2011 Reading Census

This year has been an interesting reading year for me, fluctuating between a bunch of really, really good books, and a couple that really sucked out any interest that I had in reading at that time, with a number of books in-between that I thought were fun reads. Here's what I got through in 2011:

1- Grey, Jon Armstrong (1-8) 2- The Dervish House, Ian McDonald (1-21) 3 - Hull Zero Three, Greg Bear (1-23) 4 - Hunger Games, Suzanne Clarke (2-1) 5 - The Lifecycle of Software Objects, Ted Chiang (2-4) 6 - At The Queen's Command, Michael A. Stackpole (2-19) 7 - Mossflower, Brian Jacques (2-20) 8 - Embedded, Dan Abnett (3-7) 9 - Kraken, China Mieville (3-9) 10 - Leviathan Wakes, James A Corey (3-17) 11 - Little Fuzzy, H Beam Piper (3-28) 12 - Fahrenheit 451 Graphic Novel, Ray Bradbury (4-13) 13 - Yarn, Jon Armstrong (4-13) 14 - Welcome to the Greenhouse, Gordon Van Gelder (4-19) 15 - Fuzzy Nation, John Scalzi (4-25) 16 - Spectyr, Philippa Ballentine (4-26) 17 - Soft Apocalypse, Will McIntosh (4-27) 18 - Blackout, Connie Willis (4-30) 19 - Locke & Key, Joe Hill (5-8) 20 - Catching Fire, Suzanne Collins, (5-22) 21 - Deathless, Catherynne Valente (5-27) 22 - Embassytown, China Mieville (6-18) 23 - Hex, Allen M. Steele (7-2) 24 - The Gravity Pilot, MM Buckner (7-4) 25 - A Game of Thrones, George R. R. Martin (7-15) 26 - The Big Roads, Earl Swift (7-19) 27 - Spellbound, Blake Charlton (8-2) 28 - The Magician King, Lev Grossman (8-4) 29 - Bright's Passage, Josh Ritter (8-5) 30 - Grave Peril, Jim Butcher (8-13) 31 - Spook Country, William Gibson (9-6) 32 - Machine Man, Max Barry (9-10) 33 - Crisis in Zefra, Karl Schroeder (9-15) 34 - Halo: The Fall Of Reach, Eric Nylund (10-1) 35 - Germline, TC McCarty (10-5) 36 - The Windup Girl, Paolo Bacigalupi (10-16) Audio 37 - Halo: Glasslands, Karen Traviss (10-29) 38 - Red Herring, Archer Mayor (10-20) 39 - Ganymede, Cherie Priest (11-11) 40 - Ender's Game, Orson Scott Card (11-20) 41 - Ready Player One, Ernie Cline (11-26) 42 - Open Season, Archer Mayor (12-5) 43 - Seed, Rob Zeigler (12-11) 44 - Rule 34, Charles Stross (12-??)

In the pipeline: X-Wing: Rogue Squadron, by Michael A. Stackpole, All You Need Is Kill by Hiroshi Sakurazaka, Learning to Eat Soup with a Knife: Counterinsurgency Lessons from Malaya and Vietnam by John A. Nagl and The Unforgiving Minute: A Soldier's Education by Craig M. Mullaney. Rogue Squadron is something I'm going to finish up sometime this weekend, and All You Need is Kill is somewhere behind that. The other two are a bit denser, and while they're interesting, they're taxing to get through.

Interestingly, this was the first year where I really read books electronically. I've dabbled with it in the past, ever since I bought an iPad, but this year, I made the jump and read a small percentage digitally: 7 in all: Grey, Lifecycle of Software Objects, Embedded, Little Fuzzy, Crisis in Zephra, Ender's Game and Open Season. Add in Game of Thrones, with which I alternated between my paperback and ecopy, and that's 19%, or just under a fifth of my book pile existed on a hard drive somewhere, rather than a bookshelf.

An interesting thing about eBooks: there's really only a single novel that I read in which I felt really took advantage of the book’s digital nature: Crisis at Zephra. This novel, a short novella, really, was published by the Canadian Military, and incorporated a lot of data about new and upcoming technologies, and trends in said technology. I was limited in that I was reading on a wifi only iPad when I was away from the internet, which left me unable to click on the links scattered throughout the text, with explanations as to what the terms, technology and theory meant. This, I think, is where eBooks will eventually head: less reading experiences, and more immersive and interactive ones.

I've also been doing a bit more with book reviews, on a number of different sites: SF Signal, The Functional Nerds, Kirkus Reviews, and my own blog, with a total of 15 books (34%) read for a review. In this instance, I've written reviews for a number, but these are books that were given to me by either the website that I wrote the review for, or sent by an author or publicist for my own purposes, even if a review wasn't necessarily expected or promised. Just under a full third of my reading this year was subsidized by someone else, for review purposes. Of those books, I had a bit of fun, although my reviews weren't universally positive. The caveat to this, of course, is that a majority of my reading, (29 books in all - 65%) are for my own pleasure, and a minor attempt to whittle down my own to-read list. I've got a feeling that I'll never destroy the growing pile.

I've always described myself as a science fiction fan, rather than a fantasy one, and in years past, I've typically read more fantasy than science fiction. This year? I read 27 Science Fiction books (61%), 11 fantasy books (25%), 2 mystery novels (4.5%), 2 YA novels (4.5%), and 1 each of history and steampunk (2%). This year was certainly more science fictional than years past, which I'm happy about.

Interestingly, while I describe this year as being up and down, when looking over the list as a whole, there's only four books that I really didn't like. I thought just under half (20) were good, while just under a quarter (10%), were okay - decent, but nothing that really wowed me. 10 books in all really blew me away (22%). Of the books that I read this year, the more memorable were the really great ones, and of those, three really stood out for me: The Magician King, by Lev Grossman, Soft Apocalypse, by Will McIntosh, and The Dervish House, by Ian MacDonald. (See my top 10 list for the full number of ones that impressed me this year.) These books are astonishing reads, and I really hope that we'll see The Magician King and Soft Apocalypse get the attention they deserve: Grossman has gained a considerable amount of acclaim, but McIntosh's first novel feels like it's under the radar a bit, the underdog of the year. If you haven't read it: I can't recommend it highly enough. The Dervish House was nominated for a Hugo, but somehow ended up at the bottom of the polls. Still, it's nice to see it nominated.

Of the really bad books, these all stand out as ones that I had the most trouble getting through: Seed, by Rob Zeigler, The Gravity Pilot by M.M. Buckner, Deathless, by Catherynne Valente and Hex, by Allen M. Steele. I believe that the reason why they stand out so much is because they were all books that I had high hopes for: Seed was lauded as the successor to Paolo Bacigalupi's The Windup Girl, and utterly failed at that, The Gravity Pilot looked interesting, and didn't work, Deathless was wonderfully written, but was a book that I simply couldn't get into, and Hex was part of Steele's Coyote universe, which started off so well, and has fallen so far with this book. There were some others, like Jack Campbell's Beyond the Frontier: Dreadnaught, which was so abysmally written that I couldn't even get through the first chapter, and Sarah Hall's Daughters of the North that I had a lot of trouble getting into and didn't finish.

Everything else in the middle was entertaining, and some excellent novels: Susanne Collins' Hunger Games was an excellent read, although the sequel was a bit too much of the same for my liking. I haven't reached #3, Mockingjay, and I'm awaiting that one's release in paperback. China Mieville's Embassytown was interesting, a little flawed, but brilliant all the same, although I have to say that I liked Kraken quite a bit more. Leviathan Wakes was a lot of fun to read, and a promising start to a new series, while John Scalzi's Fuzzy Nation was something I tore through in just a couple of hours on a plane. I finally got in on A Game of Thrones, and it lives up to the hype, somewhat. I even broke out of the SF/F genres, and picked up the fantastic The Big Roads, by Earl Swift, which was a fascinating look at the construction of roadways in the US. Karen Traviss's entry into the Halo universe was also a fantastic one, and it's dragged me in to that particular expanded world, as I picked up several other Halo novels, which will likely get read next time I'm on a Halo kick. I re-read Mossflower after Brian Jaqcues passed away, as well as Ender's Game, and found both books really lived up to my memories of them. Ernie Cline's Reader Player One was a fun, entertaining book, but it was lacking in other departments. Finally, I had a chance to go back and revisit Paolo Bacigalupi's The Windup Girl, which lives up to my first impressions wonderfully.

So, why quantify my enjoyment? I've generally been accused from people of taking things like this too seriously, in reviewing films or books that should be 'just for fun'. I've never subscribed to the ‘turn your brain off while you read/watch/listen’ train of thought, because I think that does a disservice to the author. Certainly, there's books or films that I've done that with, enjoying them because they were written to be enjoyed. But, distilling a year's worth of reading down into some easy statistics?

A couple of reasons: one, it helps me better understand my own interests by grounding them in reality. As mentioned, I firmly describe myself in the science fiction camp, but over the past couple of years, I've generally been surprised when I've read more fantasy than science fiction. My interests are all over the place, and I don't generally remember at a glance what I've read as a whole. I was a little surprised that I hadn't finished more than a single history book this year, despite the intense work that I did on various history projects: I've read portions of numerous historical texts, mainly about World War II and military history (including a couple that are still technically on the reading list), but never finished them, or needed to finish them. This might also be me forgetting to stick a book onto the 'Read' List.

Reading is an important part of what I do. I typically read at night, before I go to bed (increasingly, if I'm using my iPad, or at the beginning of the day, when I can get through 10-15 pages while I'm waiting for my computer to load up at work. Weekends usually mean a lot of time to blow through something, and when I was on public transportation for two trips earlier this year to Washington D.C. and Belgium, I read a lot: three books for each trip (for the DC trip, that was one book for the airplane, one for the second day on the train, and the third for the flight home, all in a couple of days.) Better understanding my own reading habits help me to read more, I think, and while it's not quantity over quality, I've got a massive backlog of books that I've bought. Looking over my list from this year, I had a total of 6 books - 13%! - came off of that list, which currently numbers around 100. These are all books that I've owned for more than a year, while a huge number of books that I picked up this year were released this year, and this also comes as a bit of a surprise.

My thoughts going into 2012 is that I’ll be whittling down the to-read list. There’s a lot of books that I do want to get to in the near future. Off the top of my head, I can think of a number that are edging up the list: George R.R. Martin's second entry in the Song of Ice and Fire, Clash of Kings is most certainly going to make it onto the list when the next season hits, the entire X-Wing series by Michael Stackpole and Aaron Allston will get re-read prior to the next novel in the series, Mercy Kill. I also want to revisit Timothy Zahn’s Icarus Hunt. I've also been wanting to begin David Louis Edelman's Infoquake, finish out William Gibson's Bigend trilogy with Zero History and get into Neal Stephenson, Iain M. Banks, and generally blow through a bunch of paperbacks and history books that I've had for a couple of years. Hopefully, I'll be able to get through a portion of that, and hopefully, I'll slow down the growth of my own library - we're running out of shelf space (again).

It’s been a fun year, with a lot of good stories all around. It looks like 2012 will be just as much fun.

The Best Books of 2011

2010 was a good year for reading, and this year, while it had some significant downs, also had its share of really great reads. I'll be posting a full list of the books read in 2011 in the next week or so, but in the meantime, here's the books that I most enjoyed this year:  

1 - Soft Apocalypse, Will McIntosh

My absolute favorite read of the year was Will McIntosh's debut novel, Soft Apocalypse. Already the recipient of a Hugo award, this book is one that I hope will follow suit. A bleak and outstanding look at what the future might hold, McIntosh weaves a tale that's outstanding in its character growth and understanding of how the world works on massive scales. It's tragic and heartbreaking on one hand, and unmistably beautiful on the other. (Review)

2 - The Magician King, Lev Grossman

I didn't think that Grossman would be able to top The Magicians, and I was wary of it earlier this year: Where the first one could be described as the anti-Harry Potter, I have a hard time seeing how this one could play out. It turns out, it played out very well: Grossman not only topped the first book, he created a story that was brilliant in all regards: further building up the characters from the last book, and making the stakes from this book much higher, darker and deeper than I thought possible. The story is simply stunning. (Review)

3 - Leviathan Wakes, James A. Corey

Leviathan Wakes is a book that grabbed me at the cover and refused to let go. I've long had a soft spot for space opera, and this book really fits the bill, with an exceptional world within our solar system. There's a bit of everything in this story: military action, detective fiction, weird science and space Mormons. I already can't wait for the followup, Caliban's War, due out next June. (Review)

4 - Rule 34, Charles Stross

I'm currently in the middle of this book, but I'm confident of it's place here. I met Stross at ReaderCon in 2010, where he told me that his next book opens with a man getting murdered by a viagra enema. It's set in the same world as his prior novel, Halting State, and in a way, the book is a cross between the J.J. Connolly's Layer Cake and William Gibson. (Review to come at the Functional Nerds)

5 - Embassytown / Kraken, China Miéville

I loved Miéville's book, The City and The City, and the 2 books that I read from him this year both deserve a place on this (Kraken was a 2010 release). Both are wholly fantastic books: an alternative, weird London in one, and a totally alien world in the other. Miéville is a master at fully understanding the worlds, and both are fantastic examples of a brilliant story meshed with a perfectly conceived setting. (Review / Review)

6 - Spellbound, Blake Charlton

Charlton did a nice job with his first novel, Spellwright, and his second is a worthy followup that expands and builds upon his world in grand fashion. I loved his understanding of magic: this book is almost a science fiction novel, running on a bit of a slightly different frequency. It's a great addition that builds on the first novel, and I can't wait to see what happens next. (Review)

7 - Halo: Glasslands, Karen Traviss

I've long loved the Halo franchise, and I got into it hardcore: bought several other books, bought and played through Reach, Combat Evolved and got my wife hooked on the armored folks. This novel has a great story to it, which is sort of par for the course for Traviss, revolving around the end of the Human-Covenant War, continuing the storyline into new territory. I'm excited to see where she goes with it. (Review)

8 - Fuzzy Nation, John Scalzi

John Scalzi embarked on a bit of an experiment with Fuzzy Nation: it's a literary reboot of H. Beam Piper's Little Fuzzy. It's a fun read, with an pointed, relevant message. The book is a quick read, and it's got about the same level of substance to it, but it's a hilarious read, one that had me laughing out loud throughout the couple of hours that I read it. (Review)

9 - Machine Man, Max Barry

Max Barry's Jennifer Government was a book that showed me that great science fiction could be really funny and ridiculous at the same time. Max Barry returns with Machine Man, partially written online, and falls with much of the same level of humor that Jennifer Government held. It's ridiculous at one level, but then, when you look at our increasingly technology filled lives, it's not so far fetched. (Review

10 - At Queen's Command, Michael A. Stackpole

I've long been a fan of Michael Stackpole's books, going back to the X-Wing Series and some of his other fantastic novels. He's now back, under the Nightshade Books banner with an alternate history novel that reimagines the early days of the British colonies in the Americas with magic, zombies, necromancers and dragons. It's a fun, vivid read. (Review)

Other Notables: A couple of additional books that I enjoyed were Ganymede by Cherie Priest, Germline by T.C. McCarty and Ready Player One by Ernie Cline.

Machine Man, Max Barry

Max Barry released a video trailer for his latest novel, Machine Man, which completely and utterly sums up the tone of the entire novel. It's bitterly comedic, which is something I've come to expect from the writer.

Machine Man is easy to sum up in a single sentence: it's about a man who cuts off his own limbs to replace them with parts he makes himself. It's one of the few examples of cybernetics in fiction that I can think of readily (Robocop also comes to mind), and it's a fun, easy look at some of the problems associated with identity and of making one's self better.

Charles Neumann is a scientist for a major company that has its fingers everywhere, and after locating his missing cell phone, he accidentally looses his leg. After working on recovering, he builds his own prosthesis, and finds that he'd like a matching pair. The company is more than willing to accomodate him: he's able to build some incredible technology, and the team that he's assembled goes through breakthrough after breakthough, building all types of things to make people *better*.

The story is somewhat predictable, and Neumann begins to lose some of his humanity as he replaces more and more parts, putting his relationship with Lola in risk as he circles the drain.

I liked this book: it's a quick, fairly easy and immersive read, and I found myself going through a hundred pages a sitting before finishing it. Written as an online serial to complete the first draft, the book feels remarkably consistant, although there are points towards the end where it begins to drag and slow down a bit.

Machine Man is also very funny, something I remembered enjoying from the other book I have from Barry, Jennifer Government. It's a blistering satire at times, jumping right out of the gate with the problems associated with a missing smartphone that sets Charles down the path of becoming more machine than man. Anyone who's owned an iPhone knows exactly what I'm talking about, and Barry brings up some good points between the two characters: Lola has mechanical parts in order to survive from day to day (an artificial heart), while Charles simply feels like he's a robot anyway, and wants the convinience and advances that robotics would bring him.

While it's funny, pithy and sarcastic, it feels like there's a good point to be made here: with everything that technology allows us, how much is too much, but more importantly, would we be able to recognize our overdependance on technology if we even realized that we were depending on it too much? This isn't a case of Barry standing on the front porch yelling for kids to get off his lawn, but one of rationing and realizing that there can be too much of a good thing, and the book balances a fine line between cyberntic fight scenes and morality, telling a straightup tale of human nature.

It's a little frustrating at points for me personally, especially running up to the end, when it's clear that most of the characters, despite their tendencies to make clear and rational decisions, to continue making the same choices, despite what it's cost them. It's pointed out to Lola that she has had problems recognizing a person's character and getting too involved with their struggle, even to her detriment, something that largely happens again when she meets Charlie. The same is true for Charlie, who keeps building pieces of himself, no matter what it costs. It's a relevant message, one that bears paying close attention to.

At the end of the day, Barry's put together a solid, fun science fiction thriller that doesn't feel like a science fiction story: it feels contemporary (and, much to my annoyance, it's shelved as such, which made it difficult to find in Barnes and Noble), and highly realistic, as if it's a future that we're living in right now.

Book Watch

I was poking around some of my usual online haunts, author webpages, amazon.com and some new sites, and I realized that there's a number of books that are coming out that I'm going to be checking out soon.

First up, SciFi and Michael Stanwick did a cool little project a while back called the Periodic Table of Science Fiction, where Stanwick wrote a short story for every element in the Periodic Table of Elements. Each story related to each element, and a cool series of short stories emerged. This was just posted on the SciFiWire:

Swanwick's Table Is A Book
Michael Swanwick, author of The Periodic Table of Science Fiction, told SCI FI Wire that the collection of stories that originally appeared on SCIFI.COM's SCI Fiction site is being released in book form. Swanwick added that he considers Mendeleev, who designed the periodic tale of elements, a genius and that he found it challenging to write short-short SF stories about each of the 118 elements.
"The periodic table is one of the great achievements of the human race: descriptive, predictive and endlessly useful," Swanwick said in an interview. "Shakespeare never wrote a sonnet half so beautifully constructed. … Although I knew some of it would be easy (who couldn't write a story about gold?), there were elements that would be a serious challenge to dramatize. It's like watching a tightrope walker. Nobody wants him to fall. But it's the possibility that he could that makes it so exciting."
To create a story for each element, from hydrogen to ununoctium, Swanwick tried everything. If there was an obvious association, he used it: The story about hydrogen is about time travelers meeting at the site of the Hindenburg explosion. Potassium is about bananas and how you can live forever by eating them every day, though a side effect is that you turn into a monkey.
Other elements required Swanwick to do research. Osmium is named after its smell ("osme" is Greek for "odor"); Swanwick humorously pointed out the importance of personal hygiene. Praseodymium responds to magnetism by getting colder; Swanwick found it a small step to write a story about cryogenic research.
Swanwick called vanadium the most boring element, since all he could uncover about it is that it is essential to a chicken's diet. "I made the mistake of writing it up as 'the couch potato of the periodic table,'" he said. "Did I get letters? Hoo boy. It turns out that a lot of people out there care passionately about vanadium and don't like to see [it] dissed."
Swanwick said that he always wanted to be a scientist; that is, until he discovered his inability to replicate the easiest laboratory experiments. "So I became a science-fiction writer as a next-best thing," he said.

On the links section, there's a link to the original stories online. I'd highly recommend checking them out, they're exremely fun to read, and it'll be a really good book to pick up when it is released.

The second one that I found when I was browsing around Max Barry's webpage to see if he had any news. He did, and I found the cover and information about his next book, called Company. I loved Jennifer Government, which is a very cool satire about capitalism, and I'm sure that his next will be just as good.

Here's what Amazon.com has to say about it: Nestled among Seattle’s skyscrapers, The Zephyr Holdings Building is a bleak rectangle topped by an orange-and-black logo that gives no hint of Zephyr’s business. Lack of clarity, it turns out, is Zephyr’s defining characteristic. The floors are numbered in reverse. No one has ever seen the CEO or glimpsed his office on the first (i.e., top) floor. Yet every day people clip on their ID tags, file into the building, sit at their desks, and hope that they’re not about to be outsourced.
Stephen Jones, a young recruit with shoes so new they squeak, reports for his first day in the Training Sales Department and finds it gripped by a crisis involving the theft of a donut. In short order, the guilty party is identified and banished from the premises and Stephen is promoted from assistant to sales rep. He does his best to fit in with his fellow workers–among them a gorgeous receptionist who earns more than anyone else, and a sales rep who’s so emotionally involved with her job that she uses relationship books as sales manuals–but Stephen is nagged by a feeling that the company is hiding something. Something that explains why when people are fired, they are never heard from again; why every manager has a copy of the Omega Management System; and most of all, why nobody in the company knows what it does.

Book Three is Archer Mayor's latest, coming later this year, entitled St. Alban's Fire, which has something to do with Barn Burnings in VT. If you like Mysteries or live in Vermont, Mayor is an excellent author to check out. His stories have gotten slightly weaker in the past years, but they are still fairly well written and thought out. All but one are about Vermont, take place here, and he's got some of the coolest characters out thus far.

Finally, Allen M. Steele is finishing up his Coyote Arc with a final Coyote novel, titled Coyote Frontier, which takes place nearly twenty years after the first novel. Coyote, for those of you who don't know, is a kind of American Revolution in space. A colonization effort is formed under an oppressive remnant of the United State, and the colonization ship is hijacked by a group of Dissitent Intellectuals who have been blacklisted by the Government. They set out for a moon called Coyote, which is thought to be livable. It is, and they form a small colony, and the rest of the book is about their life there, from the dangerous native lifeforms, to political problems and exploration. It's an amazing book. The second one, like the first was Serialized in Asimov's, and is just as good. Where the first book was about the colonization, the second book is about the moon's occupation when travellers from Earth come to the moon and try and take over. Think the American Revolution there. From the plot of the third one, it looks decent, but I'm a little wary that it's not going to be as good as the first or second.

A couple of things to keep one's eyes on, among others...