Review: Caliban's War

Caliban's War, James S.A. Corey's follow-up to the Hugo-nominated Leviathan Wakes takes readers back to the well-realized world of The Expanse. It's an all guns blazing thrill-ride that ups the stakes in the Expanse and keeps me wanting more.

Picking up several months after the events of its predecessor, we find James Holden, who had survived the Eros event and started a system-wide war between the various planetary factions, is now running missions for the Outer Planets Alliance. At the same time, Earth and Mars have returned to an uneasy relationship, with their forces ready to open up on one another across numerous fronts. Praxidike Meng, a botanist on the breadbasket of the Outer Planets, Ganymede, finds his daughter has been kidnapped after a mysterious threat is encountered by UN and Martian Marines. The two groups of Marines are attacked, leaving a single survivor: Gunnery Sergeant Bobbie Draper, who is ordered to accompany Martian diplomats to Earth to sort out what happened. There, she meets Chrisjen Avasarala, a UN politician working to prevent outright war between various factions of the Solar System.

Where I'd describe Leviathan Wakes as a robust space opera story, Caliban's War strays far closer to the Military Science Fiction subgenre. This book is packed with quite a bit of military action from the get-go, and throughout the novel, it's approached in a well-thought-out way. When the bullets aren't flying, we see a considerable amount of political work that help make up the backend of any military action, which keeps up a certain amount of tension and adds depth to the book as a whole. The result is a military science fiction novel that gets both the action and the motivations for fighting right on.

Following the end of Leviathan Wakes, with the death of one of the central characters, Corey introduces a number of new characters: notably, Bobbie, the Martian Marine gunnery sergeant who survives an early encounter with what appears to be a new form of the protomolocule. In addition to Bobbie, Praxidike Meng, a botanist from Ganymede plays a key role in the search for his daughter and Chrisjen Avasarala, a UN Undersecretary of Executive Administration have come in to accompany New Characters, trying to get everyone to listen to one another. As a whole, the entire group of new faces is a welcome one, keeping the relationships between the existing characters interesting. Each are nicely assembled with some familiar parts: the tough as nails Marine, the somewhat clueless scientist, and the hard ass politician, and have some other points that round them all out nicely: Bobbie suffering deeply from the loss of her platoon, and Avasarala's about face personality when it comes to her grandchildren. Bobbie Draper in particular has become one of my favorite characters in the series thus far. Tough and determined, Draper is a great example of a strong female character that doesn't really conform to a lot of the molds, and one that wasn't thrown into the series to simply fill out the gender balance.

Caliban's War follows a similar formula as Leviathan Wakes did: a girl vanishes, people attempt to find her, Holden tries to broadcast information to the solar system, all while big picture political elements are at work towards their own nefarious ends, before quite a lot of action happens. It's not a bad formula to follow, and while the story doesn't retell the first one, it does make it predictable at points. Following an exciting opening, the predictability allowed some of the necessary setup to slow down the book for a while, before the last act brings all of the diverse elements together and end the book with a bang. As the story accelerates towards the finish line, so to does the stakes, and this second novel becomes a fantastic bridge for the rest of the presumed trilogy. (There are a further four books and several short stories planned at this point). A major cliff-hanger moment down to the last line of the book makes me hope that at some point, HBO will pick up the books for a television series.

Like Leviathan's Wake, the two authors who comprise James S.A. Corey, Daniel Abraham and Ty Franck, have done a knock-out job when it comes to the world that they've created. Hearty, durable and dripping with details, Caliban's War gives you all of the major food groups and desert. They layer on some new details that weren't extensively covered in the first book through the new characters, and we're privy to new parts of the Solar System that open up the world even more. If anything, Caliban's War does an even better job with working in the world, sustaining the storyline while not having to introduce the reader to a completely new world and storyline. If anything, it's more focused and to the point, while covering a lot of ground towards what is building up to be an epic time in the solar system.

I really enjoyed Leviathan Wakes, and Caliban’s War is a fantastic addition to what I suspect will be a great series of books. For all of the talk about science fiction going away in favor of urban fantasy or some other spectrum of speculative fiction, it does a great job showing that the stories that can be told in space aren’t going anywhere, all while blending great storytelling and characters, and giving us a new world to look forward to revisiting.

The Icarus Hunt

This year, a major goal of mine is to try and cut down on my ever-growing 'to read' list, which has slowly crept into the triple digits over recent years. There are a handful of books that I've been meaning to get back to and revisit from earlier days, and at the top of the list was Timothy Zahn's 1999 science fiction / mystery novel, The Icarus Hunt. The book was one of the novels that I first read during my transition from Star Wars novels to mainstream genre novels, and it's been a book that's stuck in my mind since I first read it.

The story opens with Jordan McKell, smuggler and ship's pilot, meeting up with Alexander Borodin, who hires him to take his ship, the Icarus and its sealed cargo, to Earth. Deep in debt to crime lord Johnston Scotto Ryland (Brother John) and his superior, Antoniewicz, McKell accepts, and ships out with the assembled crew. Shortly after starting off, one of the members of the crew is murdered, and deep questions emerge into the nature of their cargo.

The Icarus and her crew quickly becomes the target of an intergalactic manhunt from numerous factions: the Patth, a commercial race that holds a near-monopoly on interstellar shipping, believe that the cargo is an advanced star drive that would undercut their own technological advantages, while an unknown agent amongst the ship's crew has begun to endanger the crew. As the Icarus and its crew jump from system to system, steps ahead of the Paath and the growing contingent of opportunistic planetary governments and criminals, the true nature of the mission comes to light.

Zahn's solidly-constructed world is one that sees a number of parallels with popular franchises, from Star Wars to Titan A.E. and Firefly, but feels wholly unique and original in its own right, and fans of the recently released novel Leviathan Wakes, by James A. Corey should certainly pick this one up in the wait for the next installment in the trilogy.

Of particular note is the story's structure: this is very much a mystery novel set in space: who the fellow members of the crew are, from Tera, who strives to keep her identity under wraps, Nicabar, a former EarthGuard marine, Chort, the crew's alien space-walker, Everett, the ship's doctor, Geoff Shawn, the hot-tempered electrician and Jones, the short-lived mechanical expert, who's murdered early on. There's also the nature of the cargo that they're carrying, and as more people appear in the sidelines who want to get their hands on the cargo, the book kicks into a race that feels genuine to the core. The pacing is perfect, and never overcrowded as the mysteries deepen and the characters all develop richly. Zahn has done an excellent job creating a cast of dynamic characters, and keeps the reader in the dark until the very end as to some of their true intentions: when I first read the book, I went back and re-read it to pick up on the hints along the way. All the way through, it's a gripping read.

The Icarus Hunt is a book that feels like a solid hit out of the park, and while all of the plot points come together in the final chapters, the setting of a McKell in the dining room with all of the players feels more like homage than sloppy structuring. All along the way, Zahn has constructed a plausible, fascinating world that hints at other stories (sadly, this appears to be the only one) at every corner of the galaxy. It's a book that takes a lot of common story elements and mixes them together into something that's greater than the sum of its parts, and has very few books that it can really be compared to. Even better, it holds up past my nostalgic love for it, despite the release of more recent, similar stories. Truly, a cult classic in the making.

2011 Reading Census

This year has been an interesting reading year for me, fluctuating between a bunch of really, really good books, and a couple that really sucked out any interest that I had in reading at that time, with a number of books in-between that I thought were fun reads. Here's what I got through in 2011:

1- Grey, Jon Armstrong (1-8) 2- The Dervish House, Ian McDonald (1-21) 3 - Hull Zero Three, Greg Bear (1-23) 4 - Hunger Games, Suzanne Clarke (2-1) 5 - The Lifecycle of Software Objects, Ted Chiang (2-4) 6 - At The Queen's Command, Michael A. Stackpole (2-19) 7 - Mossflower, Brian Jacques (2-20) 8 - Embedded, Dan Abnett (3-7) 9 - Kraken, China Mieville (3-9) 10 - Leviathan Wakes, James A Corey (3-17) 11 - Little Fuzzy, H Beam Piper (3-28) 12 - Fahrenheit 451 Graphic Novel, Ray Bradbury (4-13) 13 - Yarn, Jon Armstrong (4-13) 14 - Welcome to the Greenhouse, Gordon Van Gelder (4-19) 15 - Fuzzy Nation, John Scalzi (4-25) 16 - Spectyr, Philippa Ballentine (4-26) 17 - Soft Apocalypse, Will McIntosh (4-27) 18 - Blackout, Connie Willis (4-30) 19 - Locke & Key, Joe Hill (5-8) 20 - Catching Fire, Suzanne Collins, (5-22) 21 - Deathless, Catherynne Valente (5-27) 22 - Embassytown, China Mieville (6-18) 23 - Hex, Allen M. Steele (7-2) 24 - The Gravity Pilot, MM Buckner (7-4) 25 - A Game of Thrones, George R. R. Martin (7-15) 26 - The Big Roads, Earl Swift (7-19) 27 - Spellbound, Blake Charlton (8-2) 28 - The Magician King, Lev Grossman (8-4) 29 - Bright's Passage, Josh Ritter (8-5) 30 - Grave Peril, Jim Butcher (8-13) 31 - Spook Country, William Gibson (9-6) 32 - Machine Man, Max Barry (9-10) 33 - Crisis in Zefra, Karl Schroeder (9-15) 34 - Halo: The Fall Of Reach, Eric Nylund (10-1) 35 - Germline, TC McCarty (10-5) 36 - The Windup Girl, Paolo Bacigalupi (10-16) Audio 37 - Halo: Glasslands, Karen Traviss (10-29) 38 - Red Herring, Archer Mayor (10-20) 39 - Ganymede, Cherie Priest (11-11) 40 - Ender's Game, Orson Scott Card (11-20) 41 - Ready Player One, Ernie Cline (11-26) 42 - Open Season, Archer Mayor (12-5) 43 - Seed, Rob Zeigler (12-11) 44 - Rule 34, Charles Stross (12-??)

In the pipeline: X-Wing: Rogue Squadron, by Michael A. Stackpole, All You Need Is Kill by Hiroshi Sakurazaka, Learning to Eat Soup with a Knife: Counterinsurgency Lessons from Malaya and Vietnam by John A. Nagl and The Unforgiving Minute: A Soldier's Education by Craig M. Mullaney. Rogue Squadron is something I'm going to finish up sometime this weekend, and All You Need is Kill is somewhere behind that. The other two are a bit denser, and while they're interesting, they're taxing to get through.

Interestingly, this was the first year where I really read books electronically. I've dabbled with it in the past, ever since I bought an iPad, but this year, I made the jump and read a small percentage digitally: 7 in all: Grey, Lifecycle of Software Objects, Embedded, Little Fuzzy, Crisis in Zephra, Ender's Game and Open Season. Add in Game of Thrones, with which I alternated between my paperback and ecopy, and that's 19%, or just under a fifth of my book pile existed on a hard drive somewhere, rather than a bookshelf.

An interesting thing about eBooks: there's really only a single novel that I read in which I felt really took advantage of the book’s digital nature: Crisis at Zephra. This novel, a short novella, really, was published by the Canadian Military, and incorporated a lot of data about new and upcoming technologies, and trends in said technology. I was limited in that I was reading on a wifi only iPad when I was away from the internet, which left me unable to click on the links scattered throughout the text, with explanations as to what the terms, technology and theory meant. This, I think, is where eBooks will eventually head: less reading experiences, and more immersive and interactive ones.

I've also been doing a bit more with book reviews, on a number of different sites: SF Signal, The Functional Nerds, Kirkus Reviews, and my own blog, with a total of 15 books (34%) read for a review. In this instance, I've written reviews for a number, but these are books that were given to me by either the website that I wrote the review for, or sent by an author or publicist for my own purposes, even if a review wasn't necessarily expected or promised. Just under a full third of my reading this year was subsidized by someone else, for review purposes. Of those books, I had a bit of fun, although my reviews weren't universally positive. The caveat to this, of course, is that a majority of my reading, (29 books in all - 65%) are for my own pleasure, and a minor attempt to whittle down my own to-read list. I've got a feeling that I'll never destroy the growing pile.

I've always described myself as a science fiction fan, rather than a fantasy one, and in years past, I've typically read more fantasy than science fiction. This year? I read 27 Science Fiction books (61%), 11 fantasy books (25%), 2 mystery novels (4.5%), 2 YA novels (4.5%), and 1 each of history and steampunk (2%). This year was certainly more science fictional than years past, which I'm happy about.

Interestingly, while I describe this year as being up and down, when looking over the list as a whole, there's only four books that I really didn't like. I thought just under half (20) were good, while just under a quarter (10%), were okay - decent, but nothing that really wowed me. 10 books in all really blew me away (22%). Of the books that I read this year, the more memorable were the really great ones, and of those, three really stood out for me: The Magician King, by Lev Grossman, Soft Apocalypse, by Will McIntosh, and The Dervish House, by Ian MacDonald. (See my top 10 list for the full number of ones that impressed me this year.) These books are astonishing reads, and I really hope that we'll see The Magician King and Soft Apocalypse get the attention they deserve: Grossman has gained a considerable amount of acclaim, but McIntosh's first novel feels like it's under the radar a bit, the underdog of the year. If you haven't read it: I can't recommend it highly enough. The Dervish House was nominated for a Hugo, but somehow ended up at the bottom of the polls. Still, it's nice to see it nominated.

Of the really bad books, these all stand out as ones that I had the most trouble getting through: Seed, by Rob Zeigler, The Gravity Pilot by M.M. Buckner, Deathless, by Catherynne Valente and Hex, by Allen M. Steele. I believe that the reason why they stand out so much is because they were all books that I had high hopes for: Seed was lauded as the successor to Paolo Bacigalupi's The Windup Girl, and utterly failed at that, The Gravity Pilot looked interesting, and didn't work, Deathless was wonderfully written, but was a book that I simply couldn't get into, and Hex was part of Steele's Coyote universe, which started off so well, and has fallen so far with this book. There were some others, like Jack Campbell's Beyond the Frontier: Dreadnaught, which was so abysmally written that I couldn't even get through the first chapter, and Sarah Hall's Daughters of the North that I had a lot of trouble getting into and didn't finish.

Everything else in the middle was entertaining, and some excellent novels: Susanne Collins' Hunger Games was an excellent read, although the sequel was a bit too much of the same for my liking. I haven't reached #3, Mockingjay, and I'm awaiting that one's release in paperback. China Mieville's Embassytown was interesting, a little flawed, but brilliant all the same, although I have to say that I liked Kraken quite a bit more. Leviathan Wakes was a lot of fun to read, and a promising start to a new series, while John Scalzi's Fuzzy Nation was something I tore through in just a couple of hours on a plane. I finally got in on A Game of Thrones, and it lives up to the hype, somewhat. I even broke out of the SF/F genres, and picked up the fantastic The Big Roads, by Earl Swift, which was a fascinating look at the construction of roadways in the US. Karen Traviss's entry into the Halo universe was also a fantastic one, and it's dragged me in to that particular expanded world, as I picked up several other Halo novels, which will likely get read next time I'm on a Halo kick. I re-read Mossflower after Brian Jaqcues passed away, as well as Ender's Game, and found both books really lived up to my memories of them. Ernie Cline's Reader Player One was a fun, entertaining book, but it was lacking in other departments. Finally, I had a chance to go back and revisit Paolo Bacigalupi's The Windup Girl, which lives up to my first impressions wonderfully.

So, why quantify my enjoyment? I've generally been accused from people of taking things like this too seriously, in reviewing films or books that should be 'just for fun'. I've never subscribed to the ‘turn your brain off while you read/watch/listen’ train of thought, because I think that does a disservice to the author. Certainly, there's books or films that I've done that with, enjoying them because they were written to be enjoyed. But, distilling a year's worth of reading down into some easy statistics?

A couple of reasons: one, it helps me better understand my own interests by grounding them in reality. As mentioned, I firmly describe myself in the science fiction camp, but over the past couple of years, I've generally been surprised when I've read more fantasy than science fiction. My interests are all over the place, and I don't generally remember at a glance what I've read as a whole. I was a little surprised that I hadn't finished more than a single history book this year, despite the intense work that I did on various history projects: I've read portions of numerous historical texts, mainly about World War II and military history (including a couple that are still technically on the reading list), but never finished them, or needed to finish them. This might also be me forgetting to stick a book onto the 'Read' List.

Reading is an important part of what I do. I typically read at night, before I go to bed (increasingly, if I'm using my iPad, or at the beginning of the day, when I can get through 10-15 pages while I'm waiting for my computer to load up at work. Weekends usually mean a lot of time to blow through something, and when I was on public transportation for two trips earlier this year to Washington D.C. and Belgium, I read a lot: three books for each trip (for the DC trip, that was one book for the airplane, one for the second day on the train, and the third for the flight home, all in a couple of days.) Better understanding my own reading habits help me to read more, I think, and while it's not quantity over quality, I've got a massive backlog of books that I've bought. Looking over my list from this year, I had a total of 6 books - 13%! - came off of that list, which currently numbers around 100. These are all books that I've owned for more than a year, while a huge number of books that I picked up this year were released this year, and this also comes as a bit of a surprise.

My thoughts going into 2012 is that I’ll be whittling down the to-read list. There’s a lot of books that I do want to get to in the near future. Off the top of my head, I can think of a number that are edging up the list: George R.R. Martin's second entry in the Song of Ice and Fire, Clash of Kings is most certainly going to make it onto the list when the next season hits, the entire X-Wing series by Michael Stackpole and Aaron Allston will get re-read prior to the next novel in the series, Mercy Kill. I also want to revisit Timothy Zahn’s Icarus Hunt. I've also been wanting to begin David Louis Edelman's Infoquake, finish out William Gibson's Bigend trilogy with Zero History and get into Neal Stephenson, Iain M. Banks, and generally blow through a bunch of paperbacks and history books that I've had for a couple of years. Hopefully, I'll be able to get through a portion of that, and hopefully, I'll slow down the growth of my own library - we're running out of shelf space (again).

It’s been a fun year, with a lot of good stories all around. It looks like 2012 will be just as much fun.

The Best Books of 2011

2010 was a good year for reading, and this year, while it had some significant downs, also had its share of really great reads. I'll be posting a full list of the books read in 2011 in the next week or so, but in the meantime, here's the books that I most enjoyed this year:  

1 - Soft Apocalypse, Will McIntosh

My absolute favorite read of the year was Will McIntosh's debut novel, Soft Apocalypse. Already the recipient of a Hugo award, this book is one that I hope will follow suit. A bleak and outstanding look at what the future might hold, McIntosh weaves a tale that's outstanding in its character growth and understanding of how the world works on massive scales. It's tragic and heartbreaking on one hand, and unmistably beautiful on the other. (Review)

2 - The Magician King, Lev Grossman

I didn't think that Grossman would be able to top The Magicians, and I was wary of it earlier this year: Where the first one could be described as the anti-Harry Potter, I have a hard time seeing how this one could play out. It turns out, it played out very well: Grossman not only topped the first book, he created a story that was brilliant in all regards: further building up the characters from the last book, and making the stakes from this book much higher, darker and deeper than I thought possible. The story is simply stunning. (Review)

3 - Leviathan Wakes, James A. Corey

Leviathan Wakes is a book that grabbed me at the cover and refused to let go. I've long had a soft spot for space opera, and this book really fits the bill, with an exceptional world within our solar system. There's a bit of everything in this story: military action, detective fiction, weird science and space Mormons. I already can't wait for the followup, Caliban's War, due out next June. (Review)

4 - Rule 34, Charles Stross

I'm currently in the middle of this book, but I'm confident of it's place here. I met Stross at ReaderCon in 2010, where he told me that his next book opens with a man getting murdered by a viagra enema. It's set in the same world as his prior novel, Halting State, and in a way, the book is a cross between the J.J. Connolly's Layer Cake and William Gibson. (Review to come at the Functional Nerds)

5 - Embassytown / Kraken, China Miéville

I loved Miéville's book, The City and The City, and the 2 books that I read from him this year both deserve a place on this (Kraken was a 2010 release). Both are wholly fantastic books: an alternative, weird London in one, and a totally alien world in the other. Miéville is a master at fully understanding the worlds, and both are fantastic examples of a brilliant story meshed with a perfectly conceived setting. (Review / Review)

6 - Spellbound, Blake Charlton

Charlton did a nice job with his first novel, Spellwright, and his second is a worthy followup that expands and builds upon his world in grand fashion. I loved his understanding of magic: this book is almost a science fiction novel, running on a bit of a slightly different frequency. It's a great addition that builds on the first novel, and I can't wait to see what happens next. (Review)

7 - Halo: Glasslands, Karen Traviss

I've long loved the Halo franchise, and I got into it hardcore: bought several other books, bought and played through Reach, Combat Evolved and got my wife hooked on the armored folks. This novel has a great story to it, which is sort of par for the course for Traviss, revolving around the end of the Human-Covenant War, continuing the storyline into new territory. I'm excited to see where she goes with it. (Review)

8 - Fuzzy Nation, John Scalzi

John Scalzi embarked on a bit of an experiment with Fuzzy Nation: it's a literary reboot of H. Beam Piper's Little Fuzzy. It's a fun read, with an pointed, relevant message. The book is a quick read, and it's got about the same level of substance to it, but it's a hilarious read, one that had me laughing out loud throughout the couple of hours that I read it. (Review)

9 - Machine Man, Max Barry

Max Barry's Jennifer Government was a book that showed me that great science fiction could be really funny and ridiculous at the same time. Max Barry returns with Machine Man, partially written online, and falls with much of the same level of humor that Jennifer Government held. It's ridiculous at one level, but then, when you look at our increasingly technology filled lives, it's not so far fetched. (Review

10 - At Queen's Command, Michael A. Stackpole

I've long been a fan of Michael Stackpole's books, going back to the X-Wing Series and some of his other fantastic novels. He's now back, under the Nightshade Books banner with an alternate history novel that reimagines the early days of the British colonies in the Americas with magic, zombies, necromancers and dragons. It's a fun, vivid read. (Review)

Other Notables: A couple of additional books that I enjoyed were Ganymede by Cherie Priest, Germline by T.C. McCarty and Ready Player One by Ernie Cline.

Leviathan Wakes by James A. Corey

If you like Space Opera, this will be the book for you: Leviathan Wakes, by author James A. Corey (a collaboration between Daniel Abraham and Ty Franck). Spanning much of our solar system, it's an epic story in a reasonably near future, with an excellently conceived of environment and a fun story that is both action packed and thoughtful. Leviathan Wakes is the embodiment of what good space opera should be: there's a bit of a scientific background that helps to inform the plot, but the focus of this story is on the characters and major events that blast the story forward.

As such, Leviathan Wakes works on a number of levels. Throughout the story, the influence of two authors who have been identified strongly with the fantasy genre is clear in the text: there is a wide, sweeping and epic sense to the world that's been constructed here, and the fingerprints feel very much like there's experience with fantasy here. This ranges from the somewhat tired: some of the characters feel almost a little too forced with the world-weary or tough guy things that some modern fantasy novels seem to be saddled with, to the good: the world building and scale of the storyline, which seems to grow and grow.

In a large sense, a space opera story has far more in common with a fantasy novel, as opposed to a straight up science fiction novel, although Leviathan Wakes feels at times like it's caught between the two, for better and worse: for most of the story, it's evenly balanced between the two, and it works very well from that standpoint: the science helps to inform the rules of The Expanse, while the fantastic elements get taken over by the story and its own momentum. In a recent blog post somewhere, someone made the comment that Orbit was betting that a recent offer of a free ebook copy of Leviathan Wakes paired with a copy of Abraham's book The Dragon's Path would pull in a crossover audience from the fantasy fans, and after reading through this, I can easily believe it.

Leviathan Wakes stands out amongst a lot of books for the world-building efforts that have been put together for this story. In this far future, humanity hasn't quite made it out to the stars, but they've made it out into the neighborhood: Earth's Moon, Mars, (Venus had abortive attempts), the asteroid belt, the moons of Jupiter and Saturn, and as far out as some of the moons of Neptune, all have some element of human habitation, with a wonderfully rich human society living and working within our solar system. Self-sustaining governments have grown up with their own cultures, and the book really shines by adding in an enormous depth to the environment in which the story is placed: it helps turn what would be a fairly average novel into something that really stuck in my head, and makes me biting at the bit for the next installments in the projected three book series.

The story that's settled in the world is one that works well: the destruction of a ship travelling through the solar system on a transit run, when they come across an abandoned ship, The Scopuli. When their ship is destroyed, a wave of outrage runs across the solar system, angering two sides of a brewing conflict, and pitting the Belters, Earthers and Martians against one another. At the same time, a cop is tasked with tracking down a girl for a family, bringing him on another track towards The Scopuli, and soon, the main characters are caught between revolution and corporate interests. The story really surprised me at points as the authors angled things in unexpected ways, and they manage to pack quite a bit into the pages. The book falls roughly into three parts (and I thought that it could have transitioned a bit better between each of the acts), that bring the story higher and higher to the end, and the entire thing is really a rush from beginning to end.

If there's any fault with the book, it's in the execution, where it felt like some of the book could have been trimmed down from its lengthily page count (almost 600 pages in my copy), and at some points, it feels as if there's parts that are just far too wordy, with excess exposition and explanation that didn't necessarily need to be present.

This book is one that I'll predict will divide audiences along a science fiction / space opera divide. The science here exists mainly in the background: there's some plausible elements here, as well as the usual grain of salt, as ships careen back and forth between the Belt and various planets, with some token explanations, but it's not the central focus of the story. People will fall on either side, either advocating for a stronger or more realistic setting for the stories, and people who might argue that it's not necessarily all that important to the story and that it should be enjoyed on its own merits. Coming to the end, I think that the latter argument holds up a bit better, but I'm happy to see that the authors have given a bit to support it in some measure of reality.

At the end of the day, Leviathan Wakes was a book that I really enjoyed: there wasn't a moment that I found myself really bored, and few occasions wondering why the book was drifting aimlessly: we've got a fun space opera story that's created one hell of a world to play in, with this story thundering out the gates, all guns ablaze, while touching on everything from military science fiction to romantic entanglements, and I'm already awaiting to see what happens next in The Expanse.

2011 Books

As 2010 closes out, there's the inevitable looking forward to the new year. There's already a small, but growing list of books that are coming out that has been percolating in the back of my head. Some of these are authors that I've never read before, some are ones from familiar people, but all looked interesting to me. Here's what I've got thus far:

Hull Zero Three, Greg Bear

This is actually a 2010 release, but by the time that I buy it, it'll be well into the new year. A man awakes on a far out spacecraft from hibernation and takes stock of his surroundings. It looks like a fast-based, stripped down sort of novel. Hopefully, it'll be better than Pandorum.

The Habitation of the Blessed: A Dirge for Prester John Volume 1, Catherynne M. Valente

I'm not usually moved by covers (There are some exceptions, like The Windup Girl), but this one looks interesting, and the blurb hasn't deterred me at all:

This is the story of a place that never was: the kingdom of Prester John, the utopia described by an anonymous, twelfth-century document which captured the imagination of the medieval world and drove hundreds of lost souls to seek out its secrets, inspiring explorers, missionaries, and kings for centuries. But what if it were all true? What if there was such a place, and a poor, broken priest once stumbled past its borders, discovering, not a Christian paradise, but a country where everything is possible, immortality is easily had, and the Western world is nothing but a dim and distant dream?Brother Hiob of Luzerne, on missionary work in the Himalayan wilderness on the eve of the eighteenth century, discovers a village guarding a miraculous tree whose branches sprout books instead of fruit.

Spellbound, Blake Charlton

Spellwright, by Blake Charlton, was a fun read that I came across earlier this year, and from the early (and now cut section) look that I had earlier, this looked very interesting, and a cool continuation of the world that he's set up. I can't wait to see what happens next.

Leviathan Wakes, James A. Corey

Another one where the cover grabbed me, this start to a series looks to interstellar space, colonies, and ancient secrets lost in the solar system. Looks like it could be a promising romp in science fiction. Blurb:

Humanity has colonized the planets – interstellar travel is still beyond our reach, but the solar system has become a dense network of colonies. But there are tensions – the mineral-rich outer planets resent their dependence on Earth and Mars and the political and military clout they wield over the Belt and beyond.Now, when Captain Jim Holden’s ice miner stumbles across a derelict, abandoned ship, he uncovers a secret that threatens to throw the entire system into war. Attacked by a stealth ship belonging to the Mars fleet, Holden must find a way to uncover the motives behind the attack, stop a war, and find the truth behind a vast conspiracy that threatens the entire human race.

Fuzzy Nation, John Scalzi

John Scalzi's an author that I've followed quite a bit over the past year, and while I haven't read his followup books to 'Old Man's War' (have them, haven't gotten to them yet), Fuzzy Nation is probably going to jump to the front of the list. It's a reboot of a hugo-award winning novel, Little Fuzzy, something he doesn't think has happened before. It'll be interesting to see what happens with that, and there's no doubt in my mind that Scalzi can put together a fun tale.

Embassytown, China Mieville

The City and The City is one of my favorite books that I read over the past year, and as he turns to science fiction and aliens, I'm confident that he'll be putting a unique twist and look on the genre. In the meantime, I've got Kracken to read.

Bright’s Passage, Josh Ritter

I actually don't know anything about what this book will be about. But, it's by Josh Ritter, one of the best singer-songwriters out there, and if this is anything like his music, it's going to be a very good read indeed.

The Magician's King, Lev Grossman

Lev Grossman blew me away with The Magicians last year, and this followup to the book has me really intrigued. Where the first one could be described as the anti-Harry Potter, I have a hard time seeing how this one could play out. The ending moved to a bit more of a traditional fantasy novel, and if he can craft something in the same vein, that should be interesting indeed.

Unknown, Austin Grossman

Brother of Lev Grossman, Austin is known for his fantastic novel Soon I Will Be Invincible. Nothing much has come from the author since that was published a couple of years ago, but reportedly, he'll have something coming out. I'll be checking it out as soon as I get more information on it! Of course, all of these books could be horrible. They could be brilliant. Time will tell, but I can't wait to find out. Hype in any form is a dangerous thing for a book: it can raise expectations beyond what is reasonable, or it won't be enough for a brilliant book to get off the ground. Things like cover art, while cool, aren't the literature world equivilent of trailers, although they're hyped up to be, and while I do love great cover art, it doesn't always pay off by translating into a good book. Most of the authors on this list are ones that I've known and read before, although there's a couple of newcomers. Fortunately, this is a small risk to take. I can buy a book based on the cover and advance reviews, and hope for the best. In some cases, it's paid off. In others? I have a book that sits on my shelf, looking nice. Here's to hoping that 2011 will be as good of a year as this year was.