2011 Reading Census

This year has been an interesting reading year for me, fluctuating between a bunch of really, really good books, and a couple that really sucked out any interest that I had in reading at that time, with a number of books in-between that I thought were fun reads. Here's what I got through in 2011:

1- Grey, Jon Armstrong (1-8) 2- The Dervish House, Ian McDonald (1-21) 3 - Hull Zero Three, Greg Bear (1-23) 4 - Hunger Games, Suzanne Clarke (2-1) 5 - The Lifecycle of Software Objects, Ted Chiang (2-4) 6 - At The Queen's Command, Michael A. Stackpole (2-19) 7 - Mossflower, Brian Jacques (2-20) 8 - Embedded, Dan Abnett (3-7) 9 - Kraken, China Mieville (3-9) 10 - Leviathan Wakes, James A Corey (3-17) 11 - Little Fuzzy, H Beam Piper (3-28) 12 - Fahrenheit 451 Graphic Novel, Ray Bradbury (4-13) 13 - Yarn, Jon Armstrong (4-13) 14 - Welcome to the Greenhouse, Gordon Van Gelder (4-19) 15 - Fuzzy Nation, John Scalzi (4-25) 16 - Spectyr, Philippa Ballentine (4-26) 17 - Soft Apocalypse, Will McIntosh (4-27) 18 - Blackout, Connie Willis (4-30) 19 - Locke & Key, Joe Hill (5-8) 20 - Catching Fire, Suzanne Collins, (5-22) 21 - Deathless, Catherynne Valente (5-27) 22 - Embassytown, China Mieville (6-18) 23 - Hex, Allen M. Steele (7-2) 24 - The Gravity Pilot, MM Buckner (7-4) 25 - A Game of Thrones, George R. R. Martin (7-15) 26 - The Big Roads, Earl Swift (7-19) 27 - Spellbound, Blake Charlton (8-2) 28 - The Magician King, Lev Grossman (8-4) 29 - Bright's Passage, Josh Ritter (8-5) 30 - Grave Peril, Jim Butcher (8-13) 31 - Spook Country, William Gibson (9-6) 32 - Machine Man, Max Barry (9-10) 33 - Crisis in Zefra, Karl Schroeder (9-15) 34 - Halo: The Fall Of Reach, Eric Nylund (10-1) 35 - Germline, TC McCarty (10-5) 36 - The Windup Girl, Paolo Bacigalupi (10-16) Audio 37 - Halo: Glasslands, Karen Traviss (10-29) 38 - Red Herring, Archer Mayor (10-20) 39 - Ganymede, Cherie Priest (11-11) 40 - Ender's Game, Orson Scott Card (11-20) 41 - Ready Player One, Ernie Cline (11-26) 42 - Open Season, Archer Mayor (12-5) 43 - Seed, Rob Zeigler (12-11) 44 - Rule 34, Charles Stross (12-??)

In the pipeline: X-Wing: Rogue Squadron, by Michael A. Stackpole, All You Need Is Kill by Hiroshi Sakurazaka, Learning to Eat Soup with a Knife: Counterinsurgency Lessons from Malaya and Vietnam by John A. Nagl and The Unforgiving Minute: A Soldier's Education by Craig M. Mullaney. Rogue Squadron is something I'm going to finish up sometime this weekend, and All You Need is Kill is somewhere behind that. The other two are a bit denser, and while they're interesting, they're taxing to get through.

Interestingly, this was the first year where I really read books electronically. I've dabbled with it in the past, ever since I bought an iPad, but this year, I made the jump and read a small percentage digitally: 7 in all: Grey, Lifecycle of Software Objects, Embedded, Little Fuzzy, Crisis in Zephra, Ender's Game and Open Season. Add in Game of Thrones, with which I alternated between my paperback and ecopy, and that's 19%, or just under a fifth of my book pile existed on a hard drive somewhere, rather than a bookshelf.

An interesting thing about eBooks: there's really only a single novel that I read in which I felt really took advantage of the book’s digital nature: Crisis at Zephra. This novel, a short novella, really, was published by the Canadian Military, and incorporated a lot of data about new and upcoming technologies, and trends in said technology. I was limited in that I was reading on a wifi only iPad when I was away from the internet, which left me unable to click on the links scattered throughout the text, with explanations as to what the terms, technology and theory meant. This, I think, is where eBooks will eventually head: less reading experiences, and more immersive and interactive ones.

I've also been doing a bit more with book reviews, on a number of different sites: SF Signal, The Functional Nerds, Kirkus Reviews, and my own blog, with a total of 15 books (34%) read for a review. In this instance, I've written reviews for a number, but these are books that were given to me by either the website that I wrote the review for, or sent by an author or publicist for my own purposes, even if a review wasn't necessarily expected or promised. Just under a full third of my reading this year was subsidized by someone else, for review purposes. Of those books, I had a bit of fun, although my reviews weren't universally positive. The caveat to this, of course, is that a majority of my reading, (29 books in all - 65%) are for my own pleasure, and a minor attempt to whittle down my own to-read list. I've got a feeling that I'll never destroy the growing pile.

I've always described myself as a science fiction fan, rather than a fantasy one, and in years past, I've typically read more fantasy than science fiction. This year? I read 27 Science Fiction books (61%), 11 fantasy books (25%), 2 mystery novels (4.5%), 2 YA novels (4.5%), and 1 each of history and steampunk (2%). This year was certainly more science fictional than years past, which I'm happy about.

Interestingly, while I describe this year as being up and down, when looking over the list as a whole, there's only four books that I really didn't like. I thought just under half (20) were good, while just under a quarter (10%), were okay - decent, but nothing that really wowed me. 10 books in all really blew me away (22%). Of the books that I read this year, the more memorable were the really great ones, and of those, three really stood out for me: The Magician King, by Lev Grossman, Soft Apocalypse, by Will McIntosh, and The Dervish House, by Ian MacDonald. (See my top 10 list for the full number of ones that impressed me this year.) These books are astonishing reads, and I really hope that we'll see The Magician King and Soft Apocalypse get the attention they deserve: Grossman has gained a considerable amount of acclaim, but McIntosh's first novel feels like it's under the radar a bit, the underdog of the year. If you haven't read it: I can't recommend it highly enough. The Dervish House was nominated for a Hugo, but somehow ended up at the bottom of the polls. Still, it's nice to see it nominated.

Of the really bad books, these all stand out as ones that I had the most trouble getting through: Seed, by Rob Zeigler, The Gravity Pilot by M.M. Buckner, Deathless, by Catherynne Valente and Hex, by Allen M. Steele. I believe that the reason why they stand out so much is because they were all books that I had high hopes for: Seed was lauded as the successor to Paolo Bacigalupi's The Windup Girl, and utterly failed at that, The Gravity Pilot looked interesting, and didn't work, Deathless was wonderfully written, but was a book that I simply couldn't get into, and Hex was part of Steele's Coyote universe, which started off so well, and has fallen so far with this book. There were some others, like Jack Campbell's Beyond the Frontier: Dreadnaught, which was so abysmally written that I couldn't even get through the first chapter, and Sarah Hall's Daughters of the North that I had a lot of trouble getting into and didn't finish.

Everything else in the middle was entertaining, and some excellent novels: Susanne Collins' Hunger Games was an excellent read, although the sequel was a bit too much of the same for my liking. I haven't reached #3, Mockingjay, and I'm awaiting that one's release in paperback. China Mieville's Embassytown was interesting, a little flawed, but brilliant all the same, although I have to say that I liked Kraken quite a bit more. Leviathan Wakes was a lot of fun to read, and a promising start to a new series, while John Scalzi's Fuzzy Nation was something I tore through in just a couple of hours on a plane. I finally got in on A Game of Thrones, and it lives up to the hype, somewhat. I even broke out of the SF/F genres, and picked up the fantastic The Big Roads, by Earl Swift, which was a fascinating look at the construction of roadways in the US. Karen Traviss's entry into the Halo universe was also a fantastic one, and it's dragged me in to that particular expanded world, as I picked up several other Halo novels, which will likely get read next time I'm on a Halo kick. I re-read Mossflower after Brian Jaqcues passed away, as well as Ender's Game, and found both books really lived up to my memories of them. Ernie Cline's Reader Player One was a fun, entertaining book, but it was lacking in other departments. Finally, I had a chance to go back and revisit Paolo Bacigalupi's The Windup Girl, which lives up to my first impressions wonderfully.

So, why quantify my enjoyment? I've generally been accused from people of taking things like this too seriously, in reviewing films or books that should be 'just for fun'. I've never subscribed to the ‘turn your brain off while you read/watch/listen’ train of thought, because I think that does a disservice to the author. Certainly, there's books or films that I've done that with, enjoying them because they were written to be enjoyed. But, distilling a year's worth of reading down into some easy statistics?

A couple of reasons: one, it helps me better understand my own interests by grounding them in reality. As mentioned, I firmly describe myself in the science fiction camp, but over the past couple of years, I've generally been surprised when I've read more fantasy than science fiction. My interests are all over the place, and I don't generally remember at a glance what I've read as a whole. I was a little surprised that I hadn't finished more than a single history book this year, despite the intense work that I did on various history projects: I've read portions of numerous historical texts, mainly about World War II and military history (including a couple that are still technically on the reading list), but never finished them, or needed to finish them. This might also be me forgetting to stick a book onto the 'Read' List.

Reading is an important part of what I do. I typically read at night, before I go to bed (increasingly, if I'm using my iPad, or at the beginning of the day, when I can get through 10-15 pages while I'm waiting for my computer to load up at work. Weekends usually mean a lot of time to blow through something, and when I was on public transportation for two trips earlier this year to Washington D.C. and Belgium, I read a lot: three books for each trip (for the DC trip, that was one book for the airplane, one for the second day on the train, and the third for the flight home, all in a couple of days.) Better understanding my own reading habits help me to read more, I think, and while it's not quantity over quality, I've got a massive backlog of books that I've bought. Looking over my list from this year, I had a total of 6 books - 13%! - came off of that list, which currently numbers around 100. These are all books that I've owned for more than a year, while a huge number of books that I picked up this year were released this year, and this also comes as a bit of a surprise.

My thoughts going into 2012 is that I’ll be whittling down the to-read list. There’s a lot of books that I do want to get to in the near future. Off the top of my head, I can think of a number that are edging up the list: George R.R. Martin's second entry in the Song of Ice and Fire, Clash of Kings is most certainly going to make it onto the list when the next season hits, the entire X-Wing series by Michael Stackpole and Aaron Allston will get re-read prior to the next novel in the series, Mercy Kill. I also want to revisit Timothy Zahn’s Icarus Hunt. I've also been wanting to begin David Louis Edelman's Infoquake, finish out William Gibson's Bigend trilogy with Zero History and get into Neal Stephenson, Iain M. Banks, and generally blow through a bunch of paperbacks and history books that I've had for a couple of years. Hopefully, I'll be able to get through a portion of that, and hopefully, I'll slow down the growth of my own library - we're running out of shelf space (again).

It’s been a fun year, with a lot of good stories all around. It looks like 2012 will be just as much fun.

The Best Books of 2011

2010 was a good year for reading, and this year, while it had some significant downs, also had its share of really great reads. I'll be posting a full list of the books read in 2011 in the next week or so, but in the meantime, here's the books that I most enjoyed this year:  

1 - Soft Apocalypse, Will McIntosh

My absolute favorite read of the year was Will McIntosh's debut novel, Soft Apocalypse. Already the recipient of a Hugo award, this book is one that I hope will follow suit. A bleak and outstanding look at what the future might hold, McIntosh weaves a tale that's outstanding in its character growth and understanding of how the world works on massive scales. It's tragic and heartbreaking on one hand, and unmistably beautiful on the other. (Review)

2 - The Magician King, Lev Grossman

I didn't think that Grossman would be able to top The Magicians, and I was wary of it earlier this year: Where the first one could be described as the anti-Harry Potter, I have a hard time seeing how this one could play out. It turns out, it played out very well: Grossman not only topped the first book, he created a story that was brilliant in all regards: further building up the characters from the last book, and making the stakes from this book much higher, darker and deeper than I thought possible. The story is simply stunning. (Review)

3 - Leviathan Wakes, James A. Corey

Leviathan Wakes is a book that grabbed me at the cover and refused to let go. I've long had a soft spot for space opera, and this book really fits the bill, with an exceptional world within our solar system. There's a bit of everything in this story: military action, detective fiction, weird science and space Mormons. I already can't wait for the followup, Caliban's War, due out next June. (Review)

4 - Rule 34, Charles Stross

I'm currently in the middle of this book, but I'm confident of it's place here. I met Stross at ReaderCon in 2010, where he told me that his next book opens with a man getting murdered by a viagra enema. It's set in the same world as his prior novel, Halting State, and in a way, the book is a cross between the J.J. Connolly's Layer Cake and William Gibson. (Review to come at the Functional Nerds)

5 - Embassytown / Kraken, China Miéville

I loved Miéville's book, The City and The City, and the 2 books that I read from him this year both deserve a place on this (Kraken was a 2010 release). Both are wholly fantastic books: an alternative, weird London in one, and a totally alien world in the other. Miéville is a master at fully understanding the worlds, and both are fantastic examples of a brilliant story meshed with a perfectly conceived setting. (Review / Review)

6 - Spellbound, Blake Charlton

Charlton did a nice job with his first novel, Spellwright, and his second is a worthy followup that expands and builds upon his world in grand fashion. I loved his understanding of magic: this book is almost a science fiction novel, running on a bit of a slightly different frequency. It's a great addition that builds on the first novel, and I can't wait to see what happens next. (Review)

7 - Halo: Glasslands, Karen Traviss

I've long loved the Halo franchise, and I got into it hardcore: bought several other books, bought and played through Reach, Combat Evolved and got my wife hooked on the armored folks. This novel has a great story to it, which is sort of par for the course for Traviss, revolving around the end of the Human-Covenant War, continuing the storyline into new territory. I'm excited to see where she goes with it. (Review)

8 - Fuzzy Nation, John Scalzi

John Scalzi embarked on a bit of an experiment with Fuzzy Nation: it's a literary reboot of H. Beam Piper's Little Fuzzy. It's a fun read, with an pointed, relevant message. The book is a quick read, and it's got about the same level of substance to it, but it's a hilarious read, one that had me laughing out loud throughout the couple of hours that I read it. (Review)

9 - Machine Man, Max Barry

Max Barry's Jennifer Government was a book that showed me that great science fiction could be really funny and ridiculous at the same time. Max Barry returns with Machine Man, partially written online, and falls with much of the same level of humor that Jennifer Government held. It's ridiculous at one level, but then, when you look at our increasingly technology filled lives, it's not so far fetched. (Review

10 - At Queen's Command, Michael A. Stackpole

I've long been a fan of Michael Stackpole's books, going back to the X-Wing Series and some of his other fantastic novels. He's now back, under the Nightshade Books banner with an alternate history novel that reimagines the early days of the British colonies in the Americas with magic, zombies, necromancers and dragons. It's a fun, vivid read. (Review)

Other Notables: A couple of additional books that I enjoyed were Ganymede by Cherie Priest, Germline by T.C. McCarty and Ready Player One by Ernie Cline.

Politics and Speculative Fiction

Michael A. Burstein (via io9) highlights an interesting point when it comes to genre fiction in a post that looks at the politics of a writer and looking to the point where a reader is alienated. It's an interesting read, and I recommend checking out both his review, and the other review that he's referencing. The question arose though, that wasn't really addressed on a larger picture: When has science fiction been free from politics?

The very nature of the genre is one that can lend itself to political elements, on both the right and left sides of the house. Science Fiction is about the changing nature of humanity and people's work to understand the world around them, either in the future, past or present, but most of all, science fiction is influenced by the culture that helps to shepherd its creation. Looking over a couple of books that I've read and am somewhat more familiar with, there's a good selection of books that cover any number of larger political issues, either explicitly, or referentially.

The story in question in the original review is Fossil Figures, by Joyce Carol Oats in the anthology Stories, where a pair of brothers are made distinct: one is labeled a Demon Brother, and through the course of the story, it's fairly clear that he's a conservative politician, and by extension, it can be interpreted that Oats is deliberately labeling the Republican party as one of demons. (At times, I can't say that I disagree) Clearly, there is a political statement to be made here, and I felt that the distinction didn't feel out of place, but helped set the story in a modern, relatable setting that the reader will identify. This tends to fall along one of the more explicit references to modern politics, but other stories that have come out recently delve into some other hot-topic issues.

Karen Traviss's Wess'Har Wars deals heavily into environmental policy, from the first book, City of Pearl, where her main character, Shan Frankland, is set off on a mission to Cavanagh's Star, several hundred light years away, to locate a missing colony. As the story transpires, a weighty, pro-environmental message comes out, as Frankland comes across the Wess'har, an alien race that has very set opinions and beliefs on the sanctity of nature, and have gone through great lengths to protect Cavanagh's Star, to the point where they are willing to destroy entire races and species. This ties in closely with the futuristic world, and it is possibly one of the earlier books to be influenced on the modern attitudes of global climate change. Another author, Paolo Bacigalupi, has penned two novels (The often mentioned The Windup Girl and Ship Breaker), both of which deal with a closer time of climate change, and the influences that is has upon human society: there are major consequences. In Traviss's take, these consequences take the form of an alien race that's very dedicated towards rolling back some of humanity's mistakes with the climate: at our expense. Bacigalupi paints a very bleak picture of humanity as a sort of post-human individual, where people have adapted to literally eat rocks in The People of Sand and Slag.

Global Climate change is a major political issue at the moment, and I personally believe that this is the next major movement when it comes to science fiction themes and content, much as the Cold War between the United States and the Soviet Union sparked its own set of science fiction influences. Politically, Climate Change is one major issue, especially as its full effects aren't going to be instantaneous, but played out over a larger stretch of time. The future elements and implications associated with this have sparked the political world as people begin to think about how to plan ahead: the impacts on business and society are immense, and clearly, this is good trawling grounds for the near future. At the same time, a large number of people still harbor doubts about the concept, and in Bacigalupi's works, there's clearly a political message that will turn some people off, if a couple of the lower amazon.com ratings are anything to go by.

Going back a couple more years, a read through Philip Pullman's fantastic novel The Amber Spyglass, which took the story that had been set up by the two prior books in the series, and dropped an extremely thoughtful and controversial story within that addressed the nature of the fall of mankind and original sin. This largely anti-established religion story had been building throughout the His Dark Materials Trilogy since it the first book, but The Amber Spyglass was the fulfillment of most of those thoughts. Around the same time, J.K. Rowling's Harry Potter series was aggressively attacked by people who fervently believed that the story was aimed towards converting children towards the occult, something I've always been puzzled by, especially with the release of Pullman's series, which could do a lot more serious damage to the Church itself with some of the ideas that were within it. Pullman's recent book, The Good Man Jesus and the Scoundrel Christ, where Pullman himself noted that there was a deliberate attempt to rouse people in the name of free speech. (His comments are here.) The American political right and the much of the religious community seem to work very well together, and when it comes to fiction, religious is likewise ripe for speculative fiction, given the similarities between searching for meaning and context in one's life, or in the future. Pullman's words have certainly put off readers, given the content, but at the same time, there's quite a story behind those words, which readers would do well to think about.

One of the most notable examples of science fiction and politics merging is through Robert Heinlein, and his numerous books. Two of my favorites are Starship Troopers and The Moon is a Harsh Mistress, both of which touch upon libertarian and the overall relationship towards government. The Moon is a Harsh Mistress struck me as being far more libertarian when I read it years ago (it's currently awaiting a re-read), with echoes of the American revolution within it, as the colonists on the moon sought to free themselves from a distant government, while Starship Troopers is notable for its anti-communist feelings, but also the responsibilities of people to be active in their society, contributing towards the good of the whole, rather than a government enforcing such values from the top down. These books came at a time when science fiction was heavily influenced by surrounding cultural occurrences, from the possibility of war to competing political ideologies.

The political elements of science fiction are generally shaped by the culture around it. I'll go back to the argument that I've generally made before, that art is created within a certain context, and that people will gain different appreciations for things at different points in time. Politics represent a major opportunity for authors because of the variety of underlying philosophies and outlooks that they tend to promote: conservative values look towards a smaller, less intrusive government, while liberal politics look to a more well structured and powerful central government, and the conflict between these two viewpoints has existed for as long as the country has been around. Doubtlessly, it will continue to rage on in the pages of science fiction novels as well.

Top Geek Things of 2009

Now that it's close to the end of the year, it's time to look back, like everyone else and their mother on the internet, on the past year. 2009 has been a fantastic one for all things geek. There have been a number of fantastic movies, books, television shows and so forth, as well as a bunch of things that really didn't come off as well. Here's what I've been geeking out (or complaining about) this year:

The Best:

Moon Moon is easily one of the best Science Fiction films that I've ever seen. Ever. It's been added to a very small list of films (The Fountain, Children of Men, Pan's Labyrinth, etc) of exceptionally conceptualized, produced and thoughtful SF/F films out there. Moon is one of two really good films this year that I really enjoyed and for a number of reasons. The story is fantastic, playing off of common themes with new eyes, it's visually stunning and it's a largely original story, one that's not based directly off of prior works. And, it has a fantastic soundtrack by Clint Mansell.

Star Trek This appears three times on this list, because I'm still largely split over how I feel about it. The best parts of this is that it's a fantastic, visually stunning film, and really does what Enterprise and Nemesis failed to do: reboot the franchise in grand style, with over the top action, adventure, everything that really comes to mind when you think Big Budget Space Movie. The cast, pacing and visuals made this one of the most successful films of the year, and the best of the big budget films that came out this year.

District 9 When it comes to fantastic Science Fiction films, Moon and Star Trek didn't have a monopoly on this at all - District 9, coming out of San Diego Comic Con with an incredible amount of buzz and a good viral marketing campaign showed that there was still a place for an innovative filmmaker armed with a good story. The end result is a compelling take on first contact. Instead of an us against them, or invaders from outer space flick, we see refugees from outer space, with an acute political message that makes this movie even more interesting.

The Curious Tale of Benjamin Button This was an interesting film, one that got a bit of press, but wasn't a blockbuster by any means. The story of a man who ages backwards from birth, one that proved to be a powerful and somewhat heartbreaking love story leaves much room for discussion, but at points, was slow and ponderous. Brad Pitt did a fantastic job, as did the special effects artists who provided the CGI throughout.

The Magicians, Lev Grossman The Magicians was a book that came out of nowhere for me, until a Borders email let me know about it. Picking it up, with few expectations, I was enthralled with Lev Grossman's take on the fantasy world. Drawing much from C.S. Lewis's Chronicles of Narnia and elements of Harry Potter, this book looks at a boy in a magical academy in a far more realistic sense, injecting a good dose of post-college reality into a field that is often ripe with monsters and epic quests. A quest of sorts is in here, but the buildup is fantastic.

Wired For War, P.W. Singer Wired For War is a book from earlier this year that looked at the developments of robotics in warfare. P.W. Singer takes a long and comprehensive look at not only the state of robots and their use in combat operations, but also looks to how the use of robotics is integrated into wartime planning, and how this impacts command and control structures already in place. From this point, he looks to the future of warfare, where robotics will go through the next decades and what the face of futuristic warfare might look like. It's also peppered with numerous Science Fiction references. I had a chance to speak with and interview Mr. Singer, who was extremely pleasant and eager to talk about his book, and write up several major articles for io9, which was a thrill as always.

The Windup Girl, Paolo Bacigalupi Recently selected as one of Time Magazine's top books of the year, Paolo Bacigalupi's first novel, The Windup Girl is a stunning one. Taking place in the near future, in a world without oil, alternative energy has become paramount, while agricultural firms have put profit before common sense and as a result, plagues ravage the world, except for Thailand, whose isolationist policies hold back the outside world and its problems. The book covers a lot of ground, from governmental policy to corporate greed to bioethics, with a wide range of characters who all fall within a gray area. This book is fantastic, and if it doesn't win a Hugo, there's seriously something wrong with the world.

The Moon Reigns Supreme - 40th Anniversary of Apollo 11 & Water on the Moon This year marked 40 years since 1969, when man first landed on the moon with Apollo 11, and with a successful follow-up mission with Apollo 12. Easily one of humanity's greatest accomplishments and it has been followed up with a number of projects. NASA found and restored footage of the landing and EVA activities, cleaning it up a little. NASA also took pictures from orbit of the Apollo landing sites, down to footprint trails with some stunning work from LCROSS. In addition to NASA's efforts to celebrate the anniversary, there were a number of other things out there. The Kennedy Library launched the website 'We Chose the Moon', which documented, in real time, the Apollo 11 mission. I listened at the edge of my seat, following along with the mission transcript and listened as Neil Armstrong and Buzz Aldrin touched down on the lunar surface. Finally, Craig T. Nelson's book, Rocket Men: The Epic Story of the First Men On The Moon, was released earlier this year to also commemorate the mission, which proved to be a detailed and fantastic read, one that helped to influence my thinking on the lunar mission. The Lunar landing wasn't the only press that the moon got this year - the LCROSS mission launched a component that slammed into the surface and let up a plume of debris - analysis revealed that there is water on the moon - a lot of it. And for all of those people who complained about this, keep in mind the number of craters that are already there.

Last servicing mission to Hubble. NASA wasn't just in the news for Apollo 11; this year marked the last servicing mission for the Hubble Space Telescope, which has been in orbit since 1990. Despite its troubled history, the satellite has returned some of the most fantastic, beautiful and stunning images of the universe around us, and will continue to do so for a couple more years. Space Shuttle mission STS-125 was launched in May, where a new camera was placed onboard and several other minor repairs. The satellite is slated to continue operation through 2014, so don't fret yet.

James May's Toy Stories James May, one of the three presenters on Top Gear, has been doing a limited TV show on classic toys, including Mecano, Plasticine, and eventually, Lego, looking a little at their history and then building something supersized out of them. It's quite a treat to watch.

Fringe I called Fringe one of the worst things last year, but it's turned around for me. Picking up the boxed set, I was hooked. It's a bit cheesy, gory, but a whole lot of fun. Walter, weird science, teleportation and alternate universes make this show a huge joy to watch. Season 2 is proving to be just as good, now that they've locked down a story, and I'm eager to see where it goes.

Dollhouse Dollhouse debuted earlier this year with a short, 13 episode season that started off slowly, but picked up an incredible amount of steam. While it's more uneven than Joss Whedon's earlier show, Firefly, Dollhouse's better episodes help make up for the slack by introducing some of the most challenging moments in Science Fiction, and deal with issues such as the soul, personality and consent, while also offering cautionary tales on the uses of technology. Unfortunately, with the show's cancellation right as it gets good, there's a limit to what can be told, but with plenty of time for this show to wrap up all the remaining storylines, I think that this will become a cult classic.

Battlestar Galactica Where to begin with Battlestar Galactica? It's been a rush over the past six or so years, with a miniseries and four seasons of television and two movies, and like all good things, it had to end sometime. Fortunately, it ended when it was good, and while the finale garnered quite a lot of talk and dismay from some people (io9 listed it as one of the bigger disappointments), I think that it was carried off well, with a rich blend of religious allegory, action and a satisfying ending that few science fiction shows seem to get.

Kings Sadly, Kings was another short lived show that was cancelled before its time. Taking the story of David and Goliath from the Bible and updating it in a modern, alternate world with inter-kingdom politics, faith and destiny. The stories were superb, well told, with a fantastic cast. This is precisely the type of show that should have been on SyFy, especially with their upcoming show Caprica.

Stargate: Universe SyFy's latest show from the Stargate Franchise, Stargate: Universe is possibly the most interesting and compelling installment in the series. Taking the very basics of Stargate SG-1/Stargate Atlantis, this show takes more cues from Battlestar Galactica than it does Stargate. The result is a far more realistic show, with more personal stories and situations that are much darker, and more grown up from the first show.

Landing At Point Rain The Clone Wars thunders on, with mixed results, but easily the best episode that's aired thus far is Landing At Point Rain. Taking influences from Black Hawk Down, Saving Private Ryan and other war movies, the show finally lives up to its title: The Clone Wars. There's plenty of action, less of the stupid lines and fantastic animation that really made this episode one of the most exciting moments in the entire franchise.

The Hazards of Love, by the Decemberists The Decemberists have long dabbled in interesting and wordy music, as well as fantasy, with their last album, The Crane Wife, and The Tain, but The Hazards of Love is their most ambitious attempt at a concept album to date, one with an overarching story of Margaret and William, a town girl and a cursed man, their love for one another and the Forest Queen who conspires to keep them apart. The album is filled with supernatural elements, and seems to draw from Lord of the Rings and traditional mythic stories to put together one of their best works to date. The band in concert was also a treat to see.

Do You Want To Date My Avatar? I'm not all that familiar with The Guild, but Felica Day's clever music video is hands down fantastic.

Dr. Horrible Wins an Emmy Dr. Horrible’s Singalong Blog was one of the coolest things to come out last year, and this year, it received an Emmy, which helps to solidify the web as a growing platform for serious and professionally produced entertainment. Hopefully, its success will mean that we’ll see smaller, independent productions going online and succeeding.

Symphony of Science Symphony of Science is a project that puts noted scientists (notably Carl Sagan) to music by using an auto tuner. The result is a series of music videos and songs that help to convey some of the beauty and wonder of physics though some fairly clever songs. I've been listening to them constantly, and as a sort of electronica style music, they're quite fun, and very geeky to listen to. Best of all, there is plans to make further songs.

Star Wars In Concert One of the most iconic elements of Star Wars isn't just the action and epic story; it's the music that it's set to. For much of this fall, a travelling show, entitled Star Wars In Concert has been travelling around the nation. Unfortunately, it's winding down, but it will likely continue into next year. The 501st was called out at most of the events, and through that, I was able to watch the show. Combining a live orchestra, clips from the movies and narration from Anthony Daniels (C-3PO), the entire evening was a fantastic experience that gave me chills throughout.

Tauntaun Sleeping Bag The Tauntaun Sleeping bag started out as an April Fool's Joke, but the demand and interest was so prevalent that ThinkGeek actually went out and made it. What a fantastic idea - I kind of want one.

Slingers The final thing on this list is Slingers, a short conceptual teaser for a show that's heading towards production. The 3 minute teaser is easily one of the best moments in SF that I've seen in a while and I've been bouncing around, positively giddy at the prospect that this might be made. It's got humor, some interesting characters and a very cool look to the future. Plus, it's a space show, and there aren't many of those around now. It left me seeing more, and I'm sure that we'll see more in the next year or so.

Meh:

Fanboys For all the hype, Fanboys was a bit of a letdown. The cancer story was kept in, but so were some of the immature and cheap laughs that brought the entire film down. It's good for a laugh, and there's a lot that went right with it, but still, I was left wishing that there was more to it, without the frat boy humor in it.

Watchmen Don't get me wrong, Watchmen was stunning. It looked, felt and acted like the comic book that it was inspired by, and the transition to the screen worked fairly well. At the same time, for all the hype that there was here, I'm not that enthused to see it more than once or twice. It's still on my to get list, but it's not necessarily a priority. I think my biggest issue with this is that it's too much like the comic book, and that the drive to make everything exact harmed the overall production. It's less of a movie than it is an homage from the director. Sin City was the perfect comic book movie, this wasn't, and it really should have been. Still, it's worth watching.

Star Trek Star Trek, one of the best, one of the eh, moments of the year. It looks and feels spectacular, but when you get down to it, there's the shoddy science, and an incredibly weak story that pulls the movie along. The story's really not what the film was about, this was a character start for more Star Trek, but for me, story is central to Science Fiction, and this just didn't have it.

9 The trailers for 9 looked great, and there was quite a bit of interest in this. I went into the theater with high expectations, and those were largely met - the film looked spectacular, and it was a fun ride, but the story and characters were pretty lacking. It needed quite a bit of story and character development that was needed, and that harmed the film. Plus, it didn't seem to know if it was a kid's movie or one for an older audience. This is probably something to rent, not to buy.

V The new V should have been great - the cast, producers and network put together a good premise, but with the first couple of episodes sped through just about everything that made the show interesting. The themes of first contact, of a ship arriving over earth with a message for peace contain so much when it comes to religion, science and society, all rich territory that could be exploited, but instead, it's gone past too quickly, with crappy teenage romance storylines. I'll probably not pick up watching again, but I'll see what's going on in the show, in case, by some miracle, it's picked up for a second season.

The Prisoner AMC's The Prisoner was another show that should have been great. The trailers presented a fantastic looking story of psychological stress with a weird desert backdrop, but honestly? I can't tell you what it was about. It was convoluted, unconnected and dull, and while it looked very pretty, and had some decent episodes, it was a pretty big letdown.

Spirit gets stuck in the mud The Spirit Rover on Mars got mired down in a patch of sand earlier this year. Put into operation in 2004, and only intended for a 90 day mission, the rover was still going strong until it got stuck. Hopefully, the boffins over at the JPL will be able to get it out and about once again, although if I remember correctly, the last thing that they were intending to try was to back it out the way it came in. I would have thought that would have been the first thing to have tried.

Google Wave - lights are on, but there's nobody there. Late this year, Google Wave got turned on, and like any major Google product with exclusive access, it was, well, popular. But nobody really seems to know what it's for, and unlike Gmail, which could be used as an e-mail client from day one, its limited access restricts a lot of what you can do with this. People aren't using it like e-mail if it was designed today; it's essentially a glorified Gmail chat window, or a really good business collaborative tool. Still, it's pretty nifty, and I really hope that they can integrate it into Gmail someday.

Worst:

G.I. Joe, Star Trek, Transformers, Terminator & Big Budget Crap I know I've singled out Star Trek a couple times here, but more than ever, especially with far superior, low budget films competing with them this year, we see once again that tons of special effects doesn't necessarily equate to a good film. G.I. Joe landed with horrendous reviews, Star Trek had a smaller plot than a television episode and Terminator: Salvation was a huge disappointment, critically. (I thought it was decent, but nowhere near as good as the trailers led me to believe). My biggest gripe is extravagant use of CGI and an over-reliance on special effects for a dumbed down audience. Among other things, Moon and District 9 demonstrated that a good looking, intelligent film could be done for a fairly low cost, and I know that I'll be going back to those far more than the others. Still, big budget summer movies aren't going anywhere - a lot of these films made quite a bit, and the jury is still out on Avatar, which drops in a couple weeks.

Karen Traviss Quits Star Wars - Twice Karen Traviss was really a shining star within the Star Wars Universe. Her first entry, Republic Commando : Hard Contact, was followed up by several very good novels, with some different and intelligent views on the Clone Wars. Then, there was a bit of a row over Mandalorians, causing her books to come into conflict with the Clone Wars TV series. Since then, there's been a bit of a row about this, and Traviss has left the universe for others, such as Gears of War and Halo, and hopefully, her other works. Karen explains everything here, and makes some good points. She will be missed, however.

Black Matrix Publishing Row With harder times coming around, some publishers found a new revenue stream: aspiring writers who have little common sense. One notable SF ones was Black Matrix Publishing, called out by author John Scalzi recently on his blog, Whatever. While Scalzi had quite a lot of very good advice in his usual up front fashion, there were a number of people who went on the offensive and critizised him as an elitist writer, issuing some of the most ridiculous arguments for why Black Matrix had been wronged. I'm not necessarily involved in either side, but Scalzi presented a reasonable argument. Why is that so hard?

The ending to Life On Mars I really got into Life on Mars. It wasn't as good as the UK version, but it was unique, interesting and divergent from it. While the show basically adapted the original show to a large extent at first, they had an interesting pace and storyline starting up, and far better than the first pilot that was shot, which was just terrible. The creators had a delicate balancing act to follow, and did a very good job with giving their characters their own personalities and stories that diverged from the UK version. Then, the show was cancelled and they ended it, and the last ten minutes of the show just dropped like a rock. Clunky, very, very poor production values that made me wonder if this was all slapped together at the last minute, and quite honestly, it dimmed the entire series for me, especially compared to the brilliance of the UK version. I'll watch the show again, but I'll be doing my best to forget about the conclusion.

SciFi becomes SyFy, nobody cares One of the biggest furies of the year was when SciFi became SyFy, and the internet erupted into such indignation that I thought the world was going to end. Quite simply, the channel changed names to create a stronger brand, not change content, and so far, they seem to be doing pretty well, with Warehouse 13, Stargate Universe, Alice and presumably, Caprica doing really well in the ratings. All of which is good, for the network to expand further and really show that geek is really in right now. While the name looks silly, it's really a superficial change. Now, if they would just get rid of wrestling. Or pick up Slingers for five seasons.

Orbiting Carbon Observatory crashes - Mission Failure This was a satellite that I tracked earlier this year while really watching the space stuff. The Orbiting Carbon Observatory was an expensive one, designed to monitor global carbon levels to get a better idea just how climate change is progressing and providing us with a very good look at just how the environment is changing around us. Ultimately though, part of the nose failed to separate from the capsule, and with the extra weight, the rocket crashed into the south Atlantic.

Heroes continues. Meh. I've given up on Heroes, after the dismal decline in quality, storytelling and characters. They should have stuck with the original plan, and killed off the first season's cast when they had the chance, instead of bringing people back time and time again. The fact that ratings are declining is just stunning to me, especially now that the show is into it's fourth season, and I have doubts that it will return. Hopefully not.

FlashForward Look, if I want to watch LOST, I'll watch LOST. I'm not going to watch a show that's a poor copy of it.

Deaths: Every year, there are a number of deaths in the geek genre/fan community. A couple notable ones were Ricardo Montalbán, who played Kahn in Star Trek: The Wrath of Kahn, Michael Jackson, who's song Thriller places him on the Geek spotlight, Kim Manners (X-Files/Supernatural Producer), Philip José Farmer, author of Riverworld and numerous other SF books, Dave Arneson, one of the D&D co-founders, and Norman Borlaug, who saved the world through science. There are others I'm sure, but it's still hard to see people in the genre leave us forever.

Unknowns

A couple of unknowns for me include The Lovely Bones, Sherlock Holmes, Avatar and Zombieland, which I haven't seen, Deathtroopers, which I haven't read, and Halo ODST, which I haven't played. (Okay, haven't played much. I've liked what I've played. And the soundtrack. And the fact that the entire Firefly cast is somewhere in there)

What's coming up for next year? The new Tron movie is coming out, which I'm horribly excited for, especially after watching the trailer and then the old movie. Slingers is likely going to get some more buzz. Iron Man 2 will be big, as well as Clash of the Titans, Inception (Really want to see that one), Chronicles of Narnia 3, The Book of Eli, and Toy Story 3. Hopefully, Scott Lynch will have his third book out, and Caprica will be beginning (High hopes for that one), as well as the second half  and second Season of Stargate: Universe. Who knows what else?

My Best (And Favorite) Books of the Decade

I told myself that I wouldn't jump in on this best of the decade that everyone else has been doing on just about every online printed source, but after seeing a couple of very good and a couple more very confusing ones, I went through my bookshelves and pulled out several books that were my favorite, and in my opinion, best genre books of the past ten years.

The Windup Girl, Paolo Bacigalupi This book was released earlier this year, and while I was unfamiliar with Mr. Bacgalupi's shorter fiction, I was singularly impressed with his first novel, The Windup Girl. I've already reviewed the book in length here, but in retrospect, this will likely stand up as one of the best genre books in the past ten years. The Windup Girl is not only well written, it's well conceived, which is just as important, I think, for a future world. Bacigalupi puts together a compelling, terrifying and ultimately believable near future, with relevance and everything that good science fiction should be.

Jonathan Strange & Mr. Norrell, Suzanna Clarke Jonathan Strange & Mr. Norrell was one of the books that took me a long time to get into and to finish - I stopped and started it several times since I got it, but was never able to really get into it before I actually made the time to read. It's a challenging book, with an older style of writing. Once I had gotten into the proper mindset, I was pulled right into Suzanne Clarke's alternative world of Wizards, Napoleonic War and fate, and loved every minute from that point on. Clarke dispels with the very common notion of sword and sorcery fantasy novel by setting it in a far more relatable London, and approaches the subject matter in a far different manner than other books of the genre.

American Gods, Neil Gaiman American Gods is another novel that I had to take my time to read, stopping and starting a couple times before really getting into the proper mindset that was required for Gaiman's world. This sort of mythological story is an interesting concept, where belief begets creation, and there is a conflict brewing between the old and the new, with the protagonist, Shadow, caught in the middle. The story is a profound one, and one that I'll likely return to someday.

Soon, I Will Be Invincible, Austin Grossman Where a couple of the novels on this list have been akin to great feasts of old, Soon, I Will Be Invincible is a modern day family dinner, a bit rushed, fairly complete but really good. Author Austin Grossman creates an entire superhero mythology, split between a hero and villain, in a modern day setting. Where a number of comic books have stagnated, with the same characters recycled year after year, we are party to a mythology that is put together with the benefits of a realistic society. Grossman's superheroes are just as messed up as the rest of us, and this is where the book is an incredible amount of fun, because it's like the Marvel Universe, but all grown up.

The Magicians, Lev Grossman Lev Grossman is the brother of Austin Grossman, and like his twin brother, he takes what was a well tread-upon world and tweaks it to become more relatable in The Magicians. Here, rather than superheroes, we are treated to wizards, and a magical academy. The style here is very different, and while there are similarities to Harry Potter and the Chronicles of Narnia, they act more as references and influences than they do style and feel. Grossman's Brakebills College is realistic where Rowling's Hogwarts is not, and imagines the fantasy world as one akin to ours.

The Lies of Locke Lamora, Scott Lynch I learned of Scott Lynch through a friend of mine, and when I picked up his debut fantasy novel The Lies of Locke Lamora, I was already pretty excited, and was impressed with Lynch's style of storytelling - his fantasy world is different from the typical sword and sorcery take that a lot of fantasy novels seem to have taken on. Like other authors on this list, he has put together an incredibly well conceived world, one that was vibrant, dangerous and interesting all at the same time. Lynch's follow-up novel, Red Seas Under Red Skies was just as good, and I'm eagerly awaiting the third installment of his series, The Republic of Thieves.

Altered Carbon, Richard K. Morgan Altered Carbon debuted with quite a bit of buzz, when it was released. Richard K. Morgan's first book about a noir mystery in a conscious/body swapping sounds like something out of the worst dregs of B-movie Science Fiction, but the result is a dark, exciting and intelligent SciFi thriller that I think of as Blade Runner, but more violent. The first of the Takeshi Kovacs trilogy, Morgan weaves together a complicated and twisting futuristic tale, one that had me guessing throughout the book.

The Amber Spyglass, Philip Pullman Where Harry Potter was the real fantasy show stopper of the decade (and for good reason), I've always thought that Philip Pullman's Golden Compass trilogy (The Golden Compass, The Subtle Knife and the Amber Spyglass) was a bit marginalized. Pullman's fantasy tale is more than that - it pulls in elements of science fiction and alternate worlds to put together an epic story that goes from a childhood fantasy adventure to discovering the nature of existence itself, while a war between two sides of that sort of question rages on across multiple universes. The Amber Spyglass, the conclusion to the series, is heavy with meaning, questions and utter brilliance, and is far above and beyond most genre books to begin with.

Coyote, Allen M Steele Allen M. Steele's Coyote was first serialized in Asimov's Science Fiction magazine, and is still a joy to read after several sit-down sessions. Grounded in quite a lot of hard science fiction, Coyote tells the story of a near future colony of humans who steal a massive space ship from their fascist American government and find themselves on Coyote, the moon of a distant planet that was deemed a good candidate for colonization. The story follows several characters as they learn to exist on this hostile new world, in a story that is very reminiscent of the origins of America. The follow-up books in the series are good, but this is easily the best. While the story isn't groundbreaking, it is a great deal of fun, covering a number of popular themes, chief of which is exploration and discovery, which helps to remind me why I love this genre so much.

Halting State, Charles Stross Charles Stross is one of the preeminent science fiction writers of our time, and his novel Halting State demonstrates that he's really clued in to what might happen in the next couple of years. Halting State is a book that I've talked about before, but what makes this stand out for me for the past decade is Stross's understanding of how the future might work, from technology to politics to economics, all of which are brought in for this story, expertly woven into the actions of the protagonist, and really make this a stellar read.

City of Pearl, Karen Traviss Karen Traviss has been making a name for herself with the tie-in world with Star Wars, Gears of War and Halo, but this first book in her own universe outshines them all. City of Pearl is a wonderfully realized book, the first in a six book series that puts together first contact, interstellar politics and warfare, environmentalism and bioethics. Spanning the course of several hundred years and across a couple of planets, this book puts all of that in with a number of intriguing characters and well conceived plot lines. The bonus is Traviss's cynical attitude towards humanity, which makes this book a bit of a break from most of the human-centric stories that I've read.

Think about this, I think that this is a good list to have put together. In a very big way, the past decade has been the most formative when it comes to my tastes in books, music and movies, and where my interests in Science Fiction, Fantasy and related genres really came from. This decade marked my high school years, where I not only transitioned from a Star Wars only diet of reading material to the larger classics: Dune, Ringworld and Foundation, to name a few.

While I got most of my base from these classics, most of the books that I've picked for this list are far from the classics - at points, they take a lot of the best themes and turns them on their heads, realizes a number of well conceived notions in new light and makes the genre something new and interesting to read. While reading these books, I've come to realize that the field of science fiction is not one to be left mired in the b-movie territory that long characterizes it; it is a dynamic and interesting field, one that will continue to thrill fans in the future.

Veteran's Day

Today is a day to remember the sacrifices of those who had died for one's country. In the United States, November 11th has been designated as a day to reflect and celebrate the sacrifices of American Servicemen, while in the Commonwealth, Remembrance Day likewise commemorates the those who made the ultimate sacrifice. November 11th was selected because of a worthy anniversary: the end of the First World War, on November 11th, 1918, the conflict that had shocked the world so much, that many hoped that it would be the last.

Sadly, this never came to fruition, as humanity has continued their destructive streak across the century, and will likely to far into the future. In many ways, the trials of soldiers in the far future have provided some of the more interesting science fiction tales.

When thinking to military science fiction, the first book that often comes to my mind is Starship Troopers. Robert Heinlein's masterpiece has the right tone and the right messages throughout about not only the plight of the soldier, but the responsibility and honor that veterans upheld because of their service. In one particularly early scene in the book, when Johnnie and Carl go to join the service, they are bluntly told that military service isn't the romantic adventure that seemed to have been the perception. This doesn't come too much as a surprise, as Heinlein himself was a Veteran, having graduated from the United States Naval Academy in Annapolis in 1929, and served as an officer until 1934, when he was discharged. As the Second World War roared into the lives of Americans, Heinlein worked once again for the military as an aeronautical engineer, alongside two other notable science fiction authors, Isaac Asimov and L. Sprague de Camp. Starship Troopers realistically and in a relatable fashion, sums up the soldier's experience in wartime, and demonstrates that Science Fiction can be used as allegory in a number of instances.

Another remarkable example of military science fiction is Orson Scott Card's Ender's Game and related books that take place during and after. Card's character, Andrew 'Ender' Wiggen, a tactical prodigy and statistician, is a prime example of a soldier who has a varied experience with warfare - and a mixed legacy in the years following his and humanity's successes over the Buggers at the end of the book - a nearly complete and utter destruction of the alien homeworld. Ender's Game is brilliant in its use of characters - Ender proves himself in Battle School, where he uses unconventional tactics to ultimately succeed and demonstrate that he has a superior mind for this style of warfare. A second series of supposed tests are designed to prepare Ender for the invasion of the Bugger's homeworld, only to find that there was no tests - his battles were real, and he was ultimately responsible for the destruction of an entire race. Ender's story is an interesting one, compared to other soldiers, in that he never hit the front lines - rather, he was orchestrating the war from light-years away. Despite this, the war had a profound impact on Ender for his actions - a similarity that is shared with American soldiers who pilot UVAs, according to P.W. Singer in his book Wired for War.

The franchise that embodies warfare in space is Star Wars. Love it or hate various elements of it, I've been greatly impressed with the stories that have been told about the Grand Army of the Republic, through a couple of different sources. The first is the Clone Wars television series, for really emphasizing on the troopers who fought on the part of the Republic. However, the real person who deserves attention for the portrayal of the troopers is Karen Traviss, with her fantastic Republic Commando series. Traviss had quite a lot of experience with the military to draw upon. As a result, Traviss goes far more into the mentality and motives of the soldiers, bringing them far more into view as people, not merely clones. Even better, the events of Order 66 seem very relevant throughout, and Traviss works hard to not only ensure that their motives for following those orders are explained in a logical fashion, but as to the intentions of the soldiers entire existence. The Clones are in a unique position here - bred only for the purpose of war fighting. For them, they're not volunteers, and they aren't expected to live beyond the war - something that the TV series touches on a little bit as well.

While thinking of Traviss's Star Wars books, another good look at war comes with her book City of Pearl and the follow-up novels in the Wess'Har Wars, which examines interstellar conflict over several systems and many thousands of years. Two of her races, the Wess'Har and the Isenj, have been at war over conflicting lifestyles - the Isenj are rapid colonizers, due to a high birthrate, and did so at the cost of their environment, while the Wess'Har believe heavily in the natural world and literally applied a scorched earth policy to planets that they felt were out of line - there's a heavy environmental message here, but it does help to reinforce a point that theorist Carl von Clausewitz made, that Warfare is an extension of policy, and thus, fought on the terms of one's society. The soldiers here are deeply affected by the conflict, as several are essentially immortal, because of a parasite that they had picked up, one that ensures their survival. The long term toll of warfare on these soldiers is an interesting one, and several are noted to have killed themselves (prior to the events in the books) because of the stresses associated with their condition.

When it comes to interstellar warfare, as well as the potential for long term and dedicated purpose, John Scalzi's Old Man's War is another prime example of this sort of Science Fiction. This book, the first in a series (I have the follow up book, but haven't gotten around to reading it yet), sees a world where old men and women are taken, because of their life's experiences thus far, and had their minds transferred to a new, enhanced body. There are many similarities to Starship Troopers and The Forever War (another one that I have, but have yet to read), and Scalzi has an interesting take on the enhanced soldiers and their purpose. One argument in the novel is that these soldiers have been given an artificial lease on life - the best that they can do is to continue to fight. However, in this instance, they aren't necessarily fighting for any particular cause, just the broad, overarching idea of 'humanity', as their citizenship on earth has been terminated by joining the fight in space. This somewhat bothered me, and a couple of the main characters, but highlights another, important aspect in warfare - soldiers, foot soldiers, are trained to fight for one another, to preserve their squad and fellow soldiers, and that message rings heavily through Old Man's War.

Timothy Zahn has also addressed the idea of enhanced soldiers, through his books Cobra and Cobra Two, where a group of soldiers have been enhanced with a number of internal improvements - better skeletons, weapons, a sort of commando unit that are nearly unstoppable in urban combat on alien worlds. However, what really struck me with these books is that the focus is not necessarily on the fighting, but the lives of the soldiers afterwards - these soldiers, with permanent enhancements, had to adapt to civilian life where they were mistrusted and abused because of their abilities, enough to cause conflict in their homes and enough to force the entire Cobra population off world to better offerings.

Military Science Fiction has its share of veterans, and examines, as a whole, not just the cool elements of science fiction, such as powered armor, lasers, epic ship to ship combat and the like, but also the impact, and continued impact that warfare will have on those that are asked to do the fighting, for whatever reason. The concept is such a large one that it is interesting to find a number of different themes - all of which might be found with any given soldier in a real military - have essentially been separated out amongst a number of novels, and examined in depth. The overall message that can be taken from this is that the hopes following World War I were unrealistic, and that humanity will continue to fight - wars large and small will continue, and no doubt, that will continue when we reach the starts. However, it is important to remember the human cost of warfare, not just on society, but upon those who ask to serve their countries, or even worlds.

Recommended Readings

My friend Tyler copied an idea from another blog about his ten must-read books. I figured that I'd get in on the game with a list of my own essential books. I'll try and avoid some of the more obvious ones, as he noted, such as Lord of the Rings and The Golden Compass with some stuff that usually doesn't get enough attention. I can't, however, promise that I'm going to limit it to an arbatrary number. I will limit it to geek-related reading, however. SF, Science, Fantasy, etc.

The Magicians, Lev Grossman. I read this book late in the summer, and was really impressed with the storyline and direction that it took. While ostensibly a ripoff of Harry Potter and The Chronicles of Narnia, this book explores more realistic feelings of a young man being trained in the art of magic. Wired for War, P.W. Singer. This was an earlier read this year, for which I wrote a review for io9, and had a chance to meet and speak with Mr. Singer. This book is ripe with SF references and potential, looking at the introduction of robotic entities into warfare, and how that effects not only combat, but our military's structure. Jonathan Strange and Mr. Norrell, Susanna Clarke. Suzanne Clarke is possibly one of the best fantasy writers of our generation. JSMR is a stunning book, rich in depth and prose, and is a very deliberate book to get through. It's long, challenging and absolutely fantastic. Men of Tomorrow: Geeks, Gangsters and the Birth of the Comic Book, Gerald Jones. This book is what got me interested in social history, which has then gotten me further interested in the field and writing. This book presents a very interesting chronicle of the comic book industry, linking it to major events throughout US history, and traces the beginnings of the first comic strips to the industry that it is today. Coyote, Allen M. Steele. Coyote was initially published as a series of short stories by Steele in Asimov's Science Fiction, and is a great read on intersteller travel, near future politics (this was born out of the Bush Administration, and while it's interesting, it's not necessarily accurate or really in depth) and the colonization of a world, a sort of parallel with the foundation of the United States. The World Without Us, Alan Weisman. Alan Wesiman askes an interesting question: what would happen if humanity just vanished? He then goes on to say what would happen - infrastructure would collapse and vanish quickly, and this premise was used in the recent film I Am Legend. However, there's a really good part of this that examines our relationship with nature. The Lies of Locke Lamora, Scott Lynch. Scott Lynch's first novel is an absolutely riveting read. Lynch is a master at epic world building, creating a detailed fantasy society that includes the darker elements that most Fantasy series seem to avoid. His followup novel, Red Seas under Red Skies is also well worth reading. The Icarus Hunt, Timothy Zahn. This is an older book by one of my favorite authors, Timothy Zahn. It's fairly light fare, but it's an entertaining space opera novel that holds up well. In the Shadow of the Moon, Francis French and Colin Burgess. With the 40th anniversary of the Lunar Landings, there has been an influx of interest in the history of space travel. The University of Nebraska has been on the ball for a couple years now, with the release of In the Shadow of the Moon, which has no connection to the wonderful documentary of the same title. This book examines the history of space travel, on the behalf of the US and Russia, from Gemini to Apollo 11, covering the territory in fantastic detail. The other books in the series are also wonderful. City of Pearl, Karen Traviss. Karen Traviss's debut novel is the first of a six book series and helps to establish her as one of the best new SF writers of the decade. Her stories take place in a number of well concieved worlds and looks over near-future technology, environmental issues and corporate demands. Oh yeah, and some interesting first contact situations and interstellar warfare. American Gods, Neil Gaiman. What's to say about American Gods that hasn't been said before? Gaiman has put together an incredible story. Altered Carbon, Richard K. Morgan. Richard K. Morgan is another up and coming SF writer who has just burst onto the scene in wonderful fashion with this book, Altered Carbon. Morgan puts together a fantastic futuristic world through the story of a noir-esque mystery. Ringworld, Larry Niven. This is already a classic in the SF world, but I wanted to include it because it doesn't get as much attention as some of the other heavyweights of the genre. Ringworld combines epic science fiction from the best elements and lofty themes of the 1970s with another classic theme of SF, exploration. Soon I Will Be Invincible, Austin Grossman. Austin Grossman's first novel about a group of Superheroes in modern society is a fun, exciting and interesting read. These superheroes are a far cry from those of the classic superheroes that are in the comics: these guys have affairs, problems and a rich comic book-style history behind this world. Fans of Watchmen should enjoy it. The Amazing Adventures of Kavalier and Clay, Michael Chabon. Michael Chabon's Pulitzer Prize winning novel is the story of the creation of Superman, and I would actually recommend reading it along with Men of Tomorrow. It's a wonderful and engaging read. The Science Fiction Hall of Fame, Vol 1, Robert Silverberg. This last book is one that I would recommend above all others. If there was ever a situation in which you could only read one SF book, this is the one that I'd recommend. A collection of superb SF stories from the best minds of the genre, this book is one that is absolutely essential. The stories, writing and authors are all top-notch for their times, and this collection of their best works is easily the best snapshot of the genre that I can think of.

Review: The Clone Wars

[This review contains spoilers for The Clone Wars]

Earlier this year, the Star Wars Lit community was abuzz with the news of a couple of things - that there was an untitled Karen Traviss novel coming, and that there was a Clone Wars movie coming out. A couple of months ago, fans learned that they were both connected, as Karen turned out to have been writing the novelization. The release of The Clone Wars brings about the first book released in the time frame since Traviss's last Republic Commando novel, True Colors, which was released last year, and once again shows that Traviss is one of the better writers for the Clone Wars.

This novelization isn't the best work that Karen has released. The book is a very short one, and plotwise, has a bit to be desired. In a nutshell, the Seperatists have kidnapped the son of Jabba the Hutt, hoping to anger the Hutts enough to ensure that the Republic can't utilize their space lanes.

The book is rife with action, which is Karen's strong point, especially when it comes to Clones. the main characters are introduced with a battle, where Karen puts her expertise gained from the Republic Commando books. What I really enjoyed was seeing an author put a level of military realism to this - the Clones talk and act like soldiers.

Karen leaves a lot of nods to the 501st, helping to further explain the role of Vader's fist, the battalion seen in Revenge of the Sith, named for the 501st Legion. One of the more interesting characters in the book is Captain Rex, whom a number of Legion members are building in anticipation of the film's release. Karen pushed these guys to a particular prominence in the book, which is a great nod to the group, of which, she's an honorary member. There weren't any mentions of Republic Commandos, which surprised me a little.

The plot of the book leaves more to be desired beyond the military sections. There are some interesting political ideas here, but the idea that the Republic would send two of their most highly regarded Jedi after a Huttling is somewhat ridiculous. While this is addressed somewhat at points, I found it hard to believe.

More so, I found the notion that the Hutts, or more particularly, Jabba, would completely base foreign policy on a kidnapped child a ridiculous notion. Granted, this is a novelization based off of an animated movie, so expecting something on the level of Karen's other books or other Clone Wars novels such as Shatterpoint is somewhat expected.

Unfortunately, the book is short, clocking in at around 250 pages, taking me a total of five or so hours to read. Fortunately, Del Rey seems to have realized this, and as a result, I only paid $12 for the book (yay for a 40% discount at Borders).

Overall, this is a decent enough read, despite the fact that it is short and not as good as her other books. However, with four more books to go in the series, there's plenty of room for more improvement and Clone action.

7/10

The Internet is Shit

Karen Traviss posted a link to this website with an interesting view on the internet:

http://www.internetisshit.org/print.html

It's very true to life - something that I've heard a number of librarians say over and over - don't depend on the internet. Unfortunently, in this day and age, too many people depend completely. For communications, for news, and even for their weather, instead of looking out the window.

Take a read through this - it's interesting. There is some language in there though, if you haven't figured that out through the title.

The World Before

I finally finished Karen Traviss's latest novel in her Wess'Har series, The World Before. Like the first two, I was absolutely stunned at how well it turned out, and it's become one of my favorite Science Fiction series thus far. If you haven't read it yet, there are some spoilers coming up.

The series is one of the harder ones to describe to people who haven't read the books. In book one, City of Pearl, the main character, Shan, is an environmental enforcement officer, and is approached by a government minister to oversee a mission to a colony that had been thought lost. It's 200 years away, and she's convinced to for various reasons. She's shipped out with a group of scientists and royal marines, and they land on the planet to find an interesting situation. First, there's three alien races with claims to the planet. The Wess'Har, a protector / hippy race, dedicated to preserving the ecosystem of the planet to protect the Bezeri. And there's another race that's been trying to get onto the planet for a long time. Their arrival upsets a delicate balance with the colonists and the Wess'har, and things are further complicated when two things happen: It's learned that one of the aliens, Aras, who befriends Shan, is infected with a parasite that makes him damn near invincible. And when one of the scientists kills an bezeri child in a science experiement. Furthermore, Shan is later infected. When the humans arrive, allied with the other alien race off planet, things get even more complicated.
In book two, Crossing the Line, Shan has moved to side with the Wess'har, to prevent the parasite, from reaching humans. (It essentially prevents you from dying) Agents on the humans side and the former marines work to stabilize an alliance with the other aliens, and work to try and capture Shan and destroy the parasite in it's natural form to prevent it from entering the human population. While this is happening, conflicts are brewing and war is almost inevitable. Shan is captured, and before she can be turned over to Earth, she accidentally infects one of the Marines, Ade, and jumps into space, and is presumed to have died. And in the midst of it all, the bezeri have been essentially wiped out by human agents and a colbalt salted nuclear warhead - which angers the technologically superior Wess'har.

Now, this brings us up to The World Before. The Wess'har have called in their ancestors, whom they broke ties with thousands of years ago, to help with the Human alliance and possible war. (Basically, calling in heavy guns) Shan is found floating in space, and survives - something I didn't see coming at all. This brings some tensions between Ade, her and Aras, whom have formed a relationship, being the only people infected. War is still brewing, and the new Wess'har want to reach reach to correct all the environmental wrongs that have occured. The other alien race (I'm blanking out on their names) also have a deligate who wants environmental controls on his planet (their species population grows too fast) but that causes more problems when he returns home. Things are spinning out of control.

Keep in mind that this is an extremely brief and limited summary of the books. There's a lot that I've missed.

I was really happy to have read this book - Karen is outstanding at description and characters, and some scenes I get chills at reading - such as when Shan wakes up to Ual's death at the hands of his own species. The book is much faster paced than City of Peal, about the level of Crossing the Line.
This entry also feels like just that - an entry. I got the impression that this was mainly a tranistional part of the story, with a lot of things about to happen throughout it, but which we'll see resolved later on in books 4-6. (Next book is entitled Matriarch- Karen's working on it now) But some major things did happen here, things that I didn't expect. Shan is back, the Human alliance is almost shattered by politics, and the Wess'har are somewhat split over how they should proceed. Furthermore, it was mentioned in Crossing the Line that the Wess'har from City of Pearl and their ancestors from the World Before don't see eye to eye on how they should go about doing things. I really got that sense, and really disliked the new guys because of that - Karen did an outstanding job getting that across the pages to the reader.

But, the book is an outstanding read. Karen is, in my opinion, one of the best contemporary Science Fiction writers out there. This series is dynamite and it's only going to get better. I have absolutely no idea how she'll proceed. And that's a good thing. If you haven't read the series - do so. Now. You're missing out.

The World Before

Cold's starting to go away slowly, but it's still a pain in the ass-- and head.

I forgot one book when I put up the list of notable upcoming ones, something that I can't believe that I did.

It's Karen Traviss's The World Before, which is definently going to be the best one of the fall. The last two have been outstanding, and I'm really looking forwards to this one.

Three strikingly different alien races greeted the military mission from Earth when it reached the planet called Bezer'ej. Now one of the sentient species has been exterminated -- and two others are poised on the brink of war.

The fragile Bezeri are no more, due to the ignorant, desperate actions of human interlopers. The powerful wess'har protectors have failed in their sworn obligation to the destroyed native population -- and the outrage must be redressed.
But those who are coming to judge from the World Before -- the home planet, now distant and alien to the Wess'har, whose ancestors left there generations ago -- will not restrict their justice to the individual humans responsible for the slaughter. Earth itself must answer for the genocide. And its ultimate fate may depend on a dead woman: former police officer Shan Frankland, who became something far greater than human before destroying herself in the vast airless depths of space.

Karen's definently my favorite novelist of contemperary scifi. If you haven't check out City of Pearl and Crossing the Line. Both amazing novels.

REPUBLIC COMMANDO SEQUEL!

Not the game, but Karen Traviss will be penning a sequel to the novel Republic Commando: Hard Contact. This one will be called Triple Zero. Here's what The Official Star Wars Site has to say about it:

Announcing Republic Commando: Triple Zero
June 08, 2005
Fans of hard-hitting specialty-clone military literary action have reason to cheer as author Karen Traviss is set to continue the Republic Commando adventures (inspired by LucasArts' Star Wars Republic Commando video game) in a new mass market paperback due for release in spring 2006.
Star Wars Republic Commando: Triple Zero - the sequel to Star Wars Republic Commando: Hard Contact - is set a year after the battle of Geonosis, and follows the continuing missions of Omega Squad. As the Clone Wars casualties mount, the commandos find themselves deployed on increasingly dangerous missions that take them beyond the battlefield and further into sabotage and intelligence operations in the heart of Separatist territory. Newly-promoted Jedi Generals Etain Tur-Mukan and Bardan Jusik are also catapulted into front line combat roles and find themselves identifying strongly with the clone soldiers under their command, who turn out to be anything but predictable cannon fodder.
Omega Squad survives a close brush with disaster to end up in the most potentially dangerous hot spot in the galaxy - pursuing a Separatist terror group in the skylanes and underworld of Coruscant itself, known as Triple Zero in the Grand Army's slang because its galactic chart co-ordinates are 000. And, as any soldier knows, urban operations on your own turf can be the most deadly of all. So it's just as well that Omega Squad find themselves working with Delta Squad, and teamed up again with Etain and Jusik - as well as their legendary training sergeant Kal Skirata, and his secret military intelligence unit of "Null" ARC troopers, the black ops team that even the Kaminoans thought were too dangerous to unleash. It's a critical mission unlike anything any of them have ever tackled - and it tests their friendship and courage to the limit.

Man, 2006 cannot come fast enough. Sqee!

Somehow, I'm not terribly surprised. Karen just made a note on her weblog that Republic Commando: Hard Contact is now in it's SIXTH printing. Man, she's a busy woman.

Report!

So, it's been a busy couple of days this week at KAS. I've been up in the area for a couple days now, having spent the night over at my friend Sam's house, mainly to get a couple extra hours of sleep, avoiding the 4-4:30 wake up that my dad had planned, for he was getting to work really early. I got up, drove to work, promptly dropped the car off at the wrong car dealership to get looked at for an inspection. The people at Berlin City were kind of confused about this...
Work for the past two days has seemed a bit long. I've had three reports that I've been working on at the same time, in two different states. That's pretty interesting, but it's hard to juggle them at different times while I wait for maps. I was just able to finish two projects, because Doug just handed me the maps.
The LOST finale is on tonight, as I've found and confirmed with two co-workers who are fairly big fans of the show. I probably won't see it, unless I happen to get a tape, which might happen, but dammit, I want to see what's in the hatch and what that monster looks like. I guess we'll see in a couple hours. I'll defininently check out the official site later tonight to see if they posted up a new summary. It's awesome having several people in the office who are really into SciFi shows and movies.
Just found this off of Karen Traviss's weblog: She's been contracted to write three more City of Pearl Novels, bringing the total up to six. I must say, I think that she's my favorite author at this point, and I've very excited for this.
And, Coldplay's got a new album coming in a couple weeks. Can't wait to listen to that.