Harry Potter and the Deathly Hallows (Part I)

The first part of Harry Potter and the Deathly Hallows opens with a bang as a wizard instructor, tortured and begging for her life drops to the table, surrounded by jeering Death Eaters as she’s killed by the story’s main protagonist, Lord Voldemort. This sets the tone for the best Harry Potter film to date, one that is both a superb adaptation of the novel that it’s based upon, and a solid film in and of itself.

Starting with the books, I’ve long found the film adaptations of each to be lacking when comparing one another. The first and second films get the story across in a decent manner, but miss out on the real essence, look and feel of the novels. The third one had an exceptional look and feel, capturing the story in a condensed manner, while four and five likewise got elements of the tone, but not the story across to audiences. Generally, storylines were dropped or hinted at, while scenes that showed off the skills of the computer programmers filled in for unnecessary moments. Coming out of The Deathly Hallows, I found that I really couldn’t criticize the film for the few elements that they had dropped.

If time is the key element here, the move to split the book into two separate films is proof positive that the penultimate film uses its time well: the story, themes and characters are on screen, almost perfectly making the transition over. The final novel of the series is itself a superior read because of the depth and ground covered in the story: as Lord Voldemort rises, the Ministry of Magic topples as it’s infiltrated. More than just a fantasy novel, J.K. Rowling uses her time well to create a fantastical dystopian fiction, while the film enhances much of what she wrote by background visuals: guards at the Ministry are dressed in black, with red arm bands while wizards in the ministry work to root out undesirables in a fashion reminiscent of Nazi Germany in the 1930s. This is underscored by the puppet Minister of Magic stating in the early parts of the film: ”If you have nothing to hide, you have nothing to fear”. It’s dark territory to go to, and the film tackles it well.

In a way, this film should be one of the more dull entries in the Potter franchise. Much like the first book, it’s set away from Hogwarts, focusing intensely on Harry Potter, Hermione Granger and Ron Weasley as they escape from Voldemort’s forces in the Ministry and vigilante bands wandering the countryside. As a juxtaposition from the dystopian feel, the film also incorporates a number of vaguely post-apocalyptic scenes as they travel across burned out villages, abandoned fields and structures in a number of hauntingly beautiful scenes while searching for the remaining horcruxes. The film maintains a sense of urgency throughout the two diverse elements, from their raid on the ministry to their escape across England, and director David Yates demonstrates a mastery behind the camera for everything that’s on the screen: the action scenes caught my breath in my throat, and even though I’ve recently read the book, I found myself at the edge of my seat with anticipation for what comes next.

At the heart of the entire film is the three characters that we’ve grown to love since the first books and films came out so long ago. Watching Harry Potter and the Sorcerer’s Stone for the first time in years recently, I marveled at how young the entire cast looked, and how they have changed. This film serves as an intense character moment for the trio as they embark on their last adventure against the world’s darkest threat. Tempers flare, moods turn to despair and emotions deepen as they wander. I’ve often wondered if Rowling was somewhat reluctant to let the characters go at points, but returning to the source, I’ve realized that the vast change in tone and style for this last story was one of necessity, one that required the time to uncover things at a natural pace. It suites me just fine, and where the book served as the perfect coda for the series, this film does as well, before the last decent into what will ultimately be a packed and exciting conclusion with the second part this July. Where the first half of the book is a bit sedentary, the second half is the direct opposite, with an intense finale that both ties together numerous sections of the story together and leaves it with a satisfying conclusion.

After watching the first part of the last film, the last film is already set up to a stellar ending, and I hope that it will live up to the excellence of its first half. Part 1 has set an incredibly high bar, but this was the easier part to adapt, and the next installment has a lot of material to take in. For this outing, however, it's as perfect an adaptation as could be expected, and a fitting take on Rowling's fantastic story.

2010 Reading List

This was a great year for reading. A lot of excellent fiction was released, and I felt like I got a lot of good out of my year from the books that I picked up. Here's what I read.

1- A Fiery Peace in a Cold War, Neil Sheehan (1-14) This was a fantastic history on the Cold War, one that I wish I'd come across while I was working on my project. I've revisited it a couple of times since the start of the year for other projects.

2 - The Forever War, Joe Halderman (1-28) This was a book that had come highly recommended for years, and I really enjoyed how it was more about people than guns and brawn.

3 - The Monuments Men, Robert Edsel (2-8) During the Second World War, a team of specialists were dispatched around Europe to save art from the effects of war, the focus of this book. It's a little uneven, but tells an astonishing story.

4 - We, John Dickinson (2-19) This was a crappy book. Amateurish and poorly written.

5 - Coraline, Neil Gaiman (2-24) I watched the movie around the same time, and I've long like Gaiman's works. This was an excellent YA novel.

6 - Your Hate Mail Will Be Graded, John Scalzi (3-4) Scalzi's Whatever blog is always an entertaining read, and this collection takes some of the better entries into a book of short essays. Thought-provoking, interesting and well worth reading.

7 - Shadowline, Glenn Cook (3-6) With all of my complaints about military science fiction not being all that accurate or conceived of, Shadowline is one of the few books that have made me eat my words - there's some well conceived ideas here, and this reprint from Night Shade Books was a fun read.

8 - The Hundred Thousand Kingdoms, N.K. Jeminsin (3-19) N.K. Jemisin's first novel came with a lot of buzz, and I really enjoyed reading it from start to finish. It's a very different blend of fantasy than I've ever read.

9 - Spellwright, Blake Charlton (3-29) Spellwright was probably one of my favorite reads of the year - it was fast, entertaining and thoughtful - a good fantasy debut, and I'm already eager for the sequel.

10 - The Gaslight Dogs, Karin Lowachee (4-21). Karin Lowachee's Warchild was a favorite book from my high school years, and I was delighted to see her back after a long absence. This steampunk novel is an unconventional one, and a good example for the rest of the genre to follow.

11 - The Mirrored Heavens, David J. Williams (5-17) David J. Williams contacted me after I wrote an article on military science fiction, and I went through his first book with vigor - it's a fast-paced, interesting take on military SF and a bit of Cyberpunk.

12 - Third Class Superhero, Charles Yu (5-28) Charles Yu distinguished himself as a talented writer with his short fiction, and his recently released collection shows off some great stories.

13 - Ship Breaker, Paolo Bacigalupi (6-1) Bacigalupi goes to Young Adult fiction with Ship Breaker, an excellent read set in a post-oil world. He gets a lot of things right with this: the surroundings and trappings of the world aren't always important, but the characters and their struggles are timeless.

14 - Boneshaker, Cherie Priest (6-8) This much-hyped book was one that I avoided for a while, but I blew through it after I picked it up. It's a fun, exciting read in the quintessential steampunk world that Priest has put together. I love this alternate Seattle.

15 - To A God Unknown, John Steinbeck (7-15) Steinbeck's book is a dense one that took me a while to read through while I was reading several books at one. It's an interesting take on biblical themes and on faith itself.

16 - American Gods, Neil Gaiman (7-25) This was a book that was a pick for the 1b1t movement on twitter (something I hope returns), and I was happy for the excuse to re-read this fantastic novel. It's one of my favorite books of all time, and this time around, it was fantastic to have that reaffirmed.

17 - The Burning Skies, David J Williams (7-25) The followup to the Mirrored Heavens, this book took me a while to get through because it was dense and intense. A decent read, but it proved to be a bit of a chore to get through.

18 - How To Live Safely in a Science Fictional Universe, Charles Yu (7-30) This was probably one of the best science fiction books that I've read in a long time. It's brilliant, well written, interesting and part of the story itself. It's an outstanding take on time travel as well.

19 - River Of Gods, Ian McDonald (9-2) I've long heard of Ian McDonald, but I hadn't picked up any of his stories before now. His take on a future India is a fantastic one, and can't wait for more of his stories. River of Gods broke the mold when it comes to western science fiction: the future will be for everyone.

20 - Clementine, Cherie Priest (9-3) This short novella was a bit too compact for the story that it contained, but it demonstrated that The Clockwork Century is something that can easily extend beyond Boneshaker.

21 - Pattern Recognition (9-11) William Gibson's book from a couple of years ago, taking science fiction to the present day in this thriller. It's a fun read, and I've already got the sequels waiting for me.

22 - New Model Army, Adam Roberts (9-22) This military science fiction book had an interesting premise: what happens when crowdsourcing and wikiculture comes to warfare. The book is a little blunt at points, but it's more thought provoking than I thought it would be.

23 - Stories, edited by Neil Gaiman (9-26) An excellent anthology of short stories from all over the speculative fiction genre. There's some real gems in there.

24 - Andvari's Ring, Arthur Peterson (9-26) A translation of norse epic poetry from the early 1900s, this book looks and feels like a book should, and is one of those bookstore discoveries that I love. This was a fun book that has roots for a number of other stories in it.

25 - The City and The City, China Miéville (9-30) One of my absolute favorite stories of the year came with this book, my first introduction to Mieville. This murder mystery set against a fantastic background has some great implications that go with the story.

26 - Pump Six and Other Stories, Paolo Bacigaulupi (10-22) A paperback version of Bacigalupi's stories was released towards the end of the year, and I have to say, it's one of the more disturbing reads of the year, but also one of the most excellent.

27 - The Legend of Sleepy Hollow, Washington Irving (10-31) I did a little reading on Washington Irving and found an e-book of this while I was going through a bit of a fascination on the gothic / horror genre. This book does it well. Hopefully, I'll be able to do a bit more research on the author and his fiction this year.

28 - The Walking Dead, Robert Kirkman (11-8) The television show was an interesting one, and I finally was able to catch up on the comic that started it. They're very close to start, but that changes after a couple of episodes. Some of the characters were spot on.

29 - Baltimore, or,The Steadfast Tin Soldier, Christopher Golden and Mike Mignola. (11-8) This was a fun read: Mike Mignola and Christopher Golden both have some great storytelling abilities when it comes to horror fiction, and their take on vampires is an excellent one.

30 - Dreadnought, Cherie Priest (11-10) Cherie Priest had a really good thing with Boneshaker, but Dreadnought was a bit of a disappointment. It didn't have the same flair or feeling that the first book did, but it did do some things that I'd wanted to see in Boneshaker. It's an interesting series, and I'll be interested to see what happens next.

31 - Lost States, Michael Trinklein (11-13) This was a fun book that I came across in a local store on states that didn't make it. It's a fun, quick read with a number of fun stories.

32 - The Jedi Path, Daniel Wallace (11-14) While I thought this book wasn't worth the $100 for all the frills and packaging, this is a really cool read for Star Wars fans, going into some of the history and methods of the Jedi Order.

33 - Horns, Joe Hill (11-22) This was the other absolutely fantastic book that I read this year (reading it as an ebook and then from the regular book) from localish author Joe Hill. The story of a man who sprouts horns and a small, emotional story about his life. It's an astonishing read, and one that will hopefully be up for a couple of awards.

34 - Doom Came to Gotham, Mike Mignola (11-24) This was a fun, alternate take on the Batman stories in a steampunk world. Batman + Mignola's art = awesome.

35 - Harry Potter and the Sorcerer's Stone, J.K. Rowling (11-28) 36 - Harry Potter and the Chamber of Secrets, J.K. Rowling (11-29) 37 - Harry Potter and the Prisoner of Azkaban, J.K. Rowling (12-1) 38 - Harry Potter and the Goblet of Fire, J.K. Rowling (12-3) 39 - Harry Potter and the Order of the Phoenix, J.K. Rowling (12-12) 40 - Harry Potter and the Half Blood Prince, J.K. Rowling (12-15) 41 - Harry Potter and the Deathly Hollows, J.K. Rowling (12-18) I'm not going to talk about each Potter novel in turn, but as a single, continuous story, Rowling has put together a hell of a story here. Outstanding characters and storylines, and the works as a whole are greater than the sum of their parts.

42 - The Magicians, Lev Grossman (12-27)

The logical book to read after the Harry Potter series was Lev Grossman's novel that can be described as an anti-Harry Potter. It's a fun novel the second time through, and good preparation for his followup this year.

43 - Brave New Worlds, John Joseph Adams (12-31)

The review for this book is coming shortly, but I have to say, it's one of the best anthologies that I've ever read.

On to 2011!

Revisiting Harry Potter

In 2007, I worked at the Berlin Mall Waldenbooks branch as a bookseller. In July of that year, we were able to take part in what was probably one of the biggest literary launches to date: the release of the final volume of Harry Potter, The Deathly Hollows, a highly anticipated book that had people lining up down the mall, and which saw an arrival of hundreds of sturdy white and red boxes with special tape to prevent theft or tampering. In my short time as a bookseller, I've never seen the same fervor or attention placed on a novel's release. My sister, dressed up as Luna Lovegood for the line, purchased our family's copy just after midnight, and returned home to start it. The next couple of days saw us stealing the book from one another, reading it chapter by chapter while we pretended to be ready to release spoilers for the parts that each other had yet to read. We both finished the book, and moved on to other things.

In fact, I only owned a UK edition of The Order of the Phoenix, really only as a curiosity because of its fantastic cover, rather than with plans to read through it any time soon. I fostered my memories of the books, slightly disappointed with the ending, and planned in the back of my mind to eventually buy all the books and re-read them at some point in the future. While browsing through a bookstore in Montpelier earlier this fall, I came across a cheap, used hardcover in excellent condition, and bought it. I kept my eyes out on my frequent bookstore visits, and soon, I had all of the books in hand (All hardcover, in good condition, like I had as a kid.)

With all of the books in hand, and needing to read something I didn't have to pay as much attention to, I reread the entire series in twenty days, or 3853 pages at just under 200 pages a day. It's a pace that I haven't read at for a long time, as the books that I pick up have changed and my education has brought my reading speed down. It was refreshing, exhilarating and fun and a good opportunity to pull in the entire Harry Potter story within a small amount of time.

The Harry Potter books were something that I had picked up early in High School. Around 2001, the books had become incredibly popular, I found myself borrowing out the first two the day before a snow storm. With a snow day right after, I was angry: I'd read through both books, and had to wait for a full day to borrow out the latest book, the Prisoner of Azkaban, still one of my favorites. The fourth book came while I was working at Camp, and the fifth was snatched up by my sister while I went on a graduation trip with my classmates in 2003. Books Six and Seven came out while I was in college, and for the most part, were completely unmemorable.

As I blew through the first four books in the series, I was reminded of why I loved these books so much as a high school student. Despite the drawbacks when it comes to the writing style (there's a reason why I can blow through each book quickly) and some of the more less-nuanced parts of the stories, Rowling has put together an incredible series, one that certainly appealed to my high school imagination, and its grown up counterpart.

What struck me, on this read through, was at how well each piece fits together at the end. While the first three books really function as their own separate pieces, book four introduces some of the major plot elements that stretch through to the end. Pieces of the first book return to impact and flesh out the events of the last. It's a clever bit of retrocontinuity, or some incredible planning on Rowling's part, or a bit of both, but after taking a break from the books for the better part of three years, returning felt like putting a pair of fresh eyes on the story as one continuous unit, rather than taken in piecemeal over the seven or so years that I read the books as they came out.

Where I was disappointed with The Deathly Hollows before, I was blown away by it this time around. While the book has its problems - the first half feels like filler, while the last half feels like an information dump - it accomplishes what some books have a very hard time doing: saying goodbye to a longstanding story and tying it up in a satisfactory way. The ending is happy, perfect, while major themes on good vs. evil, destiny vs. self-determination and friendship vs. enemies all play out around this. Young adult fiction has been a growing market for both youths and adults, and after reading through the seven books here, it's easy to see why: it's a perfect balance between entertainment and morals. While they seem to shuck some of the subtlety that I appreciate in some of the upper echelons of genre literature, these offer much the same end result.