch, and this book demonstrated that he's no one hit wonder.

Apple launched their new device and product category this year, the iPad, and when a really good deal came through earlier this year, I bought one, something that I wasn't expecting to do. So far, it's easily the best thing that I've bought all year long. It's an amazingly good computer, and it works very well with what I've long used a computer for, while being more convenient than a laptop. It's a multi-purpose device that I've been able to use extensively over the course of the year, for writing, reading, web work, music and games. For my first Apple early adoption, it's come off far better than my first iPod.

This year's Hugo Awards presented a rare event: a tie for Best Novel: Paolo Bacigalupi's The Windup Girl and China Mieville's The City and The City (more on that in a moment) both received the award in addition to every other award that they scooped up along the way. (Quite a few!). Moon also picked up the movie award.

The animated Star Wars Clone Wars TV show has been popular, but for me, up and down in quality. The opening episode was impressive, but from everything that I've seen beyond that, it's become an exceedingly boring show. When the ads point to the passage of an arms bill in the Republic senate as the exciting bits, you should probably reevaluate. Hopefully, it'll get a bit better soon.

When it came to television shows that disappoint, LOST came to an end is year with a finale that ended the show, but one that didn't wow me like it should have. There was too much lost when it came to possibilities, and it felt more like an ending and an epilogue that wasn't needed.

Masked is a superhero anthology, featuring a number of authors taking on the super powered and the caped. I've yet to finish it, and while I've been enjoying most of it, there are only so many stories of a Batman clone before I have to question the need for the story to be included.

One of the better anthologies that I read all year, Stories: All New Tales, edited by Neil Gaiman and Al Sarrantonio is an impressive book that looks to the idea that stories should be things that demand that you turn the page to find out what happens next. This collection of stories, which boasts an impressive list of contributors, is one that I really enjoyed reading through - there's a bit of every genre here, from science fiction to fantasy to horror to crime fiction. Worth picking through and reading for all of the excellent stories.

Military science fiction stories are fascinating reads - I've read a number of them this year, and by far, the most thought-provoking was Adam Robert's New Model Army. The premise is one that's very modern: what happens when the wiki-culture moves into warfare? While I think that a lot of what would have happened in the book would never come to pass, it does have some interesting ideas behind it, and by far, was one of the better books that I read all year.

Iron Man 2 would have done well to capitalize on the military science fiction stories that the first was known for: a tight, interesting and well conducted special effects spectacular. The trailers looked awesome, but the film just fell flat: it was overblown, nonsensical at times, and not nearly as good as the first one. It did have its good parts, such as Sam Rockwell's zany character, and some fun action scenes.

Kirby Krackle completely rocked my world this year. Their sound is pretty basic when it comes to the actual music, but they rocked it pretty well. In a world where there a few songs that are so passionate about Green Lantern or zombies, their album E for Everyone really stood out for me, and it's an awesome bit of music to bounce around to. These guys are the new voice of fandom.

The first big cancellation from SyFy earlier this year was Caprica, which launched with a great cast of characters and a whole lot of potential, this precursor to Battlestar Galactica was a show that really needed to be trimmed down and to find its focus a bit. Numerous storylines, characters and themes all running together worked well, but the writing was on the wall early on: the show could have been just as good or better than BSG, (and was, at points), but its ratings couldn't sustain it. It's a real shame: the show could have been better than BSG.

In it's second season, Stargate Universe continued to impress me, and it's recent cancellation has me far more upset than the axing of any other television show that I've watched (even Firefly, although I saw that post-cancellation). A step up for the franchise as a whole, this season of Universe was brilliant, well acted and had a lot going for it, and I hope that the next ten episodes will see some good closure and storytelling. Still, maybe it'll be one of those shows that was awesome and never had a chance to get bad, much like Firefly.

One of the absolute best books that I read this year was China Miéville’s The City and The City, which was up for a number of awards this year, including the Hugo. I picked this up after the hype started to go, and it lived up to, and exceeded my expectations by a long margin. Wonderfully plotted in a well thought-out world, Miéville crafts a murder mystery with a fantastic background, and puts to paper one of the best books of the year.

The mathematician who was responsible for some major advances in mathematics and theory died earlier this year, Benoit Mandelbrot. Also the subject of a Jonathan Coulton song: Mandelbrot Set.

Stephen Moffat ruled the Dr. Who universe for a while now, but I liked his take on Sherlock Holmes far more. Set in the modern day, Sherlock is a retelling of the story, with Martin Freeman as Dr. Watson and Benedict Cumberbatch as Sherlock Holmes. A far better take on the character than Robert Downey Jr.'s in the film adaptation (which was also quite fun), Sherlock was fantastic from start to cliff-hanger. I already can't wait for Series 2.

In the wake of Sherlock, Martin Freeman was selected to play Bilbo Baggins in Peter Jackson’s The Hobbit, which is finally moving forward, along with what looks like a great cast. It’s still a shame that Guillermo del Toro isn’t directing though.

Zombies have been all the rage for a while now, and (no pun intended) have been done to death. The Walking Dead falls into a couple of categories with me. The pilot episode was fantastic - one of the better takes on a man waking up to find civilization gone, but it's a story that really doesn't add much to the canon, and while it had its interesting points, it's something that I'm more or less indifferent to. We'll see how Season 2 goes.

While Zombies have been very popular, 2010 saw a bit of a decline in the hysteria over Vampires, while Steampunk came in as a solid genre. The Steampunk craze has gotten some major attention: Sherlock Holmes took on a couple of Steampunkish elements, while Richard Castle (Nathan Fillion) in the show Castle became a convert as publishers such as Pyr and Tor have published a number of books in the genre. It's something that's here to stay, that's for sure.

When it comes to Pyr books, one of their offerings for the year that I read earlier this was Ian McDonald's River of Gods, which took place in a futuristic India. The Dervish House is his latest book, taking place in a futuristic Turkey. I haven't finished the book yet, but I'm loving its rich attention to culture and interconnected storyline.

Going back to geek music, a friend of mine, John Anealio, turned me towards Marian Call earlier this year at ReaderCon, and when she came through Vermont on her 49 state tour this year (an impressive feat in and of itself), I was able to catch her at Montpelier's Langdon Street Cafe for a geeky set of music and a couple of quick words with Marian. She's a lovely singer, one who's popular for all of the right reasons. Geek music was something that I focused on quite a bit this year, putting together a playlist that's almost 700 songs long, and while doing so, came across a strange trend with some of the more higher-profile stuff that trends more towards Geek Pop music. Songs like G33ks and G4m3r Girls by Team Unicorn were almost unlistenable earworms, laundry-lists of popular geek things without the real soul of "geek" stuff to begin with. It'll be interesting to see if there's more of it as geek stuff gets more and more popular.

Speaking of John Anealio, he's someone to keep an eye on, and someone that I befriended earlier this year at ReaderCon. John's an excellent geek musician, with some fantastic songs released earlier this year, such as 'Stormtrooper for Halloween' and 'I Should Be Writing'. Kirby Krackle might speak for fandom, but Anealio speaks for the fans themselves. I can't wait to see what he comes up next.

Another outfit to keep an eye out for is Symphony of Science, which continued to release a number of tracks of auto tuned scientists (namely Carl Sagan) with a wonderful collection of music that speaks to science and the wonders of the universe.

One of the films that I'm practically drooling over in anticipation for is Battle: Los Angeles, which can best be described as Independence Day meets Black Hawk Down. The early buzz from San Diego Comic Con was good, and the trailer showed that there was going to be some excellent looking action. The film is due out in March of 2011, and I really hope that it'll live up to my expectations.

While I panned iFringe when it first came out, but I've grown to love it and really rued my words: with Stargate Universe off the air, it's easily the best science fiction show on TV right now, and while its ratings have dropped and it's been moved to Friday nights, I'm hoping that the show will continue onwards. This season has seen less of the blood and gore, but has an excellent alternate universe storyline that's heating up. I can't wait for new episodes starting up later this week!

One of the coolest things to happen in the realm of space exploration happened was the Deep Impact Probe, launched on 2005 to take a look at the 9P/Tempel comet. The probe released an impactor earlier this year and took a number of high resolution pictures as it passed by and analyzed the impact to see what it was made of.

The other top book of the year was easily Joe Hill's second novel, Horns, mixing popular culture, horror iconology and religious allegory together in a story that absolutely gripped me and blew me away while I was reading it.

It was a sad day in December when Leslie Nielsen passed away. Airplane is one of my favorite comedies, while Forbidden Planet is easily one of my favorite science fiction films. He will certainly be missed. Right on the heels of Nielsen was Irvin Kershner, who directed the greatest of the Star Wars films, The Empire Strikes Back. It's a shame that his work was never quite matched with the franchise. Ironically, his film was one of 25 preserved by the Library of Congress's National Film Registry.

On December 9th, the private space firm SpaceX made history when it launched it's Falcon 9 rocket into orbit carrying a dragon capsule. It became the first private firm to orbit the earth and safely return, joining a small number of countries who have accomplished the same thing.

When it comes to dragons, a film released this year that I only just caught was How To Train Your Dragon, a great kids film with a fun story and some good graphics. At the same time, I can also recommend Toy Story 3 for many of the same reasons - excellent storytelling and a positive end for that franchise.

Wikileaks occupied most of the news coverage for the last part of the year as they released thousands of diplomatic cables in addition to their leak of classified military dispatches written over the course of the Iraq / Afghanistan war. The leaks demonstrated the power of the internet: and the necessity to keep secrets a bit more secure. Given the lack of ability of the British government to keep track of their own files, I'm surprised that they haven't been the target of more leaks.

I first saw the original Tron earlier this year in anticipation for Tron: Legacy, and I came out of the theaters with a film that met my expectations. It was a blockbuster that was fun, but it could have been so much more than it was. With Disney working on sequels and a television series, I'm not sure that the franchise is going anywhere, but box office results have been somewhat lax, given all the advanced hype and marketing for the film.

That ends out the year. It’s been an impressive one, and one that marked a couple of milestones for me: I’ve written, talked to, read and watched so much in the speculative fiction genre, and I’m loving the immersion. There’s a long list of people to thank for it: Annalee Newitz, Charlie Jane Anders, John DeNardo, John Anelio, Patrick Hester, Aiden Moher, Blake Charlton, Charles Yu, Paolo Bacigalupi, David Forbes, Jim Ehrman, N.K. Jemisin, John Scalzi, David J. Williams, Christie Yant, John Joseph Adams, Karin Lowachee, Megan Messinger, Bridget McGovern, Brit Mandelo, Scott Eldeman, Blastr, everybody at io9, SF Signal and Tor.com, people who commented and e-mailed me because of what I wrote and everyone who encouraged my writing and reasoning over the year. Most of all, Megan, for everything. It’s been the best year for me to date, and I’m looking forward to an even better 2011.

2010 Film Recap

After last year, with some excellent films like District 9, Moon (and less excellent, but still fun to watch, like Avatar), 2010 felt downright dull when it came to the genre films that came out in theaters. So far this year, I've only watched a couple, in and out of theaters, although there are a couple that are currently available to rent through a local Red Box, which I'll likely do over the next couple of days.

Of all of the films that I've seen thus far, Inception is by far the best, not only of the year, but it's going onto my 'Top genre films' list, which includes films like Moon, District 9, Solaris, Minority Report, and others along the same caliber that I’ve enjoyed. Inception worked on almost every level for me: it had a compelling, interesting and relevant plot, was excellently shot and directed, and has a fantastic soundtrack that I’ve listened to a lot. It’s a film that I’ve been eagerly anticipating seeing again after I saw it in theaters, and I was particularly happy to see a film that was not only smart and interesting, but that caught with a broad appeal and actually did quite well at the box office.

How to Train Your Dragon was a film that I saw recently that really surprised me. Megan and I rented it on a whim, and we both really enjoyed it. It’s a standard pre-teen action/adventure animated movie, with a focus on the fighting and happy ending, but it’s a fun little story of friendship and doing the right thing. And there’s dragons, some funny moments, quite a bit of action, and some excellent voice acting. Apparently, there’s a sequel coming in a couple of years, and I’ll certainly make it a point to see that one.

Along with How to Train Your Dragon, we rented Toy Story 3, which was a great capstone to the first two films, although given how long it’s been since I’ve seen the 2nd one, it’s hard to compare them in terms of quality. This new addition holds up wonderfully to the first film, something I consider a formative film in my own childhood, and treasure it deeply (along with the lessons learned there: treat your things well). #3 felt very dark at points without going overboard, but retained the charm of the first two films. Beyond that, it aged well, with Andy headed off to college, making this film a very different one in tone, and not just a rehash of the first two.

Daybreakers was another surprise, and while people seem fixated on the horrors of the sparkly Vampire novels and urban fantasy, this film makes its own departures and is able to retain some of the more horrific and over the top elements nicely. There’s an overt political and environmental message embedded in the story, but it fits well. The story of vampires running out of blood and mutating was a fun one, with some over the top elements, some neat science fictional ones, and Sam Neill being creepy.

Iron Man II was a letdown after the first Iron Man movie. Where the first was a fun, concise story that rolled together the military industrial complex and the wars in the Middle East, the sequel attempted to do the same thing, while also setting up the upcoming Avengers movie, juggle multiple villains and the Demon in a Bottle storyline. It’s a case where they should have picked one or two and focused on those, but despite the glaring problems, the film is a fun one, with action, Robert Downey Jr.’s Tony Stark. Hopefully, they’ll get the 3rd one right when that’s released in a couple of years, and I’m guessing that many of the problems are due to studio interference, rather than the people who actually filmed it.

Clash of the Titans was a bomb: a big, stupid fun bomb that was pure popcorn fare. Not worth picking up by any stretch of the imagination (I ended up winning a copy), but it’s worth watching for the overblown effects, crappy acting and monsters going around eating / killing / maiming people in various ways.

I couldn’t even get through The Book of Eli. A coworker of mine told me the ending afterwards, and I’m not missing anything after falling asleep while watching it. There were some interesting action sequences and a cool premise, but it just couldn’t hold my attention.

There were a bunch of films that I wanted to see, but simply haven’t had the chance or time to do so yet: Wolfman (despite the horrible reviews), Green Zone (Jason Bourne lite?), Social Network (Aaron Sorkin is one of my favorite writers), Kick Ass (Which looked like an incredible amount of fun), Splice (which was apparently a well acted, scripted and shot film), Predators (which looked like fun), The American (Artistic spy film?) and the recently released Black Swan, (which looks and sounds incredible). A couple of these, like Predators, Splice, Kickass, Green Zone and Wolfman are all available to rent, so I might end up going that route before buying any of them.

And, of course, there’s a couple of films out there that are about to be released: True Grit, a Coen Brothers western, which looks like it could be an interesting one, based off of the original John Wayne film, while I’m also interested in the last Harry Potter film, The Deathly Hollows, Part 1 (I’m rereading all of the books now). The last film of the year that I’m eagerly awaiting, Tron: Legacy, for some pseudo-Cyberpunk blockbuster action is out next week. I loved the original Tron when I saw it earlier this year, and it’s one that I’m already anticipating for the big screen.

After this year, there’s a couple of films that I’m looking forwards to for 2011: Battle: Los Angeles is going to be a certain theater visit for me, The Adjustment Bureau, based off of a Philip K. Dick story, as well as Sucker Punch, which looks like pure male fantasy (and every geeky trope lumped into one story). Source Code, Duncan Jones’ second film is also to be released (I loved Moon, so I’m hopeful for this one.) and the summer, with Thor (Maybe), Pirates of the Caribbean: On Strange Tides (Sure), X-Men: First Class (Yep), Super 8 (J.J. Abrams film), Rise of the Planet of the Apes (Maybe?), Captain America (Maybe), Harry Potter 7.2 (depends on the first one), Cowboys and Aliens (Yes!), all looking like a bit of fun. The fall will also bring in the first Tintin movie, The Adventures of Tintin: Secret of the Unicorn, which I’m eagerly awaiting. There’s also a second Sherlock Holmes film in there somewhere, which might be fun.

2010 felt like a bit of a lax year – there were some other genre films that came out, but there really wasn’t anything that caught my eyes or attention beyond the films that I saw (or otherwise listed). Between ’9 and ’11, there are quite a few interesting things set to film, and if anything, it’s a reaffirmation that Science Fiction and Fantasy are both still pretty popular when it comes down to the wire. Except this year, for some reason.

The Clash of the Titans

For Christmas last year, my girlfriend bought me a copy of Jason and the Argonauts, the 1963 Don Chaffey film that featured a number of technical innovations, the coolest of which was the skeleton fight scene. We both really enjoyed the film, including its fairly decent special effects, which I found to hold up quite well with the test of time. I've long been a fan of the various Greek and to a lesser extent, the Roman mythology. As such, I was really looking forward to the recent remake of Clash of the Titans.

This is not a movie that I had any major expectations of, and in that way, it completely met my expectations by being the film equivalent of a big, dumb Labrador. Very nice to look at, and quite a lot of fun, but really, really dumb. Clash of the Titans is a big, dumb movie. But quite a bit of fun to watch. The film had the requisite amount of action, some very nice lighting with a couple of the epic looking scenes that really scream 'Epic'. Where the film really succeeded though was where the production design and overall look and feel of the film: it looks like a concept artist's dream project. As the heroes set out from Argos to track down Medusa, they venture through forests to deserts to volcanoes, and there's quite a bit of really good scenery and setting here. What impressed me more was the crossing of the river Styx and the ferryman Charon. There was a large amount of detail there, with little touches that really made that stand out for me. Other scenes, such as the background of Argos and the Underworld itself worked just as well. Along the same lines, the Djinn, Sand-Demons with magical powers, which brings the film far more into the realm of fantasy than over any sort of adaptation of myth, were particularly fun to watch - constructs of dark magic and wood.

The action also really was a lot of fun to watch, with any number of monsters, soldiers and people waving swords at one another and attempting to kill each other. The camera work was good, and I have to say that the battle against the giant scorpions was something that kept me at the edge of my seat. The film presents itself as a completely over the top thrill that really is one of the few reasons to actually watch: it doesn't feel like it's taking itself seriously, from beginning to end, which I appreciated.

Still, I couldn't help but think that there were things that could have been done far better. The acting from some very good actors, such as Ralph Fiennes and Liam Neeson was abysmal throughout, and Sam Worthington continues his trend of fairly lack-luster performance from Avatar into the ancient times. The acting element was something that I wasn't too annoyed with, but at points, the story itself could have been tightened up quite a bit more, particularly when it came to the relationship between Zeus and Hades, which has essentially been likened to a Christianity-themed relationship, with Zeus taking on the part of God, and Hades, Lucifer. I can't really think of a good reason as to why this was done, but it's certainly a major departure from the mythos of the characters. (However, I have to continue to remind myself that this move as a whole is a major departure). What bothers me the most though, is that this film could have gone both ways, either a serious retelling of the myth, or a complete pulp version. Clash of the Titans as a whole falls somewhere in between. It's fun, but not as much fun as it could have been.

The Reboot

Earlier today, science fiction author John Scalzi unveiled a long-standing project that he's been working on for a while, a sort of reboot of a novel called Little Fuzzy by H. Bearn Piper, entitled Fuzzy Nation. While the book is still being written and shopped around, it's likely going to hit shelves at some point in the near future - Scalzi is a Hugo-award winning author, written a bunch of good books, has an insanely popular blog and is a creative consultant for SyFy's Stargate Universe, a reboot in and of itself. The idea behind this book is that it's a complete reboot, using elements of the original, but in and of itself, is an entirely new story.

Scalzi's announcement earlier today is an interesting one in the current state of the entertainment industry, where sequels have largely been changed out for reboots: taking old subject matter and updating the story, characters and other elements that are familiar with an audience. Most recently, the movie Clash of the Titans has been released to theaters, a take off of the original story, with its own elements updated, with modern actors and special effects to provide audiences with a fairly mindless pre--summer blockbuster.

The major reboot of our time, which likely started up this process is SyFy's Battlestar Galactica, where Ron Moore took on the major story elements from the original 1978 television series and reworked everything: the titular ship, some of the characters and background elements remained, but the larger story grew on its own with changes to other characters, the tone of the series and so on. The result was fantastic: the original show, which has been largely seen as something between Star Wars and Mormons in space, has taken on an entirely new mythology, message and feel that has not only brought the show to modern audiences, but has done so successfully.

There is a quote from a television series regarding art (the show was Law and Order: Criminal Intent - the context doesn't diminish the significance here), that fits with this situation: Art is a product of the time that it is created in (paraphrased). This is something that can be applied to any number of paintings, films, television shows, and now, books.

The purpose of a rebooted franchise or singular film is not necessarily to improve upon the original, but to bring it to the attention of modern audiences. While in some instances, this could be achieved by merely bringing out the film in a big sort of re-release on an anniversary, oftentimes, there are things that have become dated in their visual effects and/or stories. As stories are created within their own time, they are influenced by a number of other elements surrounding them: global politics, the state of their country of origin, and so forth, and as such, these stories, which might have been relevant at the time of their creation, become dated because the context in which they are relevant is no longer around.

One very good example of this is the Star Wars franchise, wildly popular from the beginning, with allusions towards World War II, Vietnam, good and evil, all within a specific time and climate in which the United States maintained ongoing hostilities against the Soviet Union. It was a time where there was a very clear-cut picture that could be painted, whereas nowadays, the picture is far more convoluted, with any number of problems cropping in. As such, when the prequel films The Phantom Menace, and Attack of the Clones hit the big screens in 1999 and 2002, they entered a very different world, and societal context, and as such, the stories suffered. Revenge of the Sith was somewhat of an outlier here, where there were some more relevant themes throughout the film, and because of that, the film was stronger than the prior to. Another notable example of where a major franchise has failed is the recent Superman Returns, where the creators attempted to bring around the nostalgic feel for the classic character. It just didn’t work in the modern day.

Battlestar Galactica, on the other hand, demonstrates where an established franchise can be improved with time. With the modern version came a much darker attitude, terrorist bombings, secret agents, all elements borne out of the feelings in the United States after September 11th, 2001. Galactica transitioned well, because it was an entirely new story, but because of the major changes, it succeeded. For that reason, the proposed sequel shows likely would have failed.

Essentially, there is a major difference here between bringing back a show for nostalgic purposes, and for bringing back a show or established franchise to essentially wring more money out of a fan base, and even to resurrect an old story because there is some genuine elements to it that can stand to be updated for a modern day and age. Star Wars largely failed on the story front because it was too caught up in trying to bring back the original feel and themes behind the original. The new Star Trek succeeded because they captured a modern look and feel that younger audiences could identify with, and Battlestar Galactica fell in with a fantastic look and feel, in addition to a very good story.

Scalzi has experience with reboots already, with his work on Stargate Universe, which is arguably a reboot of the Stargate franchise, of the two preceeding shows, Stargate SG-1 and Stargate Atlantis, which is, in and of itself, a great case study within a franchise. SG-1 worked well, for a number of reasons - great cast, momentum, fun stories, and so on, while it was cancelled because it stuck with the formula for too long. Atlantis failed for the same reason: it was too much like SG-1. This new show, Universe, has succeeded thus far because it takes a step beyond the safe territory by taking cues from Galactica. Thus far, it's largely worked, and the show is easily stronger in the story department than the original show.

This brings in the question of reboots as superior to their originals, which is a fairly ridiculous notion to begin with. Inherently, films are different because they have different stories, characters, attitudes and contexts during production that makes them largely different entities, especially where reboots are concerned (less so for Prequel/Sequels/Threequels). Because a reboot seeks to bring back an old story, but different, there really shouldn't be any sort of expectation that a prequel has been brought in only to be better than the original: it should be brought back to update the characters in a very different context, which will hopefully in turn mean that the story is more relatable to a modern audience. Hopefully, Scalzi will be able to transition this into the literary world: it should be interesting.